ALBERT AYLER w/DON CHERRY NY EYE & EAR CONTROL RARE ORIG '65 ESP STEREO LP DG

$

126

WE CURRENTLY HAVE  NEARLY 200  LISTED ITEMS

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·       ALBERT AYLER with DON CHERRY, JOHN TCHICAI, SUNNY MURRAY, ROSWELL RUDD AND GARY PEACOCK– NEW YORK EYE AND EAR CONTROL - ORIGINAL E.S.P. RECORDS 1966 STEREO LP  ESP(S)-1016

·       ORIGINAL U.S. PRESSING

·       ORIGINAL, CUSTOM,  WHITE E.S.P. LABEL WITH BLACK PRINT AND “WALKING WOMAN” LABEL, UNIQUE TO THIS TITLE

·       DEEP GROOVE PRESSING (ON ONE SIDE ONLY)

·       EXTREMELY RARE STEREO PRESSING, MANY TIMES RARER THAN MONO

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       THICK CARDBOARD COVER, AMERICAN STYLE.

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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This is a very interesting set, music that was freely improvised and used as the soundtrack for the 34-minute short film New York Eye and Ear Control. Tenor saxophonist Albert Ayler leads the all-star sextet (which also includes trumpeter Don Cherry, altoist John Tchicai, trombonist Roswell Rudd, bassist Gary Peacock and drummer Sunny Murray) on two lengthy jams. The music is fiery but with enough colorful moments to hold one's interest throughout.

 (EXCERPT FROM AN ONLINE REVIEW BY SCOTT YANOW, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

New York Eye and Ear Control prefigures the experiments with perspective and duration that Michael Snow would develop more fully in his later work. Its two-part structure reflects the theme of duality which runs throughout the film both structurally and visually. In the first part, cut-out figures from his Walking Woman Works series of painting and sculptures are placed in various landscapes whose depths contrast with the flat figures. In the second, numerous people pose in a loft with the same figures. The overall calmness of the imagery finds its opposite in the free jazz soundtrack that accompanies it. New York Eye and Ear Control brings together the worlds of jazz and visual art that fed Snow's creativity, but its bluntly obvious structure seems primitive when compared to the more complex structural variations of Wavelength and Back and Forth.

 (EXCERPT FROM AN ONLINE REVIEW BY TOM VICK, ALL MOVIE GUIDE  /ALLOVIE.COM/)

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·       CONDITION:

·       THE RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VG++, JUST A NOTCH BELOW NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(d)          Stereo  pressing of this title is much rarer, and by far more preferable to its mono  counterpart. The mix is more graphic, the sound resolution more precise, and the channel separation (which does not exist on mono version) adds a whole new dimension to the music. Also, the stereo mixes are (by definition) somewhat different than on the mono version. We estimate that mono copies of this album outnumber stereo copies  by a ratio of at least 10:1.

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-        Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-        Cover shows some light yellowing on back side, apparently from aging.

-        Cover has a few tiny wrinkles along the spine and the bottom seam

-        Minor shelf wear noted on the seams (nothing significant)

-        Cover has all four corners slightly worn (nothing significant)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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