18TH DYE, TRIBUTE TO A BUS (NM) 1995 VINYL LP, GERMAN INDIE ROCK, Steve Albini
  $   22

 


$ 22 Sold For
Jan 23, 2016 Sold Date
Jan 17, 2016 Start Date
1 Number Of Bids
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Description


18TH DYE, TRIBUTE TO A BUS, VINYL LP, GERMAN INDIE ROCK, MATADOR RECORDS, RECORDED BY STEVE ALBINI


Label, Matador ?– OLE 125-1

Released in 1995

RECORD CONDITION / NM /// close to MINT, but just a couple slight flaws. Listen-tested and it sounds wonderful! Most of record sounds new!

JACKET CONDITION / NM, close to MINT

INCLUDES ORIGINAL LYRIC INNER-SLEEVE

also includes plain-record-sleeve

TRACK LISTING:

A1

Glass House Failure

4:02

A2

Sole Arch

3:52

A3

Only Burn

2:56

A4

Play w/ You

3:44

A5

Label

3:30

A6

No Time / 11 (Spectators)

3:29

B1

Poolhouse Blue

6:50

B2

Go!Song

3:00

B3

D.

3:16

B4

Galeer

2:27

B5

Mitsuo Downer

3:21

B6

Easy (& How We Got There 1st)

Bass, Vocals – Piet*Drums, Vocals – Heike*

4:57

Credits

Sebastian Büttrich – vocals / Guitar

    Heike Rädeker – vocals / Bass Guitar

    Piet Bendtsen – drums

  • Artwork By [Cover] – Piet

  • Bass, Vocals – Heike* (tracks: A1 to B5)

  • Drums, Vocals, Percussion, Organ – Piet* (tracks: A1 to B5)

  • Guitar, Vocals, Organ, Xylophone – Sebastian*

  • Liner Notes – Simon Sheikh

  • Mastered By – John Loder

  • Mixed By – 18th Dye, Steve Albini

  • Other [Live Sound] – Micha

  • Other [Organisation, Chef] – Iain Burgess

  • Photography – Sigrún Gudbrandsdóttir

  • Recorded By – Steve Albini

  • Recorded By [Assistant] – Peter Deimel

Notes

Recorded and mixed at Black Box Studio, La Dionnaie, 49520 Noyant La Gravoyere, France. 
Mastered at Abbey Road Studios, London, UK.

18th Dye was a Berlin-based German/Danish noise rock band formed in 1992 by German Sebastian Büttrich (vocals, guitar), Danish-German Heike Rädeker (vocals, bass) and Dane Piet Bendtsen (drums). They broke up in 1999 after 2 albums and an EP, but reformed in 2005. A third album "Amorine Queen" was released in 2008 but they split up again in 2009.

Drone-heavy, fuzzed out debut LP Done, produced by Iain Burgess (Naked Raygun, Ministry, Big Black), was released in Germany in 1992 before the band gained a recording and distribution deal with US Independent label Matador Records in 1994, having been championed by Yo La Tengo. The self-produced six song EP Crayon followed in 1994.

In 1995, 18th Dye moved to Danish label Cloudland Records and recorded their second album, Tribute to a Bus, recorded by Steve Albini at Black Box Recording Studio in Noyant-La-Gravoyère, France. More dynamic and diverse than previous recordings, its blend of noise and melody suggest influences such as Sonic Youth, The Wedding Present and Wire. It is characterised by oblique English-as-second-language, maths based lyrics.

The band recorded three Peel sessions: in July 1994, March 1995 and February 1999. They broke up in 1999 with Büttrich and Bendtsen going on to form Kikkert and later Test, while Rädeker has played with the bands Evonike and Wuhling. They reformed in the summer of 2005 and have begun to debut new songs at recent shows around Europe. In November 2007, 18th Dye signed a new recording contract with Danish-based record label Crunchy Frog Records (The Raveonettes, Junior Senior, Heavy Trash, PowerSolo, The Naked, epo-555).

In 2008, a third album Amorine Queen was released and the band toured the USA before breaking up again in 2009. A press statement said of the split "It is not possible for us to compose, create and act as a band any more. We have decided to stop the band at this point."

Tribute To A Bus is the second full length album by 18th Dye, originally released in 1995. It was recorded by Steve Albini.



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Guidelines for record grading / condition of used records (based on Goldmine Grading for Records)

MINT (M): Perfect! This record looks like it has just left the manufacturer, with NO flaws what so ever. It looks as though it had never been handled. No scuffs or scratches, blotches or stains. No stickers or writing address labels. COVER: No writing, no tears or seam splits. No wear to the cover or record period! Age of the record has nothing to do with it.

NEAR MINT or (NM), (M-): RECORD: Record appears virtually flawless. A very minor scuff and very little else appears on the vinyl. It should play without any noise over the flaw. The flaw is very hard to see. COVER: The cover looks as close to perfect with only minor signs of wear and or age. Minor impressions to the cover (due to the outer edge of the vinyl resting inside) may be acceptable, however the artwork is as close to perfect as can be.

(VG++), EXCELLENT or (EX): RECORD: Will have minor scuffs which are only slightly visible. There may be more than a few scuffs and NO scratches. COVER: Artwork is still as close to perfect as can be. Some impression to the cover (minor outer ring wear) but no ink wear! Some slight creases to the corners, but not wrinkled and obtrusive to the eye. The corners can show white (where the artwork pasted slick was) meaning, slight wear. No seam splits, writing on the cover or taped repairs.

VERY GOOD PLUS or (VG+): RECORD: A VG+ record shows some wear and surface scuffs. The vinyl still has a great luster, but the flaws will be noticeable to the naked eye. Visible flaws don't cause too much surface noise. COVER: A virtually clean cover, but may have small writing on it. The artwork looks clean with slightly more aging. Flat white paper will be somewhat yellow, but no stains or mildew from water damage. Some minor wear to the seams or spine, but no significant tears or holes popping through. The corners will be slightly dog eared, but no crackly bends, defacing the artwork.

VERY GOOD or (VG): RECORD: A record that is good enough. They are not really going to look very good, but will PLAY very good. There will almost always be some surface noise when they are played. The Dynamics should still be excellent, overpowering the surface noise. A VG record will look like it has been played, but still have some luster. COVER: VG covers will look worn, used. There may be some seam splitting . There will be some ring wear, where the ink has begun to wear off, giving the cover a look of snow falling. There may be some writing on the cover (still, no Large letters in magic marker). It will look aged and more yellowish due to contamination's in the air (sometimes looking like cigarette smoke), but should be decent.






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