1930 Marcel MOYSE FLUTE LILY LASKINE Harp Mozart Concerto C Major Coppola M-141
  $   50

 


$ 50 Sold For
May 4, 2021 Sold Date
Apr 29, 2021 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

A series of great Violin, Piano and Orchestra records on rare labels, from 1902 Monarch to 1940 War Germany recordings.

 

Great first recording of Flute soloist MARCEL MOYSE and Harpist Lily Laskine 

Marcel Moyse & Lily Laskine - Mozart Concerto for Flute Harp and Orchestra in C major, K 299

Piero Coppola / Concerts Lamoureux Orch.

recorded 1/26, 1931

Original Issue Victor Orthophonic Album M-141 w patterned sleeves 3x12"  78 rpm record

 Condition: EXCELLENT close to pristine, light rubs on side 6 do not sound,  plays very quiet light hiss

ALBUM great, binding solid, interior like new, light rubbing to covers, spine a little dark
A GREAT COPY

Marcel Moyse (May 17, 1889 in St. Amour, France – November 1, 1984 in Brattleboro, Vermont, United States) was a famous French flutist. Many works were composed for Moyse, including the 1934 Flute Concerto by Jacques Ibert. He was also a gifted flute teacher, and authored many studies and exercises for flute.

Marcel Moyse studied at the Paris Conservatory and was a student of Philippe Gaubert, Adolphe Hennebains and Paul Taffanel, all of whom were distinguished flute virtuosos in their time. His trademark tone was clear, flexible and penetrating, enlivened and controlled by a fast vibrato. This was characteristic of the 'French style' of flute playing that was to influence the modern standard for flutists worldwide.

Marcel Moyse taught on the faculty of the Conservatoire de musique du Québec à Montréal, and was a founder of the Marlboro Music School and Festival. He was an inspiring teacher who strove to teach his students not how to play the flute, but to make music. He often performed together with his son, Louis Moyse (1912–2007).[1] Among his many students were Paula Robison, Trevor Wye, William Bennett, James Galway, Carol Wincenc, Eleanor Lawrence, and Jean-Claude Gérard.

He authored many studies, including Tone Development through Interpretation, published by McGinnis & Marx.


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