1969 Orig FREE TONS OF SOBS Hard Blues PSYCH Jams
  $   166

 


$ 166 Sold For
Apr 10, 2011 Sold Date
Apr 7, 2011 Start Date
$   10 Start price
18   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

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We have a VPI machine and thoroughly clean all records.   Each order is carefully packaged by removing the LP from the jacket to avoid seam splits, use of  2/3 ml plastic cover sleeves over each LP and jacket, cardboard pad inserts, and placed in sturdy record mailers.

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                1969 ORIGINAL FIRST ALBUM                                         

               ELECTRIFIED BLUES BURNER!!!!                                        

                                 

                  FREE

            TONS OF SOBS

                 

                          ...USA -(brown) A&M RECORDS - SP 4198

  ***STILL IN THE ORIGINAL FACTORY SHRINK WRAPPER***   ORIGINAL 1969 first pressing on the old brown A&M Records label and contains the original printed inner sleeve...the first FREE Lp has become something of a highly sought album for obvious reasons, below:   It was 1969, and three albums would arrive to typify British Blues: Jeff Beck’s Truth, Led Zeppelin I and Free’s ~Tons of Sobs. Two of these are venerated for having been the building blocks of blues-based rock. If you have both of those and think that you know the whole story, then you’ve been missing something.

Free was still two albums away from the song that would put them into their little corner of rock Valhalla, “All Right Now." This is the starting point for the great unsung British rock band.

A quick listen to all three albums shows the same influences, but their execution is completely different. Jeff Back’s group was never totally cohesive, and even the “live” blues on their first album was a studio effort with overdubbed audience. Zeppelin I sounds huge, massive, as if somehow, even from the first notes of "Good Times, Bad Times," Page and the rest had already shed the remnants of The Yardbirds in a single tour and were already a completely different entity. Tons of Sobs puts us front and center at the club show of a band that exploded from the first rehersal. Free , in fact, would be amazing live, and the records would only carry part of that weight. Lets listen in

Tons of Sobs opens and closes with a fragment of a song, "Over the Green Hills," and bleeds straight into "Worry," with Kossoff’s repeating guitar triplets letting us know that we walked into the pub in the middle of the performance. As the guitar solo ends, Kirke’s drums and Fraser’s menacing bass stalk in and we know that we’re in a whole different space. “If it’s the cold black night/that eating up your heart/the cold damp sweat/keeps you and sleep apart” sings a young Paul Rodgers. Free isn’t pretending to be anything other than what they are: a young blues playing their favorite music.

"Walk in the Shadows," and "The Hunter," show just how good and tight a band they were. Both have Fraser, whose bass was both melodic and inventive, locked in with Simon Kirke’s drums, riding the back beat while Kossoff alternates between riffing and some absolutely incendiary fills and solos. Rodgers is in amazing form already at the age of 18, putting real edge to such lines as “When I get you in the shdows baby/I’m going to give you whats in store.”

"Going Down Slow," sounds like it should be on Beck’s album, and sounds like it really is live, a full band that doesn’t need the studio to make the thing work. "The Hunter," is uptempo from Zeppelin’s version, with some great guitar work, and, without the bolero ending that Page and Plant grafted on the end, sounds a lot more like Howlin’ Wolf then either of the band’s could manage.

In fact, Free was as preoccupied with getting some as Robert Plant or Howlin’ Wolf were. Two of the songs, "Wild Indian Woman," and "Sweet Tooth," have more double entendres than anything that the 60’s had run across in a long time; “You don’t need you horses baby/you’ve got me to ride/you don’t need your bed/I’ll keep you warm inside.” Lets spend the night together indeed. Sung in Paul Rodger’s most seductive voice, gliding on the back of a rhythm section that knew how to swing, one shudders to think of how well this worked for him in the pubs of North London in 1968.

Loose and loud, Free has plenty swagger, and style, their hard rhythms on TONS OF SOBS always tight and punishing hard...       

      

Over The Green Hills Pt. I

 

 

Worry

 

 

Walk In My Shadow

 

 

Wild Indian Woman

 

 

Goin' Down Slow

 

 

I'm A Mover

 

 

The Hunter

 

 

Moonshine

 

 

Sweet Tooth

 

 

Over The Green Hill Pt. II

                 

 

CONDITION: The cover: is M- in factory shrink wrap...there are a couple of light cirner dings from poking through the cellophane wrapper and there is a little small circle of cellophane misssing at bottom venter but no problem, no shelf wear, no seam splits, no bends and no writing...

The vinyl:is all glossy with some light hairlines VG++  nothing there is deep, so, expect to play very enjoyable without audio interferance. 

keeper!

     A  GREAT ADDITION TO ANYONE'S COLLECTION !

SEE: SELLERS OTher items for similar cool sounds for "head" people...

EFFICIENT/CAREFUL GRADING

All imperfections are noted both cover & record

  NOTE: All Items backed by  money back guarantee! IF you have a problem PLEASE let us solve for you BEFORE leaving negative feedback. Thanks! GRADING SCALE: M, M-, EX, VG++,VG+, VG, VG- M    Completely clean, no marks M-   Carefully used, looks clean, plays clean, shiny gloss, no marks EX   Faint scuff or superficial mark, near M-, high gloss, plays clean VG++ Glossy with minimal scuffing or light mark playing very nice, clean VG+ a bit more scuff or markls still plays well with very minimal surface at worse VG   more marks/scratches only minor, nothing deep, no loud clicks or pops         this grade is abused by many, VG here does not mean "trashed" VG-  surface noise present, will not have skips or jumps   SHIPPING:  (Attention: Items are sent out every Friday of each week)    $4.00 =  Media Mail = U.S.A / delivery confirmation included (add 1.00 each additional LP/disc)   $8.50 =  Priority = U.S.A. /delivery confirmation included. (add $1.00 each additional LP).   NOTE: Please wait until receipt of OUR invoice for proper shipping charges   $8.50 =  Airmail = Canada/Mexico (add $1.50 each additional Lp/disc)     ***To our international OVERSEAS customers*** Due to the increase in U.S.A. postal shipping rates, we are forced to restructure shipping charges. Please see chart below. It is our hopes to provide you with our best possible service and keeping your shipping costs as low as possible. We have had problems with many international shipping orders costing us more than actual (higher) charges; The more Lp's you get in one parcel, the better the shipping costs, so we urge you to take advantage that we will HOLD your purchases to save YOU on shipping costs. IMPORTANT: Pay each invoice you receive, and, if you wish, ask us to HOLD your order reach lowest shipping costs. We value ALL our customers and will continue to list MANY interesting "rare" 60's & 70's Lp's that we obtain in our constant search and travels over all parts of the U.S. Thank you for your continued interests.   International AIR MAIL shipping charges (all countries apply):   1 Lp   =  $14.00 2 Lp   =  $18.00 3 Lp's =  $24.00 4 Lp's =  $30.00 5 Lp's =  $36.00 6 Lp's =  $42.00 7 Lp's =  $45.00 8 Lp's =  $48.00 9 Lp's =  $51.00 10 Lp's = $54.00 11 Lp's = $57.00 12 Lp's = $60.00 13 Lp's = $63.00 14 Lp's = $66.00 15 Lp's = $69.00   MULTIPLE LP SETS COUNT EACH DISC FOR SHIPPING COST (double Lp count as 2-Lp, etc.)       The Records In All Parcels Are Well Protected = The disc of an LP will always be separated from its cover (avoiding seam splits,etc)     ALL PAYMENTS SHOULD BE MADE WITHIN 5 DAYS Of AUCTIONS END Appropriate Feedback Is Left AFTER Yours Is Left   Do Not Bid If You Are Not Serious About  Following Through The Transaction!   ALL ITEMS GUARANTEED FOR WINNING BID - LESS SHIPPING!

      




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