1982 Iron Maiden The Number Of The Beast Vinyl LP Album UK????????A2/B4 EMI EMC 3400
£
24
$
32
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Description
Iron Maiden ?– The Number Of The Beast
Notes
Recorded and mixed at Battery Studios, London.
This issue includes a hard card die cut inner sleeve with rounded corner, some copies also have a fan club insert
? 1982 Original Sound Recordings made by EMI Records Ltd.
"22, Acacia Avenue" is named "22 Acacia Avenue" (the continuing saga of Charlotte the Harlot) on the inner sleeve
Barcode and Other Identifiers
Matrix / Runout (Stamped runout side A): EMC 3400 A-2
Matrix / Runout (Stamped runout side B, variant 3): EMC 3400 B-4
Matrix / Runout (Etched runout side A): GIVE IT SOME HEADBUTTS
Matrix / Runout (Etched runout side B): NICKZ
Other (On the back sleeve): TM 8203 GL
The Number Of The Beast (Vinyl, LP, Album)
Label:
EMI ?– EMC 3400, EMI ?– 0C 062-07 608
Format:
Vinyl, LP, Album
Country:
UK ????????
Released:
1982
Genre:
Rock
Style:
Heavy Metal
Tracklist
A1 Invaders 3:20
A2 Children Of The Damned 4:34
A3 The Prisoner 5:34
A4 22, Acacia Avenue 6:34
B1 The Number Of The Beast 4:25
B2 Run To The Hills 3:50
B3 Gangland 3:46
B4 Hallowed Be Thy Name 7:08
Companies, etc.
Phonographic Copyright (p) – EMI Records Ltd.
Published By – Zomba Music Publishers Ltd.
Manufactured By – EMI Records Ltd.
Recorded At – Battery Studios, London
Mixed At – Battery Studios, London
Printed By – Garrod & Lofthouse
Credits
Artwork – Cream (7)
Bass Guitar – Steve Harris
Drums – Clive Burr
Engineer [Second Engineer] – Nigel "It Was Working Yesterday" Hewitt-Green*
Illustration [Sleeve Illustrations By] – Derek Riggs
Lead Guitar – Adrian Smith (2), Dave Murray (2)
Management [Sanctuary Music] – Rod "Bloody 'ell Fire" Smallwood*
Mastered By – Nickz*
Photography By [Inner Sleeve Photos By] – Andre Csillag, Brunelli*, Bob Ellis*, Rod Smallwood, Ross Halfin, Toshi Yajima
Photography By [Photo Montage] – Ian Kay
Photography By [Sleeve Photos By] – Simon Fowler (2)
Producer, Engineer – Martin "Farmer" Birch*
Vocals – Bruce Dickinson
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MINT
The record itself is in brand new condition.
EXCELLENT
The record may show some signs of having been played, but there is very little lessening in sound quality.
VERY GOOD
The record may have been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and occasional light scratch.
GOOD
The record may have been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion .
FAIR
The record is still playable but has not been cared for properly and displays considerable surface noise; it may even jump.
POOR
The record will not play properly due to scratched, bad surface noise,etc.
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