ALEXANDER SKIP SPENCE Oar LP COLUMBIA 1969 RARE original MOBY GRAPE-JEFFERSON
$
125
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ALEXANDER 'SKIP' SPENCE
Like a rough, more obscure counterpart to Syd Barrett,Skip Spence was one of the late '60s' most colorful acid casualties.
The original Jefferson Airplane drummer (although he was a guitarist ),
Spence left to join Moby Grape.
"OAR"
1969 LP COLUMBIA RECORDS CS 9831
PRINTED IN THE USA ORIGINAL FIRST PRESSING
ORIGINAL RED AND WHITE “360 STEREO” COLUMBIA LABEL
MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1A/-1A'.
ON SOME LABELS, SUFFIX '–1' DENOTES
THE VERY FIRST, ORIGINAL PRESSING)
ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
CLEAN, WEAR-FREE LABELS
STILL WITH ORIGINAL COMPANY INNER SLEEVE
THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING;
THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING
NOTE: THIS IS THE ULTRA-RARE ORIGINAL MIX OF THE ALBUM;
ALL PRESSINGS AND CD MASTERINGS OF THIS ALBUM
WHICH CAN CURRENTLY BE FOUND ON THE MARKET ARE NICE-SOUNDING VERSIONS
WHICH, UNFORTUNATELY, ARE DIGITAL REMIXES
AND DO NOT ACCURATELY REFLECT SKIP SPENCE’S ORIGINAL MIX
tracklisting:
LITTLE HANDSCRIPPLE CREEK
DIANA
MARGARET-TIGER RUG
WEIGHTED DOWN
WAR IN PEACE
BROKEN HEART
ALL COME TO MEET HER
BOOKS OF MOSES
DIXIE PEACH PROMENADE
LAWRENCE OF EUPHORIA
GREY / AFRO
grading:
Record VG+ (scratches BUT plays well: better on side one)
Sleeve VG+
(normal wear without any major deterioration like ring or tears or writings,
BUT cut-hole and 5cm mendable split on down-spine, see pictures)
No one except psychedelic Renaissance man Alexander "Skip" Spence
could have created an album such as Oar.
Alternately heralded as a "soundtrack to schizophrenia" and a "visionary solo effort,"
Oar became delegated to cut out and bargain bins shortly after its release in the spring of 1969.
However those who did hear it were instantly drawn into Spence's inimitable sonic surrealism.
As his illustrious past in the Jefferson Airplane, Quicksilver Messenger Service,
and Moby Grape would suggest, this album is a pastiche of folk and rock.
In reality, however, while these original compositions may draw from those genres,
each song has the individuality of a fingerprint.
As a solo recording, Oar is paramount as Spence performed and produced every sound
on the album himself at Columbia Records studios in Nashville in the space of less than two weeks
...(AllMusic)
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Close up photos of the record labels or other details available on request
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