1968 Nonesuch Guide Electronic Music Beaver Krause Vinyl 2-LP Record Box Set VG+

$

25

1968 Nonesuch Guide Electronic Music Beaver Krause Vinyl 2-LP Record Box Set VG+
Record Grade per Goldmine Standard: VG+; Includes Book as shown
by paul beaver & bernard I. krause A comprehensive survey of electronic music and its creation. Included are recorded examples of electronic music on two stereophonic long-playing records, a meticulously prepared 16-page book containing notes on the recordings, an introduction to electronic-music theory, glossary, bibliography, symbolic notation, and the score to “Peace Three”- a new electronic composition presented here for the first time. __________________________________ 3:08 A. Sine Waveform > 1. Slow-motion audible example ...................... :05 2. Composition ______........................... :50 3. Harmonic Synthesis ................._____ -.33 4. Non-harmonic Synthesis .........../................. :37 B. Sawtooth Waveform ( 1. Slow-motion (negative- and positive-going) .. :12 2. Composition .............................. :34 C. Rectangular Waveforms 1. Slow-motion audible example (1/8-1/2)..... :28 2. Composition (using 1/8, 1/7,‘ 1/3, 1/2)..... :35 D. Triangular Waveform 1. Slow-motion audible example ............. :05 2. Composition ................v............................ :20 E. White Sound Composition ______'.................. :13 A. Transient Generator, amplitude, frequency and timbre modulating in slow-motion ............ :08 B. Sequential Voltage Sources, Composition..... 1:55 A. Keyboard Control 1.12-tone ................................... :32 2. Quarter-tone (one real octave = 2 keyboard octaves) .................................. :40 3. Ditone (four real octaves played in keyboard range of one octave) ...................... :31 4. Portamento ............................... :23 B. Ribbon Control.............................. :30 C. Periodic 1. Vibrato© (speed increases as pitch rises).. :28 2. Sine—higher frequency .................... :27 3. Sawtooth—swept ______......................... :38 4. Rectangular 1/2—sweptfC?)................ :32 5. Triangular—swept ____/rr..................... :31 D. Periodics Combined 1. 3 Square waves at different frequencies..... :28 2. 3 Triangular waves at different frequencies.. :37 3. 4 Different waveforms (2L?) (2nY (2vY (2S) at different frequencies^-^. S-/.. rr:. . S/.... :46 E. White Sound .................................. :12 F. Transient 1. A---------- up an octave, back to pitch .... :17____________ ___________ ___________ 2. />--------- up a 3rd, back to pitch........ :07 3. \/ down an octave, back to pitch .. :09 ___________ 4. xy--------- down a 3rd, back to pitch..... :13 A Keyboard ................................... :13 B. Ribbon Controller .......................... :10 C. Periodic 1. Tremolo .................................. :25 2. Sine—higher frequencies (S sweeping S) .... :47 3. Sawtooth (negative- and positive-going swept) 1:20 4. Rectangular— (L2) swept.................. :28 5: Triangular-swept ......................... :50 D. Periodics Combined 1. 4 Square ................................. :44 2. 3 Triangular .............................. :23 3. 4 Different(s), (n), @.(v) ............... :23 E. White Sound __................................ :38 F. Transient _________ 1. /*-------slow ........................ :08 2. with rising pitch............ :15 ............................. =14 A. Sine waves 1. Series of sub-audible constants ........... 2:00 2. Tune in parallel ........................... :40 3. Tuned in opposite direction................. :30 B. Sawtooth .................................... :33 C. Rectangular (L2) ........................ :39 A. White Sound—with fixed filters selected 3rd octave ...................................... :25 B. White Sound—tuned filters 1. Broad ..................................... :43 2. Sharp ..................................... :25 C. Low-frequency sawtooth—tuning through harmonics ................................... 1:05 D. Composition—tuning through 2nd, 3rd, 7th, and 16th harmonics .................................................. :50 E. Swept with ribbon controller.................. :40 F. Periodic 1. Sine—timbre vibrato effect ................. 25 2. Sine—variable rate and depth ............... :36 3. Sawtooth (descending and ascending) ..... :50 4. Rectangular @ ...................... :25 G. Transient (sawtooth with transient controlled filter) 1. _________........._____................................................. :12 2. ----—-— __________.................... :10 3. ........................... .*09 4. ........................... .“08 A. Single Repeat .........................• :13 B. Multiple Repeat ........................... 2:55 (recap) __________________________ 3:08





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