1968 Orig THE SOFT MACHINE VOLUME 2 = TRIPPY Fuzz Organ ACID PROG PSYCH
  $   53

 


$ 53 Sold For
Aug 7, 2016 Sold Date
Aug 2, 2016 Start Date
$   10 Start price
14   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

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                1968 ORIGINAL FIRST PRESSING                      

                       UK PSYCH CLASSIC!

                              ..

                ... SOFT MACHINE ...

                      Volume Two

   

                                      

                      USA - PROBE Records - CPLP 4505

LOOKS and plays FANTASTIC!

Absolutely 100% Original 1969 first print PROBE RECORDS in thick gatefold cover...the even more psychedelic 2nd SOFT MACHINE album...

The second album from The Soft Machine just called Volume Two continues the intellectual psychedelic late sixties prog rock style from their first album. By this Lp, Kevin Ayers has left the band to be replaced by former roadie for the band Hugh Hopper. The change is instantly heard as the distorted bass from Hugh Hopper is heard for the first time. It must have been quite a revolution to hear a bass so heavily distorted as this one in 1969. Hugh Hopper´s dominant distorted bass along with Mike Ratledge's fuzz-box infected organ is one of the great things about this album.

Overall the style of the music is pretty much a continuation of the style Soft Machine introduced on the debut. Witful lyrics and cool psychedelic rock songs with exciting twists. There are lots of small interludes between the longer tracks which works as bridges between those songs. It means that Volume two sometimes has a kind of concept feeling to it.

The instrumentation is keyboards, bass, drums and vocals. Since Daevid Allen ( Gong) wasn´t admitted entrance into Britain after a vacation, and had to leave the band because of that, there hadn´t been a guitarist in the band. There is, in fact, sporadic guitar playing, but no one is credited for playing the guitar. You don´t miss the guitar though as Mike Ratledge is very good at filling out any empty space with his keyboards and both the bass and the drums are very dominant too. The vocals from Robert Wyatt are very good on this album. Really enjoyable.

The production is pretty similar to the one on the debut album but, even though there are similarities between volume one and two it is arguable that Volume Two is a bit better than the debut. In VOLUME TWO the band reached the highest heights of psychedelics, especially with the gorgeous suite on the album's original A- side. Although instrumentation is minimal (bass, drums and keyboards), there are good tunes aplenty. Some have the bass as lead instrument, some the piano or the organ (both with and without fuzz-box), and Wyatt's drumming is bouncier than ever. This is essentially good-humoured music: most of the lyrics are about partying, having sex, or recording in a New York studio - impossible to listen to without a smile on your face and a groove in your head. Particularly charming are the bits where Robert starts crooning in Spanish (he seems to have spent a lot of time in Majorca, with Kevin Ayers), and when he expresses his heartfelt thanks to the members of the Jimi Hendrix Experience, with whom the Soft Machine had been on tour.

Side Two contains more tunes that are both unforgettable and irresistible is in "Dedicated to You" and "Pig". The album as a whole is a must for anyone who's even remotely interested in the Canterbury Scene. Highly recommendable.

Rivmic Melodies
Pataphysical Introduction Pt. I (1:00)
A Concise British Alphabet Pt. I (0:10)
3. Hibou, Anemone and Bear (5:58)
A Concise British Alphabet Pt. II (0:12)
Hulloder (0:52)
Dada Was Here (3:25)
Thank You Pierrot Lunaire (0:47)
Have You Ever Bean Green? (1:23)
Pataphysical Introduction Pt. II (0:50)
Out Of Tunes (2:30)
Esther's Nose Job
As Long As He Lies Perfectly Still (2:30)
Dedicated To You But You Weren't Listening (2:30)
Fire Engine Passing With Bells Clanging (1:50)
Pig (2:08)
Orange Skin Food (1:52)
A Door Opens And Closes (1:09)
10.30 Returns To The Bedroom (4:14)




            

 

CONDITION: The cover: rated: near M- front cover, M- insides gatefold, VG(+) back cover (partial ring wear, notorious, all but impossible to find without wear) ...THICK gatefold cover is in collection copy shape; stiff and sharp. Has a very little delete drill at top left ...there are no cut corners, no split seams, no bends and no writing. Overall, 47 years onward it looks very fresh with strong original colors  ... VERY collection worthy rarity ...

The vinyl: Rated: real nice M- clean, a TOP COPY with clean PROBE labels  ... a must have acid-prog album...               

   

      A cool addition to anyone's music library!

 

SEE: SELLERS OTher items for similar cool sounds for "head" people...

 

EFFICIENT/CAREFUL GRADING

All imperfections are noted both cover & record

  NOTE: All Items backed by  money back guarantee! IF you have a problem PLEASE let us solve for you BEFORE leaving ANY negative feedback. Thanks!   GRADING SCALE: M, M-, EX, VG++,VG+, VG, VG- M    Completely clean, no marks M-   Carefully used, looks clean, plays clean, shiny gloss, no marks EX   Faint scuff or superficial mark, near M-, high gloss, plays clean VG++ Glossy with minimal scuffing or light mark playing very nice, clean VG+ a bit more scuff or markls still plays well with very minimal surface at worse VG   more marks/scratches only minor, nothing deep, no loud clicks or pops         this grade is abused by many, VG here does not mean "trashed" VG-  surface noise present, will not have skips or jumps     ALL PAYMENTS SHOULD BE MADE WITHIN 5 DAYS Of AUCTIONS END   BIDDERS PLEASE = Do Not Bid If You Are Not Serious About  Following Through The Transaction!   ALL ITEMS GUARANTEED FOR WINNING BID - LESS SHIPPING!

 

                                     

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