1925 ORIGINAL CHARLESTON PauL Whiteman Orchestra 78

$

52

Please wait for me to send you an invoice. DO NOT USE EBAY CHECKOUT if you want the lowest possible postage.

Welcome to my auctions of great records

This is my FINAL WEEK of 2 weeks of great auctions – I WILL PACK AND BILL YOUR RECORDS after the close of these auctions on MARCH 12. KINDLY ALLOW UP TO 48hrs for packing and billing to get you the exact postage.

PLEASE DO NOT PAY before I send you an invoice. It will take me up to 48 hours to pack your records, but this is the ONLY WAY to get you the LOWEST POSTAGE. If you pay before I sent you an invoice, the EBAY system will charge you a HIGHER POSTAGE for shipping.

A series of great  JAZZ Records from early Ragtime to Beb-Bop on 78 rpm Victrola Records

The original Charleston here in the famous early electric Recording by the PAUL WHITEMAN BAND

Charleston (with Whiteman doing some Chinese-style scat singing)

Honey I'm in Love with You

10" 78 rpm record

Condition:

Good Plus - record has some wear, is dull with fine scratching. Plays VG+ quiet with some crackly swish some bass buzzing

CHARLESTON
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So, by 1923, people were ready for something new, and it arrived in the form of a dance called the "Charleston" , composed by James Price Johnson, and lyricist Andy Razaf. The song was featured in the 1923 Afro-American Broadway musical "Running Wild" , and was sung by Elizabeth Welch, but did not catch on with the public until the all-Black cast of "Running Wild" appeared in "Florenz Ziefeld's Follies of 1923". No other dance epitomizes the spirit and joyous exhuberance of the 1920's more than the "Charleston". The dance became so widely popular that even to this day, it is still the main symbol of the 1920s Jazz Age. "Tin Pan Alley" turned out hundreds of "Charleston" variations, and Charleston contests, were a regular part of Dance halls and hotels everywhere. Hospitals began receiving patients complaining of "Charleston knee." Interestingly, the Stodgier ballrooms tried to discourage the frenetic "Charleston" by posting signs that read simply, "PCQ" ("Please Charleston Quietly"). Today, in our mind's eye, we visualize Flappers with their knock knees, crossing hands, and flying beads dancing the Charleston.

One of the more successful variants, a dance called the "Black Bottom" , was first introduced in the 1926 Broadway edition of George White's "Scandals Listen now to a 1926 version of the "Black Bottom" , as played by Johnny Hamp's Kentucky Serenaders. Within that one year, the dance swept not only America, but the entire world. Eventually, all the early dances lost popularity and the Foxtrot became the preferred dance

The band was formed in early 1923. The main attraction at London's famed Savoy Hotel had been Bert Ralton's Savoy Havana Band, and when Ralton left in late 1922 for an Australian tour, the band's violinist, Reginald Batten, became the leader. (Rudy Vallee was playing the Sax and Billy Mayerl was on the Piano). In 1923, due to the great popularity of the NY Havana Band, the Savoy decided to hire still another band - called The Savoy Orpheans - with Debroy Sommers as Leader. (Vallee was still on Sax but Billy Thorburn was on the piano. Carroll Gibbons was also in the new band). Now, both the New York Havana Band and The Savoy Orpheans bands were feature attractions at the Hotel.

    Tiny Stock
    Laurie Payne
    Bert Thomas
    L. Huntington
    George Hartley
    Frank Herbin
    Jean Zamblin
    Teddy Sinclair
    Billy Barton
    Cyril Hellier
    Max Goldberg
    Unknown
    Frank Guaranti
    Eddie Bare

These bands included many notable musicians and later band leaders. Somers left the Orpheans in 1926 with Newton becoming Leader. Carroll Gibbons became the Leader in 1927. The Orpheans ended their involvement with the Savoy in 1927 (along with the Savoy Havana Band), but in the early 1930s Howard Jacobs and Carroll Gibbons, as joint leaders, formed a band known as the Savoy Hotel Orpheans. The band was later lead by Gibbons alone, and his name became added to its title.

More Great Records on sale right now:

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Quick note on grading:

The Grade (Excellent to Fair, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately

When I listen to a record, I may also give it an aural grade (again E to F), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise.
"SUPERQUIET" is basically noiseless, like a vinyl pressing.
"VERY QUIET" is an quiet record for a given pressing.
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1 record: 4.50 – 5.00$

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