1902 Agustarello AFFRE PAULINE AGUSSOL 1st Stamper w piano ROMEO ET JULIETTE 78
  $   44

 


$ 44 Sold For
Mar 24, 2014 Sold Date
Mar 17, 2014 Start Date
$   35 Start price
2   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

 

WEEK 1 of 3 weeks of great auctions - A whole range of great records, pls have a look at the banner below the
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I am currently selling a series of great Richard Wagner and classic European 78 rpm orchestral recordings on all the great European labels:

 

One of the FIRST Paris records of famous French tenor Agustarello Affre and soprano Pauline Agussol

GC.-34005 +Affré (ten.): Madrigal "Romeo et Juliette" (Gounod) mx.1228 F Paris 1902

with piano

10 " Flush Label G&T (label is actually raised about 1/2 mm above dead wax). Markings: 34005 at 12 o'clock, 1228F No CO or Stamper markings.

Condition: VERY GOOD PLUS PLUS, shiny and undamaged. 2 x 2mm tiny blunt scuffs,

plays quiet

Augustrello Affre, one of the chief 19th century exponents of Faust, is here heard in a portion of the “Love Duet” from Act Three as well as the “Final Trio.”

AFFRE, AGUSTARELLO [te] (Saint-Chinian, 1858–Cagnes sur Mer, 1931) A great exponent of the French tradition of grand opéra, Agustarello Affre held his own with Escalaïs, de Reszke, Scaremberg, Muratore, and Franz in a career that lasted two decades. After studying in Toulouse and at the Paris Conservatory National, Affre made his debut at the Paris Opera in 1890 as Edgardo in Lucia di Lammermoor with Nellie Melba. He soon claimed leading parts in Les Huguenots, Guillaume Tell, Aida, Faust, Sigurd, L’Africaine, and Roméo et Juliette. At the Paris Opera, he created Zarastra in Massenet’s Le mage and was the first Canio. Despite never singing at the Opéra-Comique, he made guest appearances in Lyons, Marseilles, Brussels, London, Havana, and San Francisco. In 1912 he appeared in New Orleans and the following year was appointed the director of the company. A prolific recording artist, Affre recorded a large and varied repertoire for Zonophone, G & T, Columbia, Pathé, and Odéon. His bright voice recorded well for the early gramophone but often the acoustic process emphasized a strained and edgy quality that may not have been so apparent in the theater.


Agussol, Pauline, Sopran, * 29.11.1863 Toulon, † (?); die oft angegebenen Vornamen Charlotte oder Marie waren Beinamen der Künstlerin, die sie nie bei ihrem professionellen Singen gebrauchte. Sie studierte bis 1887 am Conservatoire National von Paris und debütierte an der Pariser Grand Opéra 1888 als Page Urbain in den »Hugenotten« von Meyerbeer. 1888 sang sie dort in einer glanzvollen Premiere von Gounods »Roméo et Juliette« mit Adelina Patti, Jean und Édouard de Reszke, Jean-François Delmas und Léon Melchissèdec zusammen die Rolle des Stéphano. Sie verlegte sich hauptsächlich auf Partien aus dem Bereich der Soubrette, namentlich auf Travestie-Rollen. 1893 sang sie an der Grand Opéra die Waltraute in der französischen Erstaufführung der »Walküre«, 1895 den Hirtenknaben in der ersten Aufführung des »Tannhäuser« nach der unglücklichen Premiere von 1861. 1899 sang sie dort den Ascagne in der Premiere von »La Prise de Troie« von Berlioz. Später war sie an der Grand Opéra als Interpretin kleinerer und Comprimario-Rollen tätig.Insgesamt ist sie während zwanzig Jahren (bis etwa 1910) an der Grand Opéra aufgetreten. Bühnenpartien: Jemmy in Rossinis »Wilhelm Tell«, Siebel im »Faust« von Gounod, Inez in »La Favorite« von Donizetti, Colombe in »Ascanio« von Saint-Saëns, Fatima in »Zaïre« von Véronge de la Nux, Hilde in »Sigurd« von Reyer, Myrtale in »Thaïs« von Massenet, Beltis in »Le Fils de l'Étoile« von Erlanger, Waldvogel im »Siegfried«, Priesterin in »Aida«.

Zahlreiche Schallplatten, beginnend 1901 mit Aufnahmen auf G & T, dann auf AGPA, Zonophone, Beka (Paris 1906), Odeon und Favorite, die letzten von 1906. Darunter finden sich viele Ensemble-Szenen.

 

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The Grade (Excellent to Fair, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately, when prefaced with "HOWEVER" or "BUT" they will be significant.

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Here is a guideline for US Media Mail Shipping:

Prices below are for regular 78 rpm records. Up to about 5 records, I will ship Edison Discs for the same rates. Estimate count for Album Sets as number of records plus 1 record. I have a great track record for sending LARGE PARCELS of records safely

1 record: 4.75$

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