7243 5 76602 11 NORAH JONES 'FEELS LIKE HOME' BLUE NOTE ORIGINAL 2007 UK/EU ISSU
£
20
$
27
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Description
Norah Jones ?
Feels Like Home
Country:Europe Released:2007 Genre:Jazz, Rock, Pop Style:Vocal, Ballad, Contemporary Jazz
Tracklist
A1 Sunrise Acoustic Guitar, Banjo [Banjolin] – Kevin BreitBacking Vocals – Adam Levy, Daru OdaBass – Lee AlexanderDrums [Slit] – Andrew BorgerVocals, Piano – Norah JonesWritten-By – Lee Alexander, Norah Jones 3:21 A2 What Am I To You? Backing Vocals – Daru OdaBass – Lee AlexanderDrums – Levon HelmElectric Guitar – Tony ScherrOrgan [Hammond] – Garth HudsonVocals, Electric Piano [Wurlitzer] – Norah JonesWritten-By – Norah Jones 3:29 A3 Those Sweet Words Acoustic Guitar – Jesse Harris, Kevin BreitBass – Lee AlexanderGroovebox – Andrew BorgerOrgan [Pump] – Rob BurgerVocals, Piano – Norah JonesWritten-By – Lee Alexander, Richard Julian 3:22 A4 Carnival Town Acoustic Guitar – Kevin BreitArranged By [Strings] – Arif MardinCello – Jane ScarpantoniViola – David Gold (2)Vocals, Piano – Norah JonesWritten-By – Lee Alexander, Norah Jones 3:12 A5 In The Morning Acoustic Bass, Electric Bass – Lee AlexanderAcoustic Guitar – Adam LevyBacking Vocals – Daru OdaDrums – Andrew BorgerResonator Guitar – Kevin BreitVocals, Electric Piano [Wurlitzer] – Norah JonesWritten-By – Adam Levy 4:06 A6 Be Here To Love Me Accordion – Garth HudsonBacking Vocals – Daru OdaBacking Vocals, Acoustic Guitar – Kevin BreitBacking Vocals, Electric Guitar – Adam LevyBass – Lee AlexanderDrums – Andrew BorgerVocals, Piano – Norah JonesWritten-By – Townes van Zandt 3:28 A7 Creepin' In Acoustic Guitar – Kevin BreitBacking Vocals – Adam Levy, Daru OdaBass – Lee AlexanderOrgan [Pump] – Rob BurgerSnare – Andrew BorgerVocals – Dolly Parton, Norah JonesWritten-By – Lee Alexander 3:00 B1 Toes Backing Vocals – Daru OdaBass – Lee AlexanderDrums – Andrew BorgerElectric Guitar – Adam LevyResonator Guitar – Kevin BreitVocals, Piano – Norah JonesWritten-By – Lee Alexander, Norah Jones 3:47 B2 Humble Me Bass – Lee AlexanderResonator Guitar – Kevin BreitVocals, Organ [Pump] – Norah JonesWritten-By – Kevin Breit 4:35 B3 Above Ground Backing Vocals – Daru OdaDrums – Andrew BorgerElectric Guitar – Adam LevyResonator Guitar, Electric Guitar, Percussion [Foot Tapping] – Kevin BreitVocals, Electric Piano [Wurlitzer] – Norah JonesWritten-By – Andrew Borger, Daru Oda 3:42 B4 The Long Way Home Acoustic Guitar – Kevin BreitBacking Vocals, Flute – Daru OdaBass – Lee AlexanderElectric Guitar – Adam LevyGroovebox – Andrew BorgerVocals – Norah JonesWritten-By – Kathleen Brennan, Tom Waits 3:12 B5 The Prettiest Thing Acoustic Guitar – Kevin BreitBacking Vocals – Daru OdaDrums – Brian BladeLap Steel Guitar – Lee AlexanderVocals, Piano – Norah JonesWritten-By – Lee Alexander, Norah Jones, Richard Julian 3:50 B6 Don't Miss You At All Music By – Duke EllingtonVocals, Piano, Lyrics By – Norah Jones 3:07Companies, etc.
- Recorded At – Allaire Studios
- Recorded At – Avatar Studios
- Recorded At – Sear Sound
- Recorded At – Sorcerer Sound
- Mixed At – Sear Sound
- Mastered At – DB Plus
- Marketed By – EMI
- Distributed By – EMI
Credits
- A&R – Eli Wolf
- A&R [Administration] – Chris Cofoni
- Art Direction, Design – Jessica Novod-Berenblat
- Creative Director – Gordon H Jee
- Design [Design Production Assistance] – Burton Yount
- Engineer [Assistant] – Aya Takemura, Dick Kondas, Matthew Cullen, Steve Mazur (2)
- Management [Product] – Zach Hochkeppel
- Mastered By – Gene Paul, Greg*
- Mastered By [Assistant] – Jamie Polaski
- Photography By – Clay Patrick McBride
- Producer – Arif Mardin, Norah Jones
- Recorded By, Mixed By – Jay Newland
Notes
Gate-fold sleeveRecorded at Allaire Studios, Shokan, NY
and Avatar Studios, Sear Sound,
and Sorcerer Sound, NYC.
Printed in EU
- Barcode: 7 24357 66021 1
- Matrix / Runout (Side A): 5848001 1A1 (stamped)
- Matrix / Runout (Side B): 5848001 1B1 (stamped)
- GREG @MASTERPIECE (etched)
- Label Code: LC 0133
- Other (Distribution Code): UK: 576 6021
PLEASE BE AWARE THAT MOST OF THE
RECORDS ON SALE HAVE NOT BEEN PLAY-GRADED
IF THEY HAVE, ANY OBSERVATIONS WILL
BE MENTIONED IN THE LISTINGS
Condition:
***please see end of listing
for grading system definitions
before ordering***
Cover:- LOOKS MINT Gate-fold sleeve
Vinyl:- LOOKS NEAR MINT
Labels:- LOOK MINT
WE WANT YOU TO BE HAPPY
WITH YOUR PURCHASE
IF, FOR WHATEVER REASON, YOU ARE NOT HAPPY WITH THE RECORD
(EVEN IF YOU DECIDE YOU DON'T LIKE THE MUSIC!)
PLEASE CONTACT ME TO RETURN THE RECORD
FOR A FULL REFUND PLUS RETURN POSTAGE.
**THE RETURN ADDRESS IS ALWAYS ON THE BACK OF THE PACKAGING**
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Please note that my sales will be posted recorded and must be signed for on arrival.
The cost of this is the current Royal Mail charges whether Domestic or International
SIGNED FOR POSTAGE + PACKING IS OFFERED ON THIS ITEM
PRICES AS FOLLOWS:-
U.K. £4.50 E.U. / UKRAINE £11.50 REST OF THE WORLD** £15.50
**INCLUDES:-
AUSTRALIA - BRAZIL - CANADA - JAPAN - KOREA - NEW ZEALAND - USA
please note that
***GENEROUS COMBINED POSTAGE WILL BE OFFERED
FOR MULTIPLE ORDERS***
**************************************************
All items will be posted in custom made mailers in plastic sleeves and using two card liners.
**************************************************
PLEASE NOTE THAT THE PHOTOGRAPHS DISPLAYED
ARE OF THE ACTUAL ITEM LISTED FOR SALE ABOVE
**************************************************
My records are described according to The Record Collector's grading system.
This was originated by The Record Collector to assist people buying or selling records.
Their seven standard condition categories and a description of what each one means are given below.
I hope you find this helpful.
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT: The records shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
POOR: The record will not play properly due to scratches, bad surface noise etc. The cover and contents will be badly damaged or partly missing.
Bad: The record is unplayable or might even be broken and is only of use as a collection-filler.
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