1st REC SOME OF THESE DAYS Billy Murray AMERICAN QAR Rhinewine Rag Sophie Tucker

$

50

A series of great  PERSONALITY Records from Movies, Vaudeville, Minstrel and Humor  on 78 rpm Victrola Records

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1910 sheet music cover

  First recording of Sophie Tucker's famous song, she would record it in 1911 on Edison Cylinder

BILLY MURRAY with the American Quartet 
Some of these days
Shelton Brooks (composer) 
Shelton Brooks (lyricist) 

Description: Male vocal quartet, with orchestra

12/27/1910 Camden, New Jersey [unconfirmed] 3 Master Victor 16834

FIRST TAKE 2

A Rhinewine rag
Paul Henneberg (composer) 

Arthur Pryor's Band (Musical group) 

1/5/1911 Camden, New Jersey 2 Master Victor 16834

Please see top of the page for condition

Some of These Days" is a popular song, written and composed by Shelton Brooks, published in 1910, and associated with the performer Sophie Tucker.

Background
Shelton Brooks and "Some of These Days" was brought to Sophie Tucker's attention in 1910 by her maid, who insisted she meet Brooks and hear the song.[1] Tucker instantly recognized its hit potential, performed and recorded many versions throughout the years, and eventually it became her signature song—including landing movie appearances to perform it.

Tucker first recorded the song along with others on wax cylinder format in 1910–11. In 1926, on 78 RPM record format and backed by Ted Lewis and his band, Tucker recorded her classic, million-selling 1926 version, which stayed in the #1 position on the charts for five weeks beginning November 23, 1926, and re-affirmed her lasting association with the song.[2]

"Some of These Days" has been recorded by many other artists, including Ethel Waters, Louis Armstrong, Coco Briaval, Elkie Brooks, Cab Calloway, Bing Crosby, Bobby Darin, Ella Fitzgerald, Diahann Carroll, Danny Aiello, Judy Garland, Matt Forbes, The Hot Sardines, Susan Maughan, The McGuire Sisters, the Original Dixieland Jass Band, Sue Raney, Serena Ryder, Sidney Bechet,[3] Leon Redbone, and recently by Erica Lewis with the band Tuba Skinny.

Billy Murray newspaper ad from 1919   William Thomas "Billy" Murray (25 May 1877 - 17 August 1954) was one of the most popular singers in the United States in the early decades of the 20th century. While he received star billings on Vaudeville, he was best known for his prolific work in the recording studio, making records for almost every record label of the era. He was probably the best selling recording artist of the first quarter of the 20th century. He was born in Philadelphia, Pennsylvania, the son of immigrants from Ireland. He became fascinated with the theater and joined a traveling vaudeville troupe in 1893. He also performed in minstrel shows early in his career. He made his first recordings for a local phonograph cylinder company in San Francisco, California in 1897. He started recording regularly in the New York City and New Jersey area in 1903, when the nation's major record companies as well as the Tin Pan Alley music industry were concentrated there. In 1906 he waxed the first of his popular duets with Ada Jones. He also performed with Aileen Stanley, the Haydn Quartet, and the American Quartet (also known as the Premier Quartet), in addition to his solo work. He had a strong tenor voice with excellent enunciation and a more conversational delivery than common with bel canto singers of the era. On comic songs he often deliberately sang slightly flat, which he felt helped the comic effect. While he often performed romantic numbers and ballads which sold well at the time, his comedy and novelty song recordings continue to be popular with later generations of record collectors.
Murray's popularity faded with changes in public taste and recording technology; the rise of the electric microphone in the mid 1920s coincided with the rise of the crooners. His "hammering" style, as he called it, essentially yelling the song into the recording horn, did not work in the electronic era, and it took him some time to learn how to soften his voice. While he continued to work, his singing style was considered "dated" and less in demand. In the late 1920s and early 1930s he also did voices for animated cartoons, especially the "follow the bouncing ball" type which incorporated songs from his salad days. He also did radio work. Murray made his last recordings in 1943 and retired to Freeport, Long Island, New York in 1944. He died in nearby Jones Beach.