1928 MIGUEL VILLABELLA PATHE ART DECO 7104 Maitre Pathelin MANON Picture Label
  $   25

 


$ 25 Sold For
Feb 20, 2020 Sold Date
1 Number Of Bids
  USA Country Of Seller
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Description

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A series of great  classical orchestral and instrumental performances by major conductors, composers and instrumentalists.

Famous PATHE ART DECO 7104 Picture Label w Art Deco design by François-Louis Schmied, was born in Geneva on November 8, 1873.
He died in Tahanaout, Morocco, in January 1941.

French painter, wood engraver, printer, publisher, illustrator and binder.

Considered as a major artist of the "Art Deco" style, particularly in the field of publishing for bibliophiles.

Called the Prince of FRENCH LYRIC TENORS, Basque MIGUEL VILLABELLA in his first 1925 acoustic PATHE SESSION

MIGUEL VILLABELLA [t]
MAITRE PATHELIN: Je pense à vous (Bazin)/ MANON Le REve

Pathe Art records were recorded with substandard electric equipment, and were quickly withdrawn, once Columbia provided Pathe with their own state of the art recorder

12" Pathe lateral 78 rpm record

Condition  EXCELLENT close to pristine, light rubs on MANON, plays E+ EXCEPTIONALLY quiet.

Some fuzzines in the matrix caused by the Pathe equipment.

A CHOICE COPY

Miguel Villabella, though remembered as a quintessential French tenor, was actually a Basque, born in Bilbao in 1892. His father was a singer, a famous Zarzuela baritone, from whom the young tenor learned much but a move to Paris led to a meeting with Lucien Fug?re, doyen of French bass-baritones and musical life in Paris. He made a concert debut in San Sebastian in 1917 and his operatic debut (Tosca) a year later, opened at the Op?ra-Comique in 1920 and thereafter, once established, was seldom heard outside France (he did get as far as Brussels and though he was billed for a Florence appearance it canÆt be confirmed he actually appeared). His career wound down after the Second War û his stage career ended in 1940 - as he devoted more and more time to teaching and he died in 1954 after routine surgery. He took the expected roles, Don Jos?, Hoffmann, Fernando (in Cos?), Des Grieux, Rinuccio and G?rald amongst them. He sang under Bruno Walter and recorded Lully (though thereÆs none here) so he was certainly no one-dimensional tenor.

What he was instead was an expressive lyric tenor with a fine range, especially at the top where his floated head voice was exceptionally convincing. He was a most stylish exponent of the French tradition, one that embraces a good number of Basque and Corsican singers in addition to Villabella. His Mignon is open, lyric, and splendid throughout the range though with maybe too much of a lyric bleat but his Mireille is ardent and expressive and fully commanding. In RigolettoÆs Comme la plume au vent û almost everythingÆs sung in French û his ardour is almost up there with Georges Thill whilst his technique is quite unruffled by MessagerÆs Fortunio extract. He is plangency itself in Manon û marvellously floated head voice with admirable breath control (even at the top there is no sense of strain) û and he is noble and virile in MassenetÆs Gris?lidis. The voix mixte he so effortlessly deploys (essentially head voice and falsetto) is emblematically French and wonderful to hear û though arguably we do hear it rather a lot. He has plenty of power in reserve throughout and turns on the stylish ease in Offenbach though even he canÆt do much with the wobbly old band that accompanies him in Le Jongleur de Notre-Dame. His Roi dÆYs is notable for richness of execution, latent power, consummate style and portamenti on light head notes whilst his Op?ra-Comique credentials are on show in Suzanne. He makes a good team with Baug? in the Rossini û his partner starts rather unsteadily but soon warms up though in his solo Rossini, whilst his divisions are special, he can be a mite superficial. But we can enjoy the two Spanish items for their idiomatic control.

On some of the copies there are minor problems; blasting, some thumps and bumps. But I would persist beyond them to appreciate this lyrically elevated and tonally admirable exponent of a vanished performing style. The notes consist of a bare paragraph of biographical details, in French and English. Try the singing though.

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