3 Antique Turkish Shellac Records 10-Inch 10" 78 RPM Kucuk Melahat Celal İnce

$

40

Antique Turkish Recordings Lot

3 Shellac Records,  10-Inch 10" 78 RPM

Küçük Melahat  –  Parasutla Ineym / Kuyulari Var Derince

Music by İsmail Hakkı Bey

Label: Decca  – CO 3280

Victoria Hazan  & Nishan Sedefjian 

Araraim Seni Her Guni / Rast Neva Gazel

Label: Kaliphon Phonograph Records  – No. 710

Celâl İnce  –  Kıskanıyorum / Sensiz Kaldığım Geceler

Music By  –  Fehmi Ege

Label: Sahibinin Sesi  – AX. 2461

Good Condition. Not play tested. Visible surface wear on all three records. Slight warp to the Küçük Melahat  recording.

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Although classifying genres of Turkish music can be problematic, three broad categories can be considered. These are "Turkish folk music", "Turkish art music", and multiple popular music styles. These Popular music styles include  arabesque, pop, and  Anatolian rock. The resurging popularity of pop music gave rise to several international Turkish pop stars such as  Ajda Pekkan,  Sezen Aksu,  Erol Evgin,  MFÖ,  Tarkan,  Sertab Erener,  Teoman,  Kenan Doğulu,  Levent Yüksel  and  Hande Yener.  Internationally acclaimed Turkish  jazz  and  blues  musicians and composers include  Ahmet Ertegun.

The roots of traditional music in Turkey span across centuries to a time when the  Seljuk Turks  migrated to  Anatolia  and  Persia  in the 11th century and contains elements of both Turkic and pre-Turkic influences. Much of its modern popular music can trace its roots to the emergence in the early 1930s drive for  Westernization.  Âşık,  atışma, singing culture, wedding dance continued way of having fun with family and friends as before. Due to industry music and music in daily life aren't same. Turkish people including new generations have nostalgia music culture. With the assimilation of immigrants from various regions the diversity of musical genres and musical instrumentation also expanded. Turkey has also seen documented folk music and recorded popular music produced in the ethnic styles of  Greek,  Armenian,  Albanian,  Polish,  Azeri  and  Jewish  communities, among others.

Many Turkish cities and towns have vibrant local music scenes which, in turn, support a number of regional musical styles. Until the 1960s, Turkish music scene was dominated by two genres,  Turkish classical music  and  Turkish folk music  with some staple figures like  Aşık Veysel,  Emel Sayın,  Zeki Müren,  Şevval Sam,  Bülent Ersoy. The 70s came with  Anatolian rock  and  groove music  based pop music, iterated by the likes of  Cem Karaca  and  Barış Manço. However, western-style pop music lost popularity to arabesque in the late 1980s, with even its greatest proponents,  Ajda Pekkan  and  Sezen Aksu, falling in status. It became popular again by the beginning of the 1990s, as a result of an opening economy and society. With the support of Aksu, the resurging popularity of pop music gave rise to several international Turkish pop stars such as  Tarkan  and  Sertab Erener. The late 1990s also saw an emergence of underground music producing  alternative rock,  electronica,  hip-hop,  rap  and  dance music  in opposition, leaded by the figures such as  Şebnem Ferah,  Mercan Dede  and  Ceza, to the mainstream corporate  pop  and  arabesque  genres, which many believe have become too commercial. The 2010s gave rise to  indie music  groups which were collectively named as "Üçüncü Yeniler" (Third New). With poetic, witty or emotional lyrics, groups' names are deliberately meaningless or employs  figure of speech  such as in the case of  Nükleer Başlıklı Kız  (a pun to Turkish translation of the  Red Riding Hood). Also, The nostalgia of the 80s and 90s pawed the way for artists like  Gaye Su Akyol  and  Altın Gün  to fuze groove vibes into modern music. The 2020s brought in  electronic dance music  and  drill music  into mainstream, where they mostly top the charts.