1929 Negro band McKinney's COTTON PICKERS ZONKY/ Plain Dirt 78

$

23

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Welcome to my auctions of great records

This is my FINAL WEEK. Auctions will end on June 9 – I WILL PACK AND BILL YOUR RECORDS after the close on JUNE 9, due to the very high number of records, pls allow 48 HOUR for me to send you an invoice.

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A series of great  JAZZ Records from early Ragtime to Beb-Bop on 78 rpm Victrola Records

One of the first all-Black Jazz Bands to record for Victor: McKinney's Cotton Picker's HOT JAZZ. Green label late 1930s Victor collector re-issue

PLAIN DIRT

ZONKY

10" 78 rpm record

Condition:

EXCELLENT MINUS, scuffs, plays E very quiet rare ticks

A CHOICE COPY

From Redhotjazz Site

 William McKinney, showman-drummer, formed his Cotton Pickers in Springfield, Ohio in 1922, but it was not until the summer of 1928 that they commenced their short but illustrious recording career for Victor. In the autumn of 1931 Don Redman, who did most of the arrangements, took a band of his own, including in it several of the Cotton Pickers. The Cotton Pickers were based originally in the Greystone Ballroom in Detroit, opposite Jean Goldkette's excellent White orchestra, but by the early part of 1929 we find them in Harlem at various nightspots. Their personnel varied as any personnel in a band this size, but in it's ranks were at one time such brilliant stars of the Harlem Jazz firmament as Benny Carter, Coleman Hawkins, Lonnie Johnson, James P. Johnson, Joe Smith, Ed Cuffee, Claude Jones  and Fats Waller. The original policy of the band was to play hot numbers, many of which were composed by Redman and/or other musicians in the band, but once in New York, with a recording contract from Victor that was demanding of all its artists a more commerical approach to work, the Cotton Pickers included a repertoire of the better popular hits of the day, giving them a rich and rare treatment, with warm section work and beautifully executed soli . Although the brass bass is supposed to be heavier than a string bass, in Billy Taylor's hands it is a living thing, giving adequate support to Wilborn's lively banjo and Austin's crisp drumming.

A series of great Records about Dixie, the Civil War, early One Step, Cakewalk and Blackface performers

issued first in 1901 Record No 485 on rare COLUMBIA CONDITIONS RECORD

NO 485

Here take 4 without performers named

ANNOUNCED  Edward Favor What do you of Think O'HOOLIHAN

10" 78 rpm record

Condition:

VERY GOOD PLUS, plays w hissy swish, light fuzziness on top

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Quick note on grading:

The Grade (Excellent to Poor, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately

When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise.
"SUPERQUIET" is basically noiseless, like a vinyl pressing.
"VERY QUIET" is an exceptionally quiet record for a given pressing.
"Quiet" is a record that is a great example without undue noise for a give pressing.

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US Domestic Shipping:

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Prices below are for regular 78 rpm records. Up to about 5 records, I will ship Edison Discs for the same rates. Albums from Album Sets count as 1 record. Above that and for international shipments, it will be actual weight plus a small packing charge (1-3$ depending on size of shipment)

1 record: 4.75 – 5.50$

2 records: 6.50$

5 records: 8.00$

10 records: 12.00$

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