The record is located in Italy

NOTE:  The records are like new. I removed the vinyls from the cardboard inner sleeves (which damage the surface of the records during their removal) to insert them into a plastic inner sleeve.

Record conditions  (VISUAL): M (played once and archived)

Cover conditions :  M

Label conditions  : M  

Inner sleeve conditions: M

Genesis – The Lamb Lies Down On Broadway

Etichetta: Charisma – 602567489856, UMC – 602567489856 Formato: 2 x Vinile, LP, Album, Reissue, Stereo, Gatefold, 180 Gram Paese: Europe Uscita: 3 ago 2018 Genere: Rock Stile: Prog Rock, Symphonic Rock A1
The Lamb Lies Down On Broadway 5:00 A2
Fly On A Windshield 2:44 A3
Broadway Melody Of 1974 2:11 A4
Cuckoo Cocoon 2:15 A5
In The Cage 8:09 A6
The Grand Parade Of Lifeless Packaging 2:46 B1
Back In N.Y.C. 5:45 B2
Hairless Heart 2:10 B3
Counting Out Time 3:39 B4
Carpet Crawlers 5:14 B5
The Chamber Of 32 Doors 5:42 C1
Lilywhite Lilith 2:49 C2
The Waiting Room 5:16 C3
Anyway 3:17 C4
Here Comes The Supernatural Anaesthetist 2:50 C5
The Lamia 6:56 C6
Silent Sorrow In Empty Boats 3:01

The Colony Of Slipperman (8:12)
D1.1
The Arrival

D1.2
A Visit To The Doktor

D1.3
Raven
D2
Ravine 2:09 D3
The Light Dies Down On Broadway 3:32 D4
Riding The Scree 4:06 D5
In The Rapids 2:22 D6
It 4:14

• Concesso in licenza a – Virgin Records Ltd.
• Copyright fonografico ℗ – Anthony Banks Ltd.
• Copyright fonografico ℗ – Philip Collins Ltd.
• Copyright fonografico ℗ – Stephen Hackett Ltd.
• Copyright fonografico ℗ – Real World Music Ltd.
• Copyright fonografico ℗ – Michael Rutherford Ltd.
• Copyright © – Peter Gabriel
• Copyright © – Anthony Banks Ltd.
• Copyright © – Philip Collins Ltd.
• Copyright © – Stephen Hackett Ltd.
• Copyright © – Real World Music Ltd.
• Copyright © – Michael Rutherford Ltd.
• Pubblicato da – Anthony Banks Ltd.
• Pubblicato da – Philip Collins Ltd.
• Pubblicato da – Stephen Hackett Ltd.
• Pubblicato da – Real World Music Ltd.
• Pubblicato da – Michael Rutherford Ltd.
• Pubblicato da – EMI Music Publishing Ltd.
• Pubblicato da – Imagem (2)
• Pubblicato da – Sony ATV
• Masterizzato presso – Abbey Road Studios
• Inciso presso – Optimal Media GmbH – BI41854
• Studio di registrazione – Island Mobile

• Bass, Twelve-String Guitar – Mike Rutherford
• Design, Photography By – Hipgnosis (2)
• Engineer – David Hutchins*
• Graphics – George Hardie
• Graphics [Retouching] – Richard Manning (3)
• Guitar – Steve Hackett
• Keyboards – Tony Banks
• Lacquer Cut By – Miles*
• Liner Notes – Peter Gabriel
• Percussion, Backing Vocals [Voicing], Vibraphone – Phil Collins
• Producer – Genesis, John Burns
• Vocals, Flute – Peter Gabriel
• Written-By – Genesis

Recut version of Genesis - The Lamb Lies Down On Broadway, which had record one mistakenly cut in mono. Packaging and labels otherwise identical.

Printed on center label of record one: "6478992 Record One"
Printed on center label of record two: "6749005 Record One"
Both called "Record One" while other releases distinguish between "Record One" and "Record Two" correctly.

ⓟ & ⓒ 2018 Anthony Banks Ltd., Philip Collins Ltd., Real World Ltd.,Stephen Hackett Music Ltd., Michael Rutherford Ltd., under exclusive licence to Virgin Records Ltd Universal International Music B.V. Gerrit, van der Veenlaan 4, 3743 DN, Baarn, Netherlands.

Comes with download code.

Made in the EU

• Codice a barre: 602567489856
• Label Code: LC03098
• Società di gestione dei diritti: SDRM
• Società di gestione dei diritti: BIEM
• Matrice / Runout (Side A, etched): BI41854-01 A1 6748985 ABBEY ROAD MILES ROOM 30
• Matrice / Runout (Side B, etched): BI41854-01 B1 6748985 MILES ABBEY ROAD ROOM 30
• Matrice / Runout (Side C, etched): BI41854-01 C1 6749005 MILES ABBEY ROAD ROOM 30
• Matrice / Runout (Side D, etched): BI41854-02 D1 6749005 MILES ABBEY ROAD ROOM 30
• Altro (Cat # LP1, per label): 6748992
• Altro (Cat # LP2): 6749005
• Altro (Cat #LP1, per deadwax): 6748985

Payment must be made within 6 days from the end of listing except you are watching more items of mine so let me know about it.

I ship in strong cardboard mailers with two pads and record accurately separated from cover to prevent splits during shipment.

Read accurately for shipping and payment infos before sending payment!!!!
If in doubt ask for an invoice especially for multiple items purchases.

 

Visto il gran numero di persone che non rilascia feedback, il mio feedback verrà rilasciato soltanto dopo il vostro

Appropriate Feedback Is Left AFTER Yours Is Left.

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Cover> Vinyl

MINT

NM

EX

VG

G

MINT

100%

 

 

 

 

NM

 

95%

 

 

 

Ex

 

 

85%

 

 

VG

 

 

 

75%

 

G

 

 

 

 

50%

 

Record Collector Magazine Grading System

MINT The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint. 

NEAR MINT (NM OR M-)
A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect.

NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)

NM covers are free of creases, ring wear and seam splits of any kind

EXCELLENT The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing. 

VERY GOOD The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable. 

GOOD The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc. 

FAIR The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced. 

POOR The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing. 

BAD The record is unplayable or might even be broken, and is only of use as a collection-filler.