1968 PAUL PARRISH MUSIC FACTORY / PSYCH Rare SEALED
$
49
$ 49
Sold For
Apr 14, 2011
Sold Date
Apr 7, 2011
Start Date
$ 25
Start price
3
Number Of Bids
USA
Country Of Seller
eBay
Auctioned at
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Description
1968 PAUL PARRISH MUSIC FACTORY / PSYCH Rare SEALED
DESCRIPTION
Description
ORIGINAL PRESS LP
FACTORY SEALED COPY
ARTIST :PAUL PARRISH
TITLE :THE FOREST OF MY MIND
FORMAT :VINYL LP RECORD
LABEL :MUSIC FACTORY MFS-12001 ( Punch Hole, Tear In Shrink )
SONG TRACKS
1. English Sparrows (Parrish) - 2:40
2. Suzanne (Parrish) - 2:45
3. Walking in the Forest (Of My Mind) (Parrish) - 2:37
4. Painter (Who Lives in the Cellar) (Parrish) - 2:17
5. Dialogue of Wind and Lover (Parrish) - 2:16
6. You've Got to Hide Your Love Away (Lennon/McCartney) - 2:50
7. Tiny Alice (Parrish) - 3:05
8. Morning Train (Parrish) - 2:35
9. Something of a Love Song (Parrish) - 2:12
10. White Birds (Return to Warm Seas) (Parrish) - 3:08
11. Flowers in the Park (Parrish) - 3:40
12. I Can't Help Myself (Dozier/Holland) - 2:25
Paul Parrish's album was recorded at Tera Shirma Studios in Detroit and features slight 'loner' vibes. The very simple - but effective- drums and vocals are the most interesting aspects of the album, with English Sparrows, Walking In The Forest (Of My Mind), Dialogue Of Wind and Lover being the most interesting tracks on Side One, which also concludes with a laid back, melodic cover version of the Beatles' You've Got To Hide Your Love Away. The other three songs are filled with fragile vocals and folky guitars backed with nice, psych orchestrations. Most of Side Two is not of the same quality but on Flowers In The Park a sparkling magic atmosphere can be heard. Not bad! The first 45, which is taken from the album features orchestrated folk-pop on the 'A' side, with lots of phasing and fuzzy effects, like a psychedelic pop version of Bob Lind. Pure confection but enjoyable. The flip is more melodic Lind-esque folk-pop with harpsichord. Arranged and conducted by Mike Theodore and Dennis Coffey (aka Theo-Coff Invasion). Parrish would later release three 45s for Warner, the second being produced by Dan Dalton in an early Bee Gees vein. Parrish then became a session man
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