3lp Stockhausen+Roland Kayn+Isang Yun+Henze+Fritsch+Hartmann+ avant garde Fluxus

$

27

Deutscher Musikrat - Zeitgenossische Musik in der Bundesrepublik Deutschland 7 - 1960-1970-- Karlheinz Stockhausen: Stimmung (1968 for 6 vocalists) / Roland Kayn: Vectors I (1960 for chamber orch) / Isang Yun: Fluktuationen (1964 for orch.) / Hans Werner Henze: Being Beauteous (1963 for soprano, harp, 4 cellos); Versuch uber Schweine (1968 for chamber orch. and speaker) / Johannes Fritsch: Modulation I (1966 for piano, violin, viola, cello, contrabass) / Karl Amadeus Hartmann: Gesangsszene (1963 for baritone and orchestra) / Hans Zender: Canto II (1969 for soprano, choir, orch) / Erhard Karkoschka: quattrologe (1966 for string quartet) label & cat. no.:Deutsche Harmonia Mundi/EMI Electrola DMR 1019-21 pressed in:Germany date:1983 format:3xLP Box + Book Vinyl: all 3 nm (looks unplayed, library markings on labels)
Cover: ex- (minor library markings on box and booklet)

description:
7th volume in this series documenting German modern and avant garde postwar music with many previously unreleased recordings. Each volume has cover art by a major German artist, here the Fluxus artist Mary Bauermeister (Stockhausen's wife). The recording of Stockhausen's Stimmung experimental vocal piece is different from the more readily available DGG one; this was made in 1982 by Collegium Vocale Koln under the direction of the composer. Among other notable performers, Henze conducts both of his works, Dietrich Fischer-Dieskau performs in Hartmann's piece, and the Fritsch performance features Bernhard Kontarsky on piano and Siegfried Palm on cello. Includes 40+ page booklet with multilingual notes.

artist info from album notes etc.:
Stockhausen was a German experimental composer who was a student of Olivier Messiaen and Werner Meyer-Eppler, a contemporary of John Cage and Iannis Xenakis, and worked with Pierre Boulez, Luciano Berio, Karel Goeyvaerts, Cornelius Cardew, Hugh Davies, Bruno Maderna, and Mauricio Kagel; he pioneered electronic music at the INA-GRM musique concrete studios of Pierre Schaeffer, Pierre Henry, Luc Ferrari, Francois Bayle, and Bernard Parmegiani, at NHK Tokyo where Yori-Aki Matsudaira, Minao Shibata, Toshiro Mayuzumi, and Jon Appleton also composed, and at WDR Koln along with Herbert Eimert, Robert Beyer, Henri Pousseur, Gottfried Michael Koenig, Gyorgi Ligeti, Franco Evangelisti, Konrad Boehmer, Anestis Logothetis, and Herbert Brun, and he explored improvisation and live electronics with David Tudor, Vinko Globokar, Michel Portal, and New Phonic Art. • German electronic composer Roland Kayn studied under Max Bense, Josef Rufer, and Boris Blacher, was a founding member of the groundbreaking Il Gruppo di Improvvisazione Nuova Consonanza live electronic improv group along with Mario Bertoncini, John Heineman, Larry Austin, John Eaton, Ennio Morricone, Frederic Rzewski, Egisto Macchi, Aldo Clementi, and Franco Evangelisti (contemporary to Musica Elettronica Viva/MEV and AMM), and became best known for his creation of Cybernetic Music; he worked at various famous early electronic studios including the WDR Cologne (Karlheinz Stockhausen, Herbert Eimert, Henri Pousseur, Gottfried Michael Koenig, Gyorgi Ligeti, Franco Evangelisti, Konrad Boehmer, Anestis Logothetis, Herbert Brun), the Utrecht Studio voor Elektronische Muziek Institute of Sonology (Tom Dissevelt, Dick Raiijmakers), and at the Warsaw Polish Radio studio (Arne Nordheim). • Henze studied with Wolfgang Fortner and Rene Leibowitz, was influenced by Igor Stravinsky, Arnold Schoenberg, Alban Berg, and Karl Amadeus Hartmann, and is associated with William Walton and poet W. H. Auden. • Yun was a South Korean-born composer who studied under Tony Aubin, Boris Blacher, Josef Rufer and Reinhard Schwarz-Schilling and was influenced by serialism. • Hartmann was taught by serialist Anton Webern, and was influenced by Bruckner, Alban Berg, Hindemith, and Arnold Schoenberg; he became influential to Hans Werner Henze and Luigi Dallapiccola.

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