1915 Dr OSCAR BOLZ Tenor Berlin Lohengrin Narrative Walkuere Winterstuerme Oskar
  $   21

 


$ 21 Sold For
Jun 10, 2019 Sold Date
Jun 3, 2019 Start Date
$   15 Start price
3   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

Please wait for me to send you an invoice. DO NOT USE EBAY CHECKOUT if you want the lowest possible postage.

 

Welcome to my auctions of great records

This is my FINAL WEEK. Auctions will end on June 9 – I WILL PACK AND BILL YOUR RECORDS after the close on JUNE 9, due to the very high number of records, pls allow 48 HOUR for me to send you an invoice.

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About 30% less to Canada. Pls ignore international postage displayed in Ebay, rates are too high

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A series of great Violin, Piano and Orchestra records on rare labels, from 1902 Monarch to 1940 War Germany recordings.

 

Great performance by OSCAR BOLZ  PhD Dentistry:  Tenor of the Berlin Court Opera

Lohengrin Narrative Walkuere Winterstuerme

 

Rare German Artiphon

12" 78 rpm record.

Condition: VERY GOOD PLUS PLUS, rubs, plays E- very quiet faintest crackle


A GREAT COPY

 

Bolz, Oskar, tenor, * 1.5.1875 Magdeburg, † 26.6.1935 Sopot; He first studied dentistry at the Berlin University, earned his doctorate and became a dentist. He then had his voice trained at the Stern Conservatory in Berlin and began his career in 1900 at the Municipal Theater of Olomouc. Through the Theater of Barmen, Aachen (1902-03) and Mainz, he came to the Stuttgarter Hofoper in 1905, where he had important successes as Raoul in the "Huguenots" of Meyerbeer and as Siegfried. In 1906 he appeared in Stuttgart in the German premiere of the opera "Siberia" by Giordano as Wassili. However, he went to further education in Milan, where he was a student of Lamperti and Sibella. In Italy he then gave guest performances at the Teatro Carlo Fenice of Genoa, sang in Madrid, Amsterdam and Paris. In Paris he was admired in 1907 as Herod in "Salome" by R. Strauss; He has sung this, his real starring role, more than 200 times in his career. After performing at the Hamburg Stadttheater in 1912-13, he sang at the Hofoper in Stuttgart from 1913-18, at the Stadttheater in Halle / Saale from 1918-20 and at the Stadttheater in Nuremberg from 1920-21. Finally, in 1922, Max von Schillings commissioned him to the Staatsoper Berlin, where his performance of heroic roles was highly valued, especially his Tristan, Radames and Othello. During his career he gave guest performances at the Hofopern of Vienna (1911 as Othello), Dresden and Munich, at the court theaters of Karlsruhe, Wiesbaden, Mannheim and Hanover, at the opera houses of Riga, Leipzig, Cologne, Frankfurt aM and Budapest and at the Komische Oper Berlin (1908). Among his stage roles were Johann von Leiden in Meyerbeer's "Prophet", Eleazar in "La Juive" by Halévy, José in "Carmen", Raoul in Meyerbeer's "Huguenots", Max in "Freischütz", Rienzi von R. Wagner, Siegmund in the Valkyrie, Siegfried in the Nibelungenring, Lohengrin, Pedro in Lowland by E. d'Albert, Riccardo in Verdi's Maskenball, the title roles in Der arme Heinrich and in »Palestrina« by Hans Pfitzner, the Turiddu in »Cavalleria rusticana« and the Cavaradossi in »Tosca«. In 1925 he opened a stage recruitment office in Berlin, but eventually took up residence in Munich. He died of heat stroke during a stay on the Baltic coast. - He was married to soprano Elsa Salvi. This was 1900-1901 at the Theater of the West in Berlin, 1901-1901 at the Municipal Theater of Barmen, 1902-03 at the Theater of Königsberg (East Prussia), 1903-05 at the Municipal Theater of Mainz, 1905-06 at the Wroclaw Opera House, 1906-07 engaged at the Hoftheater in Stuttgart and has lived in Stuttgart ever since. She appeared as a guest at the Berlin Court Opera (1901 as Pamina), at the court theaters of Kassel, Wiesbaden and Mannheim, at the Municipal Theater of Zurich and at the Opera House in Cologne. Her stage roles were there u.a. the Countess in "Figaro's Wedding," Eva in the "Meistersinger," Sieglinde in the Valkyrie, Undine in the opera of the same name in Lortzing, Norma, Valentine in the "Huguenots" of Meyerbeer, and Rachel in Halévy's "La Juive".

From the voice of Oskar Bolz there are acoustic parlophone records; also recordings on Favorit and on Odeon, on Artiphon and Polyphon.

A series of great Records about Dixie, the Civil War, early One Step, Cakewalk and Blackface performers



issued first in 1901 Record No 485 on rare COLUMBIA CONDITIONS RECORD

NO 485

Here take 4 without performers named

ANNOUNCED  Edward Favor What do you of Think O'HOOLIHAN

Edward Favor singing w piano, a second person shouting comments


10" 78 rpm record

Condition:

VERY GOOD PLUS, plays w hissy swish, light fuzziness on top

More Great Records on sale right now:

http://shop.ebay.com/carsten_sf/m.html

http://shop.ebay.com/carsten_sf/m.html

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A Quick NOTE ON GRADING AND SHIPPING:

As you can see from my feedback, I try hard to earn your POSITIVE FEEDBACK and FIVE STAR RATINGS.

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Quick note on grading:

The Grade (Excellent to Poor, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately

When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise.
"SUPERQUIET" is basically noiseless, like a vinyl pressing.
"VERY QUIET" is an exceptionally quiet record for a given pressing.
"Quiet" is a record that is a great example without undue noise for a give pressing.

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1 record: 4.75 – 5.50$

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