1935 JOSEF LHEVINNE Russian Piano CHOPIN ETUDES A minor Op 25.11 Z TYPE SHELLAC

$

31

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JOSEF LHEVINNE Russian Pianist, winner of the Gold Medal of the Moscow Conservatory, and inscribed on the Marbel Plaque togther with Rachmaninoff and Scriabin of the class of 1892, on beautiful pre war gold label pressing Record

Josef Lhévinne was one of the finest pianists in history. Sadly only a handful of recordings exist of his playing. His technique was immense and his art suave and masterly.

CHOPIN ETUDE in B Minor Op 25.22/Preludes No 17 in A flat, No 16 in B flat Op 28

Z TYPE SHELLAC Late Scroll Pressing (No Z Mark) 12" 78 rpm record

EXCELLENT light scuffs, plays very very quiet, rare ticks

A CHOICE COPY

Josef Lhévinne (December 13, 1874 – December 2, 1944) was a Russian pianist and piano teacher.

He was born into a family of musicians in Orel and studied at the Imperial Conservatory in Moscow under Vasily Ilyich Safonov. His public debut came at the age of 14 with Ludwig van Beethoven's Emperor Concerto in a performance conducted by his musical hero Anton Rubinstein. He graduated at the top of a class which included both Sergei Rachmaninoff and Alexander Scriabin, winning the Gold Medal for piano in 1892.

In 1898 he married fellow Moscow Conservatory student Rosina Bessie, also a pianist and winner of the Gold Medal for piano in her year, and the two began to give concerts together, a practice that lasted until his death. Faced with anti-semitism and the political turbulence of the period, they moved to Berlin in 1907 where Lhévinne gained a reputation as one of the leading virtuosi and teachers of his day. Trapped there as enemy aliens at the outbreak of World War I, having lost what money they had saved in Russian banks in the 1917 Revolution and unable to concertize due to the war, they endured years of considerable hardship surviving on the income from a handful of students.

At last free to leave Germany, in 1919 the couple moved to New York City, where Lhévinne continued his concert career and taught piano at the Juilliard School. Regarded as one of the supreme technicians of his day by virtually all of his more famous contemporaries (even Vladimir Horowitz admired his vast pianistic command), he never achieved their level of success with the public, perhaps because he made it look and sound so easy, but mostly because he enjoyed teaching more than performing. He settled into a life of concert tours and teaching which continued until his sudden death from a heart attack in 1944 a few days short of his 70th birthday.

He left only a handful of acoustic recordings which are truly breathtaking examples of perfect technique and musical elegance. The discs of Chopin Etudes Op. 25. Nos. 6 and 11 and Schulz-Evler's arrangement of Strauss' Blue Danube Waltz are legendary among pianists and connoisseurs. His piano roll of Schumann's "Papillons" is considered one of the definitive performances of that work. In the words of Harold Schonberg: "His tone was like the morning stars singing together, his technique was flawless even if measured against the fingers of Hofmann and Rachmaninoff, and his musicianship was sensitive."[1] Lhévinne was one of the few pianists, which recorded three times for the reproducing piano Welte-Mignon. In October 6 1906 he recorded 10 pieces in Leipzig, in July 7 1911 in Freiburg 11 and once again 7 in 1914, this time in the New York studio of Welte [2].

Lhévinne wrote a short book in 1924 that is considered a classic: Basic Principles in Pianoforte Playing.

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