1986 THE FALL bend sinister LP- BEGA 75 Vinyl 1st UK Press w/Inner Sleeve PUNK
$
31
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Description
This is the 1986 UK pressing of the Fall album 'Bend Sinister'. The Fall are one of the first chart UK punk acts and Mark E Smith is a legend in the UK recording industry.
This vinyl record is in like-new condition, rarely if ever played and the cover is a VG+, having only lost a little black ink along the top & bottom seams.
The album features a humorous cover of the Nuggets era psych-grunge single "Mr Pharmacist" and this cover version was picked up by college radio in the United States.
Tracklist:
A1 R.O.D.
Written-By – Brix E. Smith*, Craig Scanlon, Mark E. Smith, Simon Rogers, John Woolstencroft*
A2 Dktr. Faustus
Drums – Paul Hanley Written-By – Craig Scanlon, Mark E. Smith
A3 Shoulder Pads 1#
Written-By – Brix E. Smith*, Mark E. Smith
A4 Mr. Pharmacist
Written-By – Nowlen
A5 Gross Chapel-British Grenadiers
Written-By – Craig Scanlon, Mark E. Smith, Stephen Hanley
B1 U.S. 80's - 90's
Written-By – Brix E. Smith*, Mark E. Smith
B2 Terry Waite Sez
Written-By – Brix E. Smith*, Mark E. Smith
B3 Bournemouth Runner
Written-By – Brix E. Smith*, Mark E. Smith, Stephen Hanley
B4 Riddler!
Written-By – Brix E. Smith*, Mark E. Smith, Simon Rogers
B5 Shoulder Pads 2
Written-By – Brix E. Smith*, Mark E. Smith
Phonographic Copyright (p) – Beggars Banquet
Copyright (c) – Beggars Banquet
Published By – Minder Music Ltd
Published By – Crescendo Music (2)
Credits:
Acoustic Guitar – Craig Scanlon
Bass – Stephen Hanley
Drums – 'John' S. Wolstencroft
Electric Guitar – Craig Scanlon
Guitar – Simon Rogers, Stephen Hanley
Keyboards – Brix Smith, Simon Rogers
Lead Guitar – Brix Smith
Management – JLP (2)
Percussion – 'John' S. Wolstencroft
Performer [Machines] – Simon Rogers
Photography By – Jeff Veitch, Kint B., Larry Rodriguez, Lars Schwander, Steve Saporito, Sue Dean
Producer – John Leckie
Tape [Tapes] – Mark E. Smith
Vocals – Brix Smith, Mark E. Smith
Notes:
"Part of the Doomsday Pay-Off Triad!"
Crescendo Music (2) published Track A4 only.
Barcode and Other Identifiers:
Barcode: 5 012093 007519
Other (Side A Run-Out Etching): Doomsday Hoe-Down On Auto
Other (Side B Run-Out Etching): Mature Computer Dissection
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Amazon review by Ned Raggett:
Again working with John Leckie on production, the Fall's third Beggars album, Bend Sinister, was a distinctly down affair -- not that the Fall were ever a shiny happy band, of course, but both music and lyrics seemed like a darker corner to dwell in. Happily there was no worry that the Fall would ever go goth; one suspects Mark E. Smith would rather have his tongue removed. Still, opening track "R.O.D." makes for a distinctly lower-key start in comparison to recent leadoffs like "Lay of the Land" and "Bombast," almost sounding a bit like fellow Mancunian legends Joy Division, Smith's lyric his own depressing vision of a beast slouching toward Bethlehem. Leckie's production emphasizes space in the recording, while the band as a whole sounds generally more deliberate and understated, even Craig Scanlon's guitar not leaping quite as much to trebly life as is normally the case. Songs like "Gross Chapel - British Grenadiers" favor Steve Hanley's bass work as much as anything, while the almost industrial/hip-hop beat of "US 80's-90's" sets the tone for a glowering vision of the States from, as Smith puts it, "the big-shot original rapper." Elsewhere, there's Smith's vision of the eternal outsider comes to life once again -- "Shoulder Pads 1," a hardly disguised sneer against being surrounded by people who "can't tell Lou Reed from Doug Yule," for all that there's a slightly quirky arrangement thanks to Simon Rogers' keyboards. Still, there are certainly moments of sheer fun -- in keeping with the band's regular ear for good cover versions, this time around psych-era obscurities the Other Half get the nod with a brisk rip through the obvious drug references of "Mr. Pharmacist." Brix again shares vocal leads with Smith at various points, notably "Dktr. Faustus," a distinctly reworked version of that particular legend that turns into a frantic, audibly unhappy dance groove.
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