Up For Auction: Super LP ~ 31 years old and still FACTORY SEALED!!!

1979 Mobile Fidelity Sound Labs (MFSL) Records, 12 inch, 33 1/3 RPM Stereo LP, Cat. #MFSL 1-523, First Pressing. Still Factory Sealed!! Featuring: Eugene Ormandy conducting The Philadelphia Orchestra. Titled: "SIBELIUS / Four Legends From The "Kalelala"".

Mobile Fidelity Sound Lab has been the undisputed pioneer and leader in audiophile recordings since the company's inception in 1977. Established by dedicated audiophiles, Mobile Fidelity's first and foremost goal was to offer faithfully reproduced high fidelity recordings that would compliment the numerous advances occurring in audio delivery systems. Throughout its history, Mobile Fidelity has remained true to this goal, pioneering state-of-the-art technologies and setting audiophile standards that remain in place today

If you're not familiar with Mobile Fidelity LP's and the painstaking process of making these incredible records, here's some additional information:

"Commercial record companies are in the business of providing a vast amount of music to tremendous numbers of people. In order to do this economically they take as little as an hour to cut a master lacquer disc, which is the first step toward ultimately producing the record you buy in the store.

We require a minimum of three months to make an Original Master Recording available to you. The difference is that we take the time necessary to achieve the kind of sound that not only lets you hear four clarinets, but hear the space between them.

To accomplish this we employ our exclusive "half-speed mastering" method. Normally, master lacquer discs are cut at 33 1/3 rpm (real time), the same speed at which you play a record on your turntable. Our master lacquer discs, however, are cut at half speed, or 16 6/7 rpm, while the master tape also plays at half speed. This allows us twice as much time to get every detail, every nuance of sound out of the stereo master tape and into the groove. It also allows the cutting stylus twice as much time to cut the groove accurately. And we always work from the original stereo master tape, never a second or third generation copy. MFSL's exclusive "half-speed mastering" also allows us to use only one-fourth the power that real time cutting takes. So we never have to push our cutting head amplifiers to their limits. This gives us much more head room for far superior dynamic range, top-end and overall frequency response, along with better stereo separation. And we don't use transformers or employ limiting in our cutting process. Nothing is introduced that will cause distortion or squeeze the life out of an Original Master Recording.

After our master lacquer disc is cut, it is carefully refrigerated and sent abroad, where the metal masters and stampers are made to produce the final pressings. Another long and painstaking process. It takes more than a month before we can hear the results of the metal masters alone.

Then, the pressings are made. And not on just vinyl, but on a material known as Super Vinyl. This, too, must be done abroad, in Japan at JVC. It is the only place in the world where such high quality vinyl is made. Super Vinyl gives us an ultra quiet playing surface. It's a vinyl that is heavier and harder than ordinary vinyl. And it has no "memory"... you can play an Original Master Recording over and over again, without having to let it rest after each play. When an ordinary, soft vinyl record is played repeatedly, the groove walls tend to stretch and distort and the sound deteriorates.

MFSL's exclusive process forces us to restrict the number of pressings we make. Commercial pressings by a top name artist number anywhere from three to ten million. There are never more than 200,000 copies made of an Original Master Recording, so the last pressing is as clear and accurate as the first. With time consuming "half-speed mastering" and our preoccupation with an exact sonic replica of the original master stereo tape, we'll never make all the music in the world. So we just make the best of it. We cut no corners. We make no compromises. What we do make is a record that is as close to handmade as you'll ever find. With us, it's a labor of love. We design every Original Master Recording to challenge your equipment and your listening ability.".

The LP is still FACTORY SEALED. The cover is very nice. The original shrink wrap is in excellnt condition. The issues to report: a small delete cut neat the upper right corner - Good Luck finding another copy of this LP in this condition!!

***Please Note***

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All of our packages are shipped via The United States Postal Service [USPS]. Domestic Mail includes delivery confirmation. Customs declaration #'s will be provided for International Packages (upon request).

We will be happy to combine shipping on multiple items purchased from our store, won in our auctions or purchased from our website [BackInTheDayRecords.com]. Just request a total and we will send you an invoice with combined shipping costs.

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Thanks For Looking and Good Luck!!