1919 YVETTE GUILBERT French Est-il Donc Bien Vrai/ Le Roy A Fait Maurice Eisner

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Toulouse Lautrec captures her singing La Glu, a lurid song about a man and his mistress. It was precisely the contrast between Guilbert’s girlish, seemingly innocent appearance and the shocking, often raunchy lyrics of her songs that made her one of Montmartre’s biggest stars.


Yvette Guilbert was one of Henri de Toulouse-Lautrec’s favorite subjects. With her tall, lanky physique and unconventional voice, she was unique among Montmartre’s café-concert and cabaret performers. She wore long black gloves and dresses with plunging necklines that emphasized her gaunt form, a characteristic that Toulouse-Lautrec seized upon in his numerous images of the singer

Sings two racy cabaret pieces , Maurice Eisner at the Piano.

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[edit] Biography
 
Jules Cheret, Yvette Guilbert, 1891 Art Nouveau poster for the famous Parisian chanteuseBorn into a poor family as Emma Laure Esther Guilbert, Guilbert began singing as a child but at age sixteen worked as a model at the Printemps department store in Paris. She was discovered by a journalist. She took voice and acting lessons on the side that by 1886 led to appearances on stage at smaller venues. Guilbert debuted at the Variette Theatre in 1888. She eventually sang at the popular Eldorado club, then at the Jardin de Paris before headlining in Montmartre at the Moulin Rouge in 1890. The English painter William Rothenstein described this performance in his first volume of memoirs:

"One evening Lautrec came up to the rue Ravignan to tell us about a new singer, a friend of Xanrof, who was to appear at the Moulin Rouge for the first time... We went; a young girl appeared, of virginal aspect, slender, pale, without rouge. Her songs were not virginal - on the contrary; but the frequenters of the Moulin were not easily frightened; they stared bewildered at this novel association of innocence with Xanrof's horrific double entente; stared, stayed and broke into delighted applause."[1]

For her act, she was usually dressed in bright yellow with long black gloves and stood almost perfectly still, gesturing with her long arms as she sang. An innovator, she performed raunchy songs of tragedy and lost love about the Parisian poverty from which she had come. Guilbert broke and rewrote all the rules with her audacious lyrics, and the audiences loved her. She was noted in France, England, and the United States at the beginning of the twentieth century for her songs and imitations of the common people of France.

1894: Singing "Linger Longer, Loo"She was a favorite subject of artist Henri de Toulouse-Lautrec, who made many portraits and caricatures of Guilbert and dedicated his second album of sketches to her.

Guilbert made successful tours of England and Germany, and the United States in 1895-1896. She performed at Carnegie Hall in New York City. Even in her fifties, her name still had drawing power and she appeared in several silent films as well as in talkies, including a role with friend, Sacha Guitry.

She once gave a performance for King Edward VII, the Prince of Wales at a private party on the French Riviera. Hostesses vied to have her at their parties.

In later years, Guilbert turned to writing about the Belle +poque and in 1902 two of her novels were published. She also conducted schools for young girls in New York and Paris.

Guilbert became a respected authority on her country's medieval folklore and on 9th July 1932 was awarded the Legion of Honor as the Ambassadress of French Song.

Yvette Guilbert died in 1944, aged 79. She was interred in the PFre Lachaise Cemetery in Paris.