A. Orfenov lyric tenor 1938 Georg Orentlicher paino Schubert Forelle/Barcarolle
$
30
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Description
Georg Orentlicher (Russian: ????? ????????? ??????????, 1897-1985) is a Russian pianist. Honored artist of the RSFSR. Known primarily as a master of accompaniment — especially thanks to the collaboration with the singer Georgi Vinogradov, the top of which were two entries: "Die schöne Müllerin" by Franz Schubert and "dichterliebe" by Robert Schumann. Among other artists, who performed and recorded with Orentlicher, — Andrey Ivanov, Ludmilla Legostaeva, Anna Matyushina and Anatoly Orfenov. In the 1960s and 1970s taught chamber ensemble in the Gnessin Musical-pedagogical Institute — his disciple was, in particular, Alexander Gradsky, who remembered about Orentlicher as "absolutely wonderful teacher".
Anatoly Ivanovich Orfenov (Russian: ???????? ???????? ???????, October 17 [30] 1908, the village Sushki, Ryazan province — March 6, 1987, Moscow) - Soviet Opera singer (lyric tenor), the music teacher. Honored artist of the RSFSR (1941). Stalin prize award (1949). In 1928, Orfenov came to Moscow and found a place in the class of Alexander Akimovich Pogorelsky, follower of the Italian school of Bel Canto. Working with the major masters of Russian musical art finally shaped Orfenov into an ‘individual’ actor. He rapidly gained a leading position in the Opera House troupe named after Stanislavski. The audiences noticed his naturalness, sincerity and the simplicity of his stage acting. Orfenov was made Honoured Artist of the RSFSR, and took part in several landmark productions including “La belle Helene” in Paris – this, fortunately, was recorded on the radio in 1948. In the 1940/41 season Orfenov joined the State Opera ensemble, under the leadership of the great Ivan Kozlovsky. Performances were in the Great Hall of the Conservatory, the House of Scientists, the Central House of Artists and Student town. Alas, this ensemble did not last long, as WW2 came! Orfenov specialised in the role of Lensky: delicate, transparent timbre, softness and flexible, his Lensky is described as “highly complex and fragile”. Another milestone was the image of Yurodivogo in “Boris Godunov”. In this landmark performance in 1947, he sang in front of Stalin. His voice was considered ‘radiogenic’. 1950 began the heyday of the opera broadcast. In addition to well-known scores, many forgotten and rarely performed opera pieces were broadcast, such as “Voevoda” and “Oprichnik” by Tchaikovsky; the names of Zara Dolukhanova, Natalia Christmas, Deborah Pantofel-Nechetskoy, Hope Kazantsevoy, Georgy Vinogradov, Vladimir Bunchikova became well known. In 1950, Orfenov started teaching activities in the Gnessin Institute. He was a very understanding teacher: “he did not impose, not force to imitate, but every time the individual capabilities of each student [were taken account of]”. He enjoyed taking a ‘mediation’ position between management and soloists, and perceived as a father-figure for singers, especially the young.
Here is it The first recording of Anatoly Orfenov! October 1938!!!
ULTRA RARE FIRST PRESSING FROM 1938!!!
matrix: 7499-7500
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Franz Schubert - Die Forelle, D.550 Franz Schubert - Barcarolle (in Russian) Anatoly Orfenov - Artist of National USSR Artist Konstantin Stanislavski Theatre Georg Orentlicher - piano
These early pre-melodia records are highly in demand among collectors and audiophiles. As it is TRUE VINTAGE ANALOGUE! The price will only increase!!! Please note this is 75+ years old record and it is in excellent shape. This is really unique chance to get this highly collectors item in such stunning condition!
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- Condition of disc: EX+
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