12" MARVIN WRIGHT Robot Dance RARE Peter Brown MINT
$
77
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Description
Marvin Wright
"Robot Dance" Very Rare
ORIGINAL Peter Brown Produced 12" STILL SEALED !
NO REISSUE !
tracks on this 12":
A1. Robot Dance (Artist: Marvin Wright)
from: http://www.discomusic.com/records-more/4089_0_2_0_C/:
Rare and very good instrumental disco track by Marvin Wright with pleasant piano, guitar and keyboard effects.
Record speed at 45 rpm and not 33 1/3 as on the label notes.
B1. Funky Phanton (Arr. Scott Davis)
from: http://www.discomusic.com/records-more/4090_0_2_0_C/
Sometimes i think that the continuous mistakes on Patrick Brown's labels are done on purpose! In this case, apart from the usual record speed (45 rpm, not 33 1/3), the artist name is incorrect: Scott Davis, not Scott David.
Anyway, the song featured here is a great uptempo disco track with the same chanting rhythm and female vocalist of "N.Y. Applejack." It's the b-side of Marvin Wright's Robot Dance.
Label: Queen Constance
Catalogue no.:LP-3
Country: USA
Year: 1978
This is a very much sought after and hard to find classic 12", produced by Peter Brown. This 12" plays on 45 rpm (though it says 33 1/3 on the label).
Grading:
Sleeve & vinyl: This 12" is Still Sealed !
This 12" has been graded according to the Record Collector's Grading System:
MINT
The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT
The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
VERY GOOD
The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD
The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
FAIR
The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
POOR
The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
BAD
The record is unplayable or might even be broken, and is only of use as a collection-filler.
CDs & CASSETTES
As a general rule, CDs and cassettes either play perfectly — in which case they are in Mint condition — or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves.
I will ship this single worldwide!
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