ALMENDRA S/T ARGENTINA PSYCH FUZZ PROG 1969 ORIG LP POKORA

$

120

RARE RECORD FROM  ARGENTINA 1969 , FIRST PRESSING ,Lz1160.

VINYL IS EXCELLENT, COVER IS VG, seam splits on spin, back
cover there is a mark of sticker removed, alsoone label has this mark

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Though nobody thought about it when the whole thing started, nowadays everybody agrees that the Argentine rock movement was established by three groups: Los Gatos, Manal, and Almendra.While Los Gatos played beat-pop, and Manal played urban blues, Almendra (Almond) played something completely creative, innovative and... different. None of the other groups had sounded that way before! Almendra played beautiful melodies and magnificent lyrics, sometimes mixed with extremely moody sounds and sometimes mixed with extremely furious –but always melodic– lines.Almendra was formed in 1968 after the break up of three teenage school groups: Los Sbirros, Los Mods, and Los Larkins. The initial rehearsals were held at the Spinetta's house in Belgrano (an upper-middle class neighbourhood of Buenos Aires). By mid-1968, they met producer Ricardo Kleiman, who signed them for a single. (Kleiman was the owner of an important clothing shop –Modart– and ran a radio show –Modart en la Noche [Modart at Night]– that aired the latest editions of beat and rock music of the world).On September 20th, 1968, "Tema de Pototo" (a.k.a. "Para saber cómo es la soledad") b/w "El mundo entre las manos" was released. "Tema de Pototo" is a beautiful beat ballad about a friend they thought was dead. Both sides feature orchestral arrangements by Rodolfo Alchourrón (a producer's request). This was the starting point of the brief career of one of the most wonderful groups in the world!By the end of the year, "Hoy todo el hielo en la ciudad" with a great fuzz guitar work by Edelmiro hit the stores. The b-side features "Campos verdes," from which a promotional film was made.Due to their performance at the Festival of Aucán in Peru (something completely unusual at that time), the single became a huge success in that country. They even appeared on a TV show in Lima.Back in Argentina, Almendra played during the summertime –that is, beginning of 1969– in Mar del Plata (a beach city 400 km south of Buenos Aires). Their debut in Buenos Aires was on March 24th, at the DiTella Institute (the avant-garde cultural centre of the 60s). Almendra spent the rest of the year performing at different venues, until September 21st (the first day of Spring –also Student's Day) when they played at the Pinap Festival. Pinap was the name of beat magazine, and this festival was the first major event of Argentine rock. the group was recording their debut album. An odd event marked the completion of the album. Spinetta had drawn an original enigmatic face character for the cover. Days afterward, the record company told the boys that the drawing had been lost, so they were planning to use a photo of the group instead. Obviously upset, the musicians looked for the lost drawing and eventually found it discarded in the garbage! Spinetta stayed up all night reproducing his original artwork and took it to the record company the following day. They offered no excuses the second time!The extraordinary debut album was finally released on November 29th, 1969. Along with the infamous drawing, it included an insert with the lyrics and technical information. The black and white back cover pictured the group live at the Pinap Festival.This LP is astonishingly beautiful. All the songs are excellent. It is really hard to try to explain them!The opening track is an Argentine rock hymn: "Muchacha (ojos de papel)", an acoustic Spinetta song devoted to an old girlfriend that still thrills the listener. Next comes the superb 9-minute long "Color humano", written by Edelmiro, featuring his now famous long fuzz guitar solo. Molinari would name his next group after this song."Figuración" is a soft tune brilliantly sung by Spinetta with Pappo on backing vocals and Emilio del Güercio on flute. The energy and fuzz guitar returns with the superb "Ana no duerme", one of the best tracks of the album. Santiago Giacobbe guests on organ.Side two begins with the sweet "Fermín", another beautiful song where everything is well done: the guitar, the organ (played by Edelmiro), the vocals... followed by a lullaby tune "Plegaria para un niño dormido" with yet another inspired Spinetta lyric.I am personally fond of "A estos hombres tristes", a song with changing rhyth

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