1966 MONO Arthur Lee LOVE "DA CAPO" Garage Punk Psych +17 Min "REVELATION"
  $   140

 


$ 140 Sold For
Jun 25, 2023 Sold Date
Jun 18, 2023 Start Date
22   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
 
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Description

PLEASE READ BEFORE BIDDING: Please read the entire auction listing, including shipping costs, before writing to ask a question.   OUR GOAL IS CUSTOMER SATISFACTION. In order to meet that goal, we will ALWAYS work with our customers on any concerns that may arise. Because of that dedication, there should be no need to open a resolution dispute before working with us.  Please keep in mind, we would prefer to continue to provide you the opportunity to acquire the rare music we present each and every week.   Payment is required within seven days. We mail all paid items ONE WEEK after auctions end. Our listings are time consuming in detail and we are often traveling to find these gems, which at times delays the delivery schedule by a day or two. We ALWAYS process and ship every paid order. We have no control over parcels once they are mailed from our local Post Office. Overseas mail to some countries (Italy, Russia, France, in particular) has become very slow. Opening a dispute for slow mail is unacceptable.  

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    • BEAUTIFUL 1966 November ORIGINAL

    • STOP! LOOK & LISTEN !
      ..|/\|...............................................|/\|..
    • L o V e
    • " DA CAPO "

    • ..|/\|...............................................|/\|..
    • USA - ELEKTRA RECORDS  (MONOPHONIC) EKL - 4005

      • ~ BEAUTY
      • .........................................................................

      • FINAL COLLECTION KEEPER 1966 GOLD ORIGINAL MONO MIXES FIRST PRINT
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      RARE & Sought ... TOP COPY!
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      Whoa! Thee original 1966 (((TOP COPY))) first pressing on the hunted 'garden of delights' GOLD ELEKTRA label ....

    •  ~ FINAL COLLECTION COPY ~

    • Contains the original GOLD ELEKTRA INNER SLEEVE
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    HIGHLY SOUGHT 1966 ORIGINAL ! 

    SHARP CLEAN APPEARANCE !

  • C'MON - It's 57 years young!

  • 1966 LOST ANGELES

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  1. ORIGINAL *MONO* November 1966 first pressing vinyl collectible on the highly collectible GOLD Elektra label ...from 57 years ago ... hard to find a better copy...there is hardly ANY wear detectable in the extremely wear prone outer black border...most all copies show wear, this '66 first press is a prime example of the original artifact still in sensations
  2. (photo's)               ..................................................................................................
Different song mixes in glorious MONO with different song mixes in glorious MONO with bold punchy production from the 'fold-down' stereo release.
THIS 1966 PRESSING REMAINS THE REAL DEAL
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  1. Da Capo is brilliant in its own right, a dazzling kaleidoscopic trip through stoned 1966 Los Angeles, a practically perfect pop record.
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Kick-starting with the carnival jingle-jangle of “Stephanie Knows Who,” Love lead singer, Arthur Lee hollers and wails a love poem to a girl named Stephanie, backed by church organs, flailing electric guitar licks, and rat-tat-tat drums. Listening to the song, its not hard to see why Jim Morrison called Love his favorite Los Angeles band, as The Lizard King clearly swiped Lee’s emphatic grunts and “c’mon” chants.

“Orange Skies” the album’s lone Bryan Maclean track, settles into a mellow psychedelic vibe, as the simply worded love song tosses out halcyon images like orange skies, cotton candy, carnivals and nightingales. It might be all hippy-dippy nonsense, but if you use your imagination, you can be instantly transported to Topanga Canyon in 1966, visualizing Maclean reclining back on a wood-grain balcony, trying not to wrinkle the paisley shirt he was inevitably rocking, staring into a blinding late afternoon sun and smoking what Ghost would call a baseball spliff.

“Que Vida,” the album’s third track marks a stark departure from the pleasant vibe of the first two songs, flashing the morbid undertones that Lee further explored on Forever Changes. While the songs honeyed electric guitars and velvet drums conjure nothing but pleasant vibes, the lyrics are a different story, fraught with indecision, and melancholic uncertainty. From there, the album darts suddenly into the frenetic 2 minute jam “Seven & Seven Is,” a ripping garage punk number with freak-out lyrics that literally climaxes and explodes...

One of the main reasons why the album gets less attention than Forever Changes is the half-finished nature of the songs, reflecting the mere five days that the band recorded the album in (or how much acid they were on). While the melodies are all fully-formed, the lyrical content seems like pencil sketchings of ideas to be expanded on at a later date. “The Castle,” named after the band’s Los Feliz Residence, is under 50 words and doesn’t make all that much sense. Meanwhile, the penultimate song, “She Comes in Colors” seems overly simplistic by today’s standards, but taken as a pure love song, not many come more gorgeous, all willowy flutes, sunshine organs and Lee’s tear drop voice that adds an emotional heft to the number. If you’ve ever heard “She’s a Rainbow” from The Stones’ Their Satanic Majesties Request, you’ll notice its close and admittedly intentional similarity.

The album ends with a sprawling 19-minute jam, “Revelation” with its loose improvised riffing, searing harmonica solos and the hints of the power of Love’s dynamic stage show. The album amply displays why Love have been called the quintessential Los Angeles band, capturing the city’s uneasy balance of lobotomized sunshine simplicity and its noir underbelly. One of the finest records of the 60s, Da Capo might have its rough-edges but it remains a brilliant early work from Arthur Lee, one of America’s greatest songwriters
.................................................................................................. A: Stephanie Knows Who

Orange Skies

Que Vida!

Seven & Seven Is

The Castle

She Comes in Colors


B:

Revelation (18:57)
  1. CONDITION:

  1. The cover: rated: near M- depite most original 1966 MONO pressings show signs of extreme wear ... here's about as as good as one could ever hope for 57 light years past ... overall minimal well handled signs - there is NOT the wear always found in the black frame of front cover and certainly NOT anywhere on white back cover. Overall there is no alarming issues. Serves as a very scarce and desired artifact survivor! Far-better than most of the surviving copies from 1966.
  2. This 57 years past gem is getting increasingly hard to find with all the instant interests circling the globe; most nice clean copies like this one are in 'do not touch' private collections.

  3. 4 sharp corners, flat & square : there are NO delete marks, no writing, no split seams, and obviously clear and smooth, FINAL (1966) collection ready.

  1. The vinyl: Rated: NICE, highly near M plays very collectible enjoyable (!)  both November 1966 GOLD Elektra labels remain TOP clean !!



A cool addition to anyone's music library! 
SEE: SELLERS OTHER ITEMS (((similar grooves for "head" people...)))

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for you BEFORE leaving ANY negative feedback. Thanks! ................................................    GRADING SYSTEM:
All imperfections are noted both cover & record
  GRADING SCALE: M, M-, EX, VG++,VG+, VG, VG- M    Completely clean, no marks, plays clean
M-   Carefully used, looks clean, plays clean, shiny gloss, plays clean
EX   Faint scuff or superficial mark, near M-, high gloss, plays clean VG++ Glossy with minimal scuffing or light mark playing very nice, enjoyable
VG+ a bit more scuff or marks still plays well with very minimal surface at worse VG   more marks/scratches only minor, nothing deep, no loud clicks or pops         this grade is abused by many, VG here does not mean "trashed" VG-  surface noise present, will not have skips or jumps     ALL PAYMENTS SHOULD BE MADE WITHIN 5 DAYS Of AUCTIONS END   BIDDERS PLEASE = Do Not Bid If You Are Not Serious About  Following Through The Transaction!   ALL ITEMS GUARANTEED FOR WINNING BID - LESS SHIPPING!


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