ALVIN LUCIER, SONIC ARTS UNION 1960s LP on Mainstream W.L. Promo NEAR MINT
  $   58

 


$ 58 Sold For
Mar 28, 2012 Sold Date
Mar 21, 2012 Start Date
$   10 Start price
10   Number Of Bids
  USA Country Of Seller
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Description

 Please check out my other newly listed LP's

MOST OF THE ALBUMS I AM NOW LISTING ARE PROMOTIONAL COPIES WHICH CAME FROM THE COLLECTION OF A FORMER RADIO STATION EXECUTIVE; THERE ARE MANY RARITIES FROM THE 1960s AND 1970s

SONIC ARTS UNION / ALVIN LUCIER & OTHERS

With Robert Ashley, David Berhman and Gordon Mumma

"Electronic Sound"

Stereo

Mainstream MS 5010

Released in 196?

Record Condition:  Near Mint

Cover Condition: VG+, minor to average wear, gatefold cover

Labels: White and black promotional

Recorded at the Rose Art Museum, Brandeis University

Tracks:

Vespers; Purposeful Lady Slow Afternoon; Runthrough; and Hornpipe

ABOUT THE ARTIST:

by Jason Ankeny

A trailblazing force in psycho-acoustic music, avant-garde composer and performer Alvin Lucier was born in Nashua, New Hampshire in 1931; educated at Yale and Brandeis, he also spent two years in Rome on a Fulbright Scholarship before returning to Brandeis in 1962 to teach and conduct the university's chamber chorus. His breakthrough composition, Music for Solo Performer (1964-1965) for Enormously Amplified Brain Waves and Percussion, was the first work to feature sounds generated by brain waves in live performance; biological stimuli played an increasing role in Lucier's subsequent work as well, most notably through his notation of performers' physical movements. Acoustical phenomena, meanwhile, was the subject of 1970's landmark I Am Sitting in a Room, in which several sentences of recorded speech were simultaneously played back into a room and re-recorded there dozens of times over, the space gradually filtering the speech into pure sound. 1980's Music on a Long Thin Wire was a further extension of Lucier's fascination with the physics of sound -- a conceptual piece featuring a taut 50-foot wire passed through the poles of a large magnet and driven by an oscillator, the amplified vibrations yielded beautifully ethereal results. A professor at Wesleyan University from 1970 onward, Lucier's later works additionally included a number of sound installations as well as works for solo instruments, chamber ensembles, and orchestra.





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