1917 W.C. HANDY's ORCH of MEMPHIS That JAZZ DANCE EVERYBODY IS CRAZY ABOUT 78

$

29

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A series of great  JAZZ Records from early Ragtime to Beb-Bop on 78 rpm Victrola Records

Famous NEGRO Blues Composer W.C. HANDY in one of his rare COLUMBIA
Handy's was the second African-American to make jazz records. Wilbur Sweatman and his Jass Band recorded three records for the Pathe label in April of 1917

W.C. HANDY's ORCHESTRA Of Memphis, with a nod to the Original Dixieland Band.

W.C. Handy's Orchestra of Memphis jumped on the Jazz bandwagon in September of 1917 by recording ten songs for Columbia including their cover version of Livery Stable Blues the Original Dixieland 'Jass' Band's big hit record. Handy was forty-three years old when these records were made. If you consider Wilbur Sweatman's and his Jass Band records of 1917 to be Ragtime stylistically and not Jazz then you could safely say that Handy's records were the first Jazz recordings made by an African-American band. Only the song That "Jazz" Dance (The Jazz Dance Everybody Is Crazy 'Bout) was labeled as jazz but I've included Handy's version Livery Stable Blues on this list for obvious reasons. W.C. Handy's association with Jazz after 1917 was primarily as a songwriter. His songs such as the "St. Louis Blues" and "Memphis Blues" would become part of the standard repertoire of jazz.

10" 78 rpm record

Condition:

GOOD PLUS, dull surface, many fine scratches, plays w high crackly hiss

These are the first recordings made by W.C. Handy. He was forty-three years old at the time that these records were made in 1917. Handy performs Livery Stable Blues which is a cover version of the Original Dixieland Jass Band's big hit record that was recorded just seven months earlier and is generally considered to have been the first Jazz record. Handy's was probably the second African-American to make jazz records. Wilbur Sweatman and his Jass Band recorded three records for the Pathe label in April of 1917.
 

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The Grade (Excellent to Fair, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately

When I listen to a record, I may also give it an aural grade (again E to F), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise.
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1 record: 4.50 – 5.00$

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