The Main Point was a small coffeehouse venue on Lancaster Ave. in Bryn Mawr, Pennsylvania.

This collection comes from one of the WORKERS WHO PAID HOURLY AND IN LPS.

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1969 ALICE COOPER PRETTIES FOR YOU Garage PSYCH VG++

GATEFOLD COVER is VG++ STEREO W- THE ORIG STRAIGHT INNER SLEEVE + THERE IS A BEND TO THE TOP RIGHT CORNER

Record is VG+ TO VG++  - W/ SOME LIGHT SURFACE SCUFFS- THERE IS SOME SLIGHT SURFACE NOISE TO THIS LP

THIS INFO TAKEN FROM ANOTHER SOURCE

Back in 1969, Alice Cooper were a struggling band. Flat broke getting by only from stiffing every motel in Detroit. On to Los Angeles, things were no better. Frank Zappa met up with Alice Cooper at a party where it was learned Mr. Z. had started his own record label , Bizarre/Straight. Alice wanted to record an album. When Frank witnessed the band on stage, he noticed that each time they played, they would send the audience away in a fit. To the point of a ghosttown. The stage show at this time was so offensive and disgusting it made the later Alice Cooper stage extravaganza seem mild. No big budget theatrics, instead the likes of a transvestite crying "nobody likes me" and then having a temper tantrum like a 2 year old, lying on his back repeating 4 letter f- words until every single audience member had enough. Zappa saw SOMETHING, we can only imagine what, in this. Zappa offered them a tryout for a record deal, and to his surprise one morning, they snuck into his basement studio and began playing-- loud. A naked, alarmed Zappa rushed out of bed and gave them the deal on the account THEY STOPPED PLAYING RIGHT THEN! The budget was microscopic and the scheduling was rushed. The band DID NOT have any say in the production. One of the things Zappa found interesting was that he realized he would have a challenge trying to transcribe much of their music on paper. It was full of odd time signatures, on a dime changes, sputters, and things that gave it charachter. It is the perfect example of something that sounds like trash until your band tries to play it. It takes some skill to keep it all together. It is a lot harder than it may seem. None of this music is orchestrated in notation, moreover none of it was developed over time in a studio and none of it was played with real enthusiasm to a crowd on stage. It is literaly taking green amateurs and giving them a couple of hours in a studio and thats that. Aside from the multitude of musical detail on this album, admittingly hard to notice at first due to the rushed pace of recording (sloppiness) and the lack of studio polish (live in studio, few overdubs), there is some great songwriting. A lot of the ideas are quite off the wall, but there is a definate mixing of emotions within the songs, typical of a lot of the psych music. It is SUPOSSED to be that way! NOT a result of bad songwriting. This was recorded at a time when in Los Angeles about the hardest thing around was Spirit or Amboy Dukes. Maybe the likes of Zeppelin coming through on the radio. Or Cream. That's about it.

Pretties is just oozing with that lovely "am I happy or sad?" , manic-depressive, so-on-dope- I'm confused mixed up emotional ambiguity. It's about putting some feeling in music rather than just playing what sounds "acceptable" to a beat. It is a testament to how records were sometimes made back then. Totally honest. This is what they were all about. Not a money making, picture posing machine they later became. They took risks. Neal Smith never again assaulted his drums like this. Those twin gibsons are never again given so much freedom. And those vocal harmonies are great! Alice REALLY sings in his REAL voice. It's like a pop album gone bad in some places. A times it sounds like Revolver era Beatles on bad acid! None of that nasal whining. But not all of this album is atonal disonant weirdness. There are a few beautiful songs too. Apple Bush with the help of George Martin could have been home on Sgt. Pepper. Reflected is actually better than the rehashed Elected. And Living is such a toe tapper. It sounds like the Beatles. It does. A fantastic song, a hundred times better than I'm 18. And  really cool are No Longer Umpire and BB on Mars (great titles by the way), these are go happy and almost giddy sounding, but yet disturbing. A technique Alice Cooper would touch on later in songs like 'Dead Babies' or 'I love the Dead', only this is much stranger. Twisted! Brilliant! Levity Ball souds like a live recording with a hand held tape recorder -- yet this is one of the most underappreciated classic albums from the U.S. underground scene. We can't always have sparkling production, motivated producers, or even seasoned musicians when making an album. It is the substance and the effort that makes it. Not to be judged comparably to say, Killer, but rather as some great material that was unlike anything else at the time, in true garage rock fashion. Stay away if you must have that studio polish or if some timing issues ruin your day. If you appreciate the avant-garde or late 60's experimentalism, this one is a must.

By the way, Alice Cooper were not into drugs. They only drank alot. And the cover of the album was taken from an original painting Zappa had hanging in his living room. Also, there are no Cooperisms on here , no "sick things" such as necrophilia, mental illness, etc. so if you are in love with Alice the persona, get a scrapbook and enjoy the wallet size cut out pics from your original LP press of Billion Dollar Babies (great album packaging by the way), this has nothing to do with black leather. Alice has blond hair and is in a green mini dress in the back cover photo.                               

1. Titanic Overture, 2. Ten Minutes Before the Worm, 3. Swing Low, Sweet Cheerio, 4. Today Mueller

5. Living, 6. Fields of Regret , 7. No Longer Umpire , 8. Levity Ball [Live] , 9. B.B. on Mars , 10. Reflected

11. Apple Bush , 12. Earwigs to Eternity , 13. Changing Arranging

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PLEASE NOTE THAT FOR ALL DOMESTIC PACKAGES WE WILL REQUIRE DELIVERY CONFIRMATION THIS IS AN EXTRA .80

  INTERNATIONAL CUSTOMERS , IT IS $15 PER LP AND ADD $4  ADDITIONAL PER LP

A SPECIAL NOTE REGARDING RECORDS-THE SMALL PRINT

If the LP has been played a couple of times, it can never be perfect. This is especially noticeable in classical records, which have quiet passages. 

I know there is software that you can use to clean up your records to record on CDs, if you so choose. 

You are buying vinyl LPs because they sound better than CDs, however the pops and crackling come with an LP.

THE SMALL PRINT
Ratings and Definitions of LP Conditions in order to avoid confusion:

ALL TAS RECORDS ARE LISTENED TO ON MY EQUIPMENT WHICH IS A HIGH END TECHNICS TURNTABLE & CARTRIDGE WITH A SANSUI  AMP. I DO TRY TO LISTEN TO SECTIONS OF ALL RECORDS, BUT SOMETIMES THEY ARE VISUALLY GRADED IF THEY LOOK REALLY CLEAN.

Mint (M). Absolutely perfect in every way. Never been played or still sealed. I use this rating very sparingly – Cover must be in the shrink wrap for this grade. Some promo copies can get this grade since they originally were never in shrink wrap.

Near Mint (NM). LP cover, inserts, e.g., lyrics sleeves, posters, promo cards, have no creases, folds, seam splits or other noticeable flaws. LP shows hardly any signs that it ever has been played or it has been treated with great respect, cover can be in shrink wrap unless it is a promo copy.

Very Good Plus Plus (VG++). This LP may show some signs that it was played a few times or many times but the LP was treated with respect. LP surface may show some signs of wear and may have slight scuffs or very light scratches/hairlines that do not affect the overall listening experience. The cover may have some ring/spine wear and discoloration. Inner sleeves/booklets may have some slight wear. The LP cover may have also a cut-out hole, corner indentation not disturbing the overall condition of the LP itself. Can have a sticker or label attached if it is a promo copy. There will be pops and crackling in the quiet sections.

Very Good Plus(VG+). Conditions as described in VG++ may be found in a more pronounced way on LP for this rating. Surface noise may be evident upon playing, especially in soft and other passages,  but not overpowering the music. Wear may be noticeable. Scratches may affect the sound in places. The cover and the labels may show some writing, or have stickers or residue attached.

Very Good (VG). LP in Very Good condition will have surface noise and scratches and it might have one skip, which will be noted in the description. The cover or sleeve may have seam splits, (however archival transparent tape will be used to fix the seam).

Good (G). I WILL NOT SELL A RECORD IN THIS CONDITION.

Also, there will be grading which is in between like VG to VG+ as cover might be one grade and record another.

A  SPECIAL NOTE REGARDING REFUNDS:

Each request for a refund will be dealt with on an individual basis and please email me so the situation can be worked out.

FOR INTERNATIONAL BUYERS: Any item returned for refund must be in the same condition it was shipped in and clearly marked on the customs form "RETURN FOR REFUND" otherwise a customs fee will be charged to me and WILL BE DEDUCTED from the refund amount.