A66115 *SEALED*- Stockhausen/Singcircle, Gregory Rose- Stimmung LP 1984 MINT UK
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22
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29
£ 22
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Dec 19, 2017
Sold Date
Nov 26, 2017
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Great Britain
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Description
STILL UNPLAYED IN ORIGINAL FACTORY SEAL- SLIGHT IMPERFECTIONS TO SLEEVE FROM STORING BUT 100% MINT RECORD
Stockhausen* - Singcircle, Gregory Rose ?– Stimmung
Label: Hyperion ?– A66115 Format: Vinyl, LPCountry: UK Released: 1984 Genre: Electronic, Classical Style: Contemporary
Tracklist
A1 Untitled A2 Soprano, GROGORAGALLY, Sun God (Australian Aboriginal) A3 Baritone, ELYON, God Of Storms (Hebrew) A4 Tenor, USI-AFU, God Of The Earth (Timor, Indonesia) A5 Tenor, CHANG TI, Director Of The Cosmos (Chinese Buddhist) A8 Mezzo, UEUETEOTL, God Of Fire (Aztec) A9 Tenor, USI-NENO, Sun God (Timor, Indonésia) A11 Baritone, AHURA-MAZDA, God Of Wisdom (Persian) A12 Tenor A13 Soprano 2, ABASSI-ABUMO, Creator Of Heaven (Ibi, Africa) A14 Mezzo, CHALCHITHUITLICUE, Goddess Of The Sea And Salt Water (Aztec) A15 Soprano 2, WAKANTANKA, God Of Thunder (Sioux Indian) A19 Soprano 1, DIONYSOS, God Of Fertility And Wine (Greek) A20 Soprano A23 Baritone A24 Soprano 1, VENUS, Goddess Of Love (Roman) B25 Baritone, YAH-WEH, God Of Israel (Hebrew) B26 Mezzo, QUETZALCOATL, God Of Gods (Aztec) B27 Tenor B28 Soprano 2 MUNGANAGANA God Of Wind (Australian Aboriginal) B29 Mezzo, TLALOC, God Of Rain (Aztec) B32 Baritone B33 Baritone, OSIRIS, God Of Fertility And Death (Egyptian) / Tenor, ALLAH, Almighty Creator (Islamic) / Soprano 1, RHEA, Mother Of Zeus (Ancient Greek) B34 Tenor, VISHNU, The Bringer Of Good (Hindu) B35 Soprano 1, GAIA, Goddess Of The Earth (Ancient Greek) B36 Mezzo, TETEOINNAN, Mother Of The Gods (Aztec) B37 Soprano 2, SUSSISTINAKO, God Of Heaven (Sia, American Indian) B38 Bass, RANGI, God Of Heaven (Maori, Polynesia) B39 Baritone, AUM-RA, Goddess Of The Sun (Ancient Egyptian) B41 Soprano 2, YADILQIL, Heaven-Man (Navajo, American Indian) B42 Tenor, VARUNA, God Of Wisdom (Hindu) B44 Bass B46 Soprano 1, CHRONOS, God Of Time (Ancient Greek) / Mezzo, CHICOMECOATL, God Of Food (Aztec) B47 Tenor, BUDDHA, The Enlightened One (Buddhist) B48 Bass, TANGARBOA, Sun God (Maori, Polynesia)Companies, etc.
- Recorded At – University Of East Anglia Electroacoustic Studios
Credits
- Bass Vocals – Paul Hillier
- Chorus – Singcircle
- Composed By – Karlheinz Stockhausen
- Conductor, Baritone Vocals – Gregory Rose
- Engineer – Trygg Tryggvason*
- Executive Producer – Edward Perry, John Bickley
- Mezzo-soprano Vocals – Nancy Long
- Producer – Martin Compton
- Soprano Vocals – Penelope Walmsley-Clark, Suzanne Flowers
- Tenor Vocals – Rogers Covey-Crump
Notes
Recorded in the University of East Anglia, Norwich, on January 27th-28th 1983.<i>Stimmung</i> was commissioned by the City of Cologne for the Collegium Vocale, a vocal ensemble at the Rheinische Musikschule. It was composed during the winter months of February and March 1968 in Madison, Connecticut and is dedicated to the painter Mary Bauermeister. It was the first major Western composition to be based entirely on the production of vocal harmonies.
The piece is divided into 51 sections, each section introducing a new overtone melody repeated several times. Each female voice leads a new section eight times, each male voice nine times. Some of the other singers gradually have to transform their own material until they have come into identity with the lead singer of the section. When the leader of the section feels that identity is reached, he or she makes a gesture to the singer who will lead the next section, and so on.
In 29 out of the 51 sections, random "magic names" are called out. They are names of gods and goddesses from many cultures. Many different versions of the work can result from the choice of the order of each lead singer and the names they call out. The first version of <i>Stimmung</i>, made by the Collegium Vocale, is for instance known as the "Paris version". The version presented here by the "Singcircle" has evolved since 1977, not only over the many months of rehearsal prior to its initial performance at the Round House in London on November 21st, 1977, but also after consultations between Karlheinz Stockhausen, Gregory Rose and Simon Emmerson in April 1978.
Side 1: 34'17
Side 2: 36'01
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