1969 TWO-LP M- Orig THE GREAT WHITE WONDER = BOB DYLAN + THE BAND = TMOQ DUBBER
  $   90

 


$ 90 Sold For
Sep 23, 2018 Sold Date
Sep 20, 2018 Start Date
$   10 Start price
7   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

UPDATE:    Good news!   The buyer who tried to mar our reputation, as well as others, has now been removed from the eBay community.  It remains to be seen whether his so-called friends will continue his dirty work, but as of now, we are elated to report that his other two eBay IDs are also suspended.   Thank you to the many sellers and customers who offered their support, as that helped tremendously during our efforts to get the job done.  Now on to more pleasant things...

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 DOUBLE LP   SUPER RARE 1969 ARTIFACT FIRST PRESS

     ..|/\|...............................................|/\|..

                    BOB  DYLAN

    THE GREAT WHITE WONDER

               

     ..|/\|...............................................|/\|..  

       PRIVATE (AKA RUBBER DUBBER/TMOQ)

 Collection Copy


100% absolute MEGA RARE FIRST PRINT:

49 years old (1969) DOUBLE LP artifact with (thick cardboard) stamped GATEFOLD cover :::

Released as a PRIVATE (blank labels) issue (a division of RUBBER DUBBER) created by two Los Angeles-based men, Ken and Dub, Great White Wonder was compiled from multiple sources. Sides one and three of Great White Wonder were entirely given over to songs from an informal ninety-minute tape that Dylan recorded in the apartment of Bonnie Beecher in Minneapolis in December 1961. Side two was a miscellany of studio outtakes. However, it was the seven "basement-tape" cuts that filled up the end of side two and all of side four that aroused the greatest interest.


There was a time when you had to whisper to the guy behind the counter at a record store, "Do you carry bootlegs?" By definition, bootlegs were illegal, and Bob Dylan bootlegs were the first hot property.  
In 1968, word got out that there was new music by Dylan, recorded with The Band in a basement in upstate New York. What came out in the spring of 1969, however, was Nashville Skyline — a good record, but not the one we'd heard about. Then, in the summer of 1969, FM radio began playing pirated Dylan recordings. The Great White Wonder was the first bootleg I'd ever heard from anyone. On the cheaply packaged double LP, you could hear Dylan singing with The Band on songs such as "I Shall Be Released," "Open the Door Richard," "Too Much of Nothing" and "Tears of Rage." There were also recordings on the LP rumored to be made in a Minneapolis hotel room in 1961. It was all so underground, and it was all so exciting.   Pressed up as a double album in an initial run of 1,000 copies by two anonymous L.A. music industry insiders who went by Dub and Ken, Great White Wonder started appearing in record stores in summer 1969, the title gleaned from its plain white jacket, decorated only with a titular stamp. There were 23 tracks on Wonder, subscribing to a sequencing logic that is hard to pin down. Ten cuts were drawn from the "Minnesota Tapes", a collection of American standards Dylan recorded in May and December 1961. "Only a Hobo" and "Bob Dylan's New Orleans Rag" came from 1963 Columbia demos, and "Sitting on a Barbed Wire Fence" and "If You Gotta Go, Go Now" were great-sounding studio outtakes from the Highway 61 sessions. A version of "The Death of Emmitt Till" was pulled from a session with the folk magazine Broadside, and "Living the Blues" was recorded off of the television, from Dylan's May 1969 appearance on "The Johnny Cash Show". Wonder was a grab-bag retrospective of Dylan's career to that point, serving as something of a corrective to his absence and a harbinger of a career that wouldn't continue along the path it had taken for the first half of the decade. In terms of recording quality, these songs were only intended as demos, But the low-fi recordings-- only added to their aura, and to the sense that fans were listening in on a secret meeting between collaborators. "We went in with a sense of humor… It was all a goof," the Band's Robbie Robertson later told Rolling Stone Magazine's Greil Marcus. "We were playing with absolute freedom; we weren't doing anything we thought anybody else would ever hear, as long as we lived. But what started in that basement, what came out of it… came out of this little conspiracy, of us amusing ourselves." This was the nature of a leak in 1969-- a rare glimpse into the backstage life of a superstar. A conspiracy built from a conspiracy. It was the first time that unheard recordings of a superstar's new compositions had leaked to the public, and were being sold. It's easy to take such a thing for granted today, when leaks circulate freely online, but Wonder represented the earliest moment when advancing technologies combined with popular demand and illicit entrepreneurship to create cracks in the record industry's otherwise firm façade. Great White Wonder may be a modern impossibility in its original incarnation, but 40 years later, in a vastly de-industrialized music climate, its ongoing legacy suggests less a digital revolution than the mundane fact that, in the face of innovation, some old habits die hard.

Side one
"Candy Man"
  • "(As I Go) Ramblin' 'Round"
  • "Black Cross"
  • "I Ain't Got No Home"
  • "The Death of Emmett Till"
  • "Poor Lazarus" (Traditional) Side two
    "Bob Dylan's New Orleans Rag"
  • "If You Gotta Go, Go Now (Or Else You Got to Stay All Night)"
  • "Only a Hobo"
  • "Sitting On a Barbed Wire Fence"
  • "Mighty Quinn" (take 1)
  • "This Wheel's on Fire" (Bob Dylan and Rick Danko) Side three
    "Baby Please Don't Go"
  • Interview by
  • "Dink's Song"
  • "See That My Grave Is Kept Clean"
  • "East Orange New Jersey"
  • "Man of Constant Sorrow" Side four
    "I Shall Be Released"
  • "Open The Door, Homer" (take 1)
  • "Too Much of Nothing" (take 2)
  • "Nothing Was Delivered" (take 1)
  • "Tears of Rage" (take 2)
  • "Living the Blues" (Live, The Johnny Cash Show)

     


    CONDITION: The cover: rated: near: M-The thick white gatefold cover with BLUE block print stamp is  ...the 49 year old artifact is almost always, IF found at all, with dirt and soil to the white cover = look at the photos posted for this collectible = the white backing cover is clean <==> Has no bends, no split seams, no writing ... historically valuable and always will be...

    The vinyl: both albums are smooth and clear,  all 4 sides are rated: M- ... all 4 (blank) labels are clean


                      

     

     




       A cool add ition to anyone's music library! 

    SEE: SELLERS OTher items for similar cool sounds for "head" people..

    EFFICIENT/CAREFUL GRADING

    All imperfections are noted both cover & record

      NOTE: All Items backed by  money back guarantee! IF you have a problem PLEASE let us solve for you BEFORE leaving ANY negative feedback. Thanks!   GRADING SCALE: M, M-, EX, VG++,VG+, VG, VG- M    Completely clean, no marks M-   Carefully used, looks clean, plays clean, shiny gloss, no marks EX   Faint scuff or superficial mark, near M-, high gloss, plays clean VG++ Glossy with minimal scuffing or light mark playing very nice, clean VG+ a bit more scuff or markls still plays well with very minimal surface at worse VG   more marks/scratches only minor, nothing deep, no loud clicks or pops         this grade is abused by many, VG here does not mean "trashed" VG-  surface noise present, will not have skips or jumps     ALL PAYMENTS SHOULD BE MADE WITHIN 5 DAYS Of AUCTIONS END   BIDDERS PLEASE = Do Not Bid If You Are Not Serious About  Following Through The Transaction!   ALL ITEMS GUARANTEED FOR WINNING BID - LESS SHIPPING!


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