ALLAUDIN MATHIEU "In the Wind" LP New, Acoustic multi-tracked prepared piano
$
20
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Description
CCareer[edit]
Allaudin was a disciple of North Indian vocalist Pandit Pran Nath for 25 years. He studied with William Russo and Easley Blackwood, and collaborated with Nubian master musician Hamza El Din.
In the 1960s (as Bill Mathieu), he spent several years as an arranger and composer for Stan Kenton and Duke Ellington orchestras. Kenton's album Standards in Silhouette consists entirely of Mathieu's arrangements and revealed the young Mathieu (then 22 years of age) to be an adept manipulator of compositional materials.
He was one of the founders and the musical director for The Second City in Chicago,[1] the first ongoing improvisational theater troupe in the United States, and was later the musical director for The Committee, an improv theater in San Francisco that was an offshoot of The Second City. In the 1970s, he was on the faculties of San Francisco Conservatory of Music and Mills College. In 1969, Allaudin founded the Sufi Choir in San Francisco among followers of Samuel L. Lewis, and he directed the choir until 1982.ondition:
William Allaudin Mathieu (born 1937) is a composer, pianist, choir director, music teacher, and author. He began recording his music and compositions in the 1970s on his record label, Cold Mountain Music. Mathieu has composed and recorded solo piano works, chamber pieces, choral music, and song cycles, and he has written four books on music, music theory, and how to live a musical life.
Allaudin Mathieu ?– In The Wind
Label:
Cold Mountain Music ?– CMM 009
Format:
Vinyl, LP, Album
Country:
US
Released:
1983
Genre:
Electronic, Classical
Style:
New Age, Contemporary
Tracklist
A1 Quints 8:00
A2 Lost Chords 12:00
B1 Waves Make Waves 4:00
B2 In The Wind 8:00
B3 Turning Music 4:00
B4 Scales Of Scales 4:00
Companies, etc.
Copyright (c) – Joseph Raffael
Manufactured By – Richard Wakefield Mfg. Co.
Published By – Cold Mountain Music
Copyright (c) – Cold Mountain Music
Credits
Artwork [Cover Art] – Joseph Raffael
Composed By – Allaudin Mathieu
Mixed By – Allaudin Mathieu, Carlos Berguido, Joseph Hoffmann
Piano – Allaudin Mathieu
Technician [Piano Technician (Tempered And Just-Tuning)] – Alfred Shabda Owens
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GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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