1969 RARE & MINT ORIG ALEX CHILTON just B-4 BIG STAR BOX TOPS "DIMENSIONS" GEM
$
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ORIGINAL 1969 -MINT- FIRST PRESS SCARCE LAST ALBUM ::::
..
~ The BOX TOPS ~
DIMENSIONS
USA - BELL RECORDS - 6032
Original 1969 pressing on the Bell Records label ... a TOP copy of their hardest to find Lp
For their fourth and final studio album The Box Tops seemingly decided to go with the times, growing their hair and judging by the album cover, apparently they decided to go wild and psychedelic ... well as psychedelic as their blue-eyed soul roots allowed - which meant 1969's "Dimensions" really didn't stray far from their earlier blue-eyed catalog. So if you liked what they'd done up to this point, you were probably going to enjoy these ten tracks.
Highlighted by 'Soul Deep' which is easily as good as anything they'd recorded on the debut.
During their brief lifespan, the Box Tops earned a reputation as one of the best blue-eyed soul groups of the '60s, even if their recorded legacy wasn't as large or consistent as, say, the Righteous Brothers or the Rascals. Today they're remembered not only for their smashes "The Letter" and "Cry Like a Baby," but as the launching pad for singer Alex Chilton, who went on to become one of rock's most revered cult figures thanks to his groundbreaking power pop unit Big Star. In his teenage years, Chilton was an amazingly gritty Memphis soul belter akin to an American version of the Spencer Davis Group's Stevie Winwood. The Box Tops' music also encompassed touches of pop and psychedelia, although the group's own lack of control over it eventually led to their split-up.
The Box Tops began life as the Devilles, a white R&B group featuring guitarists Gary Talley and John Evans, bassist Bill Cunningham, and drummer Danny Smythe. After the band's local popularity blossomed, teenage singer Alex Chilton joined up, and the Devilles quickly caught the attention of songwriters/producers Chips Moman and Dan Penn, who were on the lookout for a Stevie Winwood-type white soul singer. Changing their name to the Box Tops to avoid confusion with a different group of the same name, they signed with Bell Records and began recording at Moman's Memphis-based American Studio. The first single the group cut, "The Letter," rocketed to the top of the charts in 1967, not only spending four weeks at number one but ending up as Billboard magazine's number one single of the year. (Chilton was all of 16 at the time.) With a hit on their hands, Penn began to exert more control over the group; in the wake of "The Letter," he frequently used session musicians on the Box Tops' recordings, sometimes replacing the whole band behind Chilton, sometimes just individual members. Frustrated, Evans and Smythe both left the band to return to school in early 1968, and were replaced by Rick Allen (ex-Gentrys) and Tom Boggs, respectively.
The follow-up to "The Letter," "Neon Rainbow," didn't do nearly as well, but the Box Tops managed another massive hit in 1968 with "Cry Like a Baby," which went to number two on the pop charts. Although a couple of minor hits followed in "I Met Her in Church" and "Choo Choo Train," Chilton was rapidly growing dissatisfied with the inconsistency of the material the Box Tops were handed (which was clear on the three LPs the group had released through 1968). As a result, Chilton was chafing at Penn's extreme reluctance to allow him to record his own original compositions. By the time of the Box Tops' fourth and final LP, 1969's Dimensions (an attempt to make a more cohesive album), Penn had bowed out and moved on to other projects. as a result Alex Chilton took over and several Chilton songs appear on "Dimensions, " including "I Must Be the Devil," and the group had one last minor hit with "Soul Deep." Cunningham subsequently departed, also to go back to school, and the Box Tops began to disintegrate. When their contract expired in February 1970, they officially disbanded, and Chilton moved to Greenwich Village for a while. Not finding the creative hospitality he'd hoped for, Chilton soon returned to Memphis and joined an Anglo-pop outfit run by his friend Chris Bell; they morphed into Big Star, one of the most revered and mercurial bands in power pop (or, for that matter, underground rock & roll) history.
Soul Deep 2:26
I Shall Be Released 2:47
Midnight Angel 3:18
Together 3:20
I'll Hold Out My Hand 3:21
I Must Be the Devil 3:25
Sweet Cream Ladies 2:13
The Happy Song 1:56
Ain't No Way 3:01
Rock Me Baby 9:16
CONDITION: The cover: rated: M- very nice, hard to beat, has the smallest of delete drills in center (and label) you'd be hard pressed to see it on front cover. Has the scarce hit "Soul Deep" sticker ... still has a fresh appearance -- there are no delete marks, no split seams, no bends, and no writing ... VERY collection worthy ...
The vinyl: Rated: M- super clean, smooth, clear...plays with very enjoyable CLEAN audio ...play back will not reveal alarming distracting surface problems ... both BELL labels are clean
A cool addition to anyone's music library!
SEE: SELLERS OTher items for similar cool sounds for "head" people...
EFFICIENT/CAREFUL GRADING
All imperfections are noted both cover & record
NOTE: All Items backed by money back guarantee! IF you have a problem PLEASE let us solve for you BEFORE leaving ANY negative feedback. Thanks! GRADING SCALE: M, M-, EX, VG++,VG+, VG, VG- M Completely clean, no marks M- Carefully used, looks clean, plays clean, shiny gloss, no marks EX Faint scuff or superficial mark, near M-, high gloss, plays clean VG++ Glossy with minimal scuffing or light mark playing very nice, clean VG+ a bit more scuff or markls still plays well with very minimal surface at worse VG more marks/scratches only minor, nothing deep, no loud clicks or pops this grade is abused by many, VG here does not mean "trashed" VG- surface noise present, will not have skips or jumps ALL PAYMENTS SHOULD BE MADE WITHIN 5 DAYS Of AUCTIONS END BIDDERS PLEASE = Do Not Bid If You Are Not Serious About Following Through The Transaction! ALL ITEMS GUARANTEED FOR WINNING BID - LESS SHIPPING!
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