ALICE COOPER LOVE IT TO DEATH RARE 1971 WARNER LP w/UNCENSORED COVER IN SHRINK
$
105
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· ALICE COOPER – LOVE IT TO DEATH – 1971 WARNER BROTHERS RECORDS STEREO LP WS-1883
· GENUINE U.S. PRESSING
· VERY RARE ORIGINAL FIRST VERSION OF THE COVER WITH ALICE COOPER’S FINGER LOOKING LIKE A PHALLU$ (THIS WAS AIRBRUSHED ON ALL LATER PRESSINGS OF THE COVER)
· VERY EARLY ORIGINAL GREEN WARNER BROTHERS LABEL WITH A “SHIELD” (WB) LOGO AT THE TOP OF THE LABEL, EARLY 70’s STYLE
· THIS IS NOT AN IMPORT, RECORD CLUB RELEASE OR A COUNTERFEIT PRESSING.
· ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE)
· COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP
· CLEAN, WEAR-FREE LABELS (SMALL WRITING NOTED ON ONE OF THE LABELS)
· FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the thickness of the vinyl as 7.
(?PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Alice Cooper's third album, Love It to Death, can be pinpointed as the release when everything began to come together for the band. Their first couple of albums (Pretties for You and Easy Action) were both largely psychedelic/acid rock affairs and bore little comparison to the band's eventual rip-roaring, teenage-anthem direction. The main reason for the quintet's change was that the eventually legendary producer Bob Ezrin was on board for the first time and helped the Coopers focus their songwriting and sound, while they also perfected their trashy, violent, and theatrical stage show and image. One of the band's most instantly identifiable anthems, "I'm Eighteen," was what made the album a hit, as well as another classic, "Is It My Body." But like Alice Cooper's other albums from the early '70s, it was an incredibly consistent listen from beginning to end. The garage rocker "Caught in a Dream" as well as the ass-kicking "Long Way to Go" and a pair of epics -- the Doors-esque "Black Juju" and the eerie "Ballad of Dwight Fry" -- showed that Alice was easily in league with other high-energy Detroit bands of the era (MC5, Stooges). Love It to Death was the first of a string of classic releases from the original Alice Cooper group.
(EXCERPT FROM AN ONLINE REVIEW BY STEVE HUEY, ALL MUSIC GUIDE /ALLMUSIC.COM/)
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VG++. A few light abrasions ARE VISIBLE, but they appear fairly insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record comes in the original stock inner sleeve.
(c) The record is pressed on a RELATIVELY thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type), vinyl, but not the thickest, most rigid vinyl, either.
(d) Small writing (month and year of release or purchase) noted on one label
(e) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
COVER IS (WEAK) NEAR MINT, STILL IN ITS ORIGINAL ?SHRINK WRAP (A SMALL PIECE OF SHRINK WRAP IS MISSING; SIGNS OF POSSIBLE RE-SHRINKING NOTED)
The following flaws or imperfections are noted on the cover:
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 2 (front side) and 3 (back side)
- Cover shows some light yellowing on both sides, apparently from aging.
- Back cover has a few yellowish dust speckles scattered here and there (these tiny spots are not overly obtrusive or distracting)
- Cover has a visible wrinkle (crease) in the cardboard base on the back panel
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Minor shelf wear noted on the seams (nothing significant)
- Cover has a few tiny wrinkles along the spine
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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