A&M AUDIOPHILE LP SPJ-4245: HERB ALPERT - Greatest Hits - 1981 1/2-Speed SEALED
  C$   105
  $   76

 


C$ 105 Sold For
Mar 15, 2018 Sold Date
Oct 18, 2017 Start Date
C$   150 Start price
1 Number Of Bids
  Canada Country Of Seller
eBay Sold at
 
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Description

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Background -

A&M Records was an American record label founded as an independent label by Herb Alpert and Jerry Moss in 1962. Due to the success of the discography A&M released, the label garnered interest and was eventually acquired by PolyGram in 1989 and began distributing releases from Polydor Ltd. from the UK. Throughout its operations, A&M housed well-known acts such as Procol Harum, Sting, Supertramp, Bryan Adams, Burt Bacharach, the Carpenters, Janet Jackson, Cat Stevens, Peter Frampton, Carole King, Styx, Joan Baez, The Police, Soundgarden and Sheryl Crow.

PolyGram was acquired by Seagram and dissolved into Universal Music Group in 1998, and A&M's operations were ceased in January 1999 when it was merged with Geffen Records and Interscope Records to form the record company Interscope Geffen A&M Records. In 2007, Interscope Geffen A&M announced that A&M was revived as trademark and brand and was to be merged with Octone Records to form A&M Octone Records, which operated until 2013, when A&M Octone was folded into Interscope. Today, A&M's catalog releases are managed by Verve Records, Universal Music Enterprises and Interscope.

A&M Records was started in 1962 by partners Herb Alpert and Jerry Moss. Their first release (following two singles released under the label name Carnival Records) was "The Lonely Bull" by Herb Alpert & The Tijuana Brass, which sold around 700,000 copies. Sixteen of the first 25 albums were certified gold by the RIAA and helped A&M become a major label and ultimately the world's largest independent record company. 

In Canada, A&M records started their own line of half speed mastered audiophile records, and had them pressed by JVC in Japan using their proprietary “Super Vinyl.” Many of these titles, by artists such as Supertramp, Styx, the Carpenters, and The Police, were widely available for sale in the United States. While these records looked a lot like those from Mobile Fidelity and used a similar half speed mastering process, the tapes used to make these audiophile records were at least one generation down in the duplication chain from those used to produce Mobile Fidelity records, resulting in a product with a quiet playing surface but sometimes spotty sound. 
According to A&M; “The Audiophile process produces a superb master from which this record is manufactured on the purest possible anti-static vinyl. The cutting of the master from the original stereo tapes is performed at half the normal speed, the velocity of the cutting stylus being dramatically reduced results in a more faithful cutting of heavily modulated passages and the general extension of the frequency range. A&M Records’ Audiophile Series provides extremely high fidelity sound reproduction, remarkable clear and distinct, virtually free of surface and background noise."

Herb Alpert (born March 31, 1935) is an American jazz musician most associated with the group variously known as Herb Alpert & the Tijuana Brass, Herb Alpert's Tijuana Brass, or TJB. Alpert is also a recording industry executive, the "A" of A&M Records, a recording label he and business partner Jerry Moss founded and eventually sold to PolyGram. Alpert also has created abstract expressionist paintings and sculpture over two decades, which are publicly displayed on occasion. Alpert and his wife, Lani Hall, are substantial philanthropists through the operation of the Herb Alpert Foundation.

Alpert's musical accomplishments include five No. 1 albums and 28 albums total on the Billboard Album chart, nine Grammy Awards, fourteen platinum albums, and fifteen gold albums. Alpert has sold 72 million records worldwide. Alpert is the only recording artist to hit No. 1 on the U.S. Billboard Hot 100 pop chart as both a vocalist ("This Guy's in Love with You", 1968), and an instrumentalist ("Rise", 1979).

Herb Alpert was born and raised in the Boyle Heights section of Eastside Los Angeles, California, the son of Tillie (née Goldberg) and Louis Alpert. His family was Jewish, and had come to the U.S. from Radomyshl (in present-day Ukraine) and Romania. His father, although a tailor by trade, was also a talented mandolin player. His mother taught violin at a young age. His older brother David was a talented young drummer. Alpert himself began trumpet lessons at the age of eight and played at dances as a teenager. Acquiring an early wire recorder in high school, he experimented on this crude equipment. After graduating from Fairfax High School in 1952, he joined the United States Army and frequently performed at military ceremonies. After his service in the Army, Alpert tried his hand at acting, but eventually settled on pursuing a career in music. While attending the University of Southern California in the 1950s, he was a member of the USC Trojan Marching Band for two years. In 1956, he appeared in the uncredited role "Drummer on Mt. Sinai" in the film The Ten Commandments. In 1962, he had an uncredited part in a scene in the film Mr. Hobbs Takes a Vacation where he played (and performed a solo) in a dance band.

In 1957 Alpert teamed up with Rob Weerts, another burgeoning lyricist, as a songwriter for Keen Records. A number of songs written or co-written by Alpert during the following two years became Top 20 hits, including "Baby Talk" by Jan and Dean and "Wonderful World" by Sam Cooke. In 1960, Alpert began his recording career as a vocalist at Dot Records under the name of Dore Alpert.

"Tell It to the Birds" was recorded as the first release on the Alpert & Moss label Carnival Records. When Alpert and Moss found that there was prior usage of the Carnival name, they renamed the label A&M Records.

Alpert set up a small recording studio in his garage and had been overdubbing a tune called "Twinkle Star", written by Sol Lake, who would eventually write many of the Brass's original tunes. During a visit to Tijuana, Mexico, Alpert happened to hear a mariachi band while attending a bullfight. Following the experience, Alpert recalled that he was inspired to find a way to express musically what he felt while watching the wild responses of the crowd, and hearing the brass musicians introducing each new event with rousing fanfare. Alpert adapted the trumpet style to the tune, mixed in crowd cheers and other noises for ambience, and renamed the song "The Lonely Bull". He personally funded the production of the record as a single, and it spread through radio DJs until it caught on and became a Top 10 hit in the Fall of 1962. He followed up quickly with his debut album, The Lonely Bull by "Herb Alpert & the Tijuana Brass". Originally the Tijuana Brass was just Alpert overdubbing his own trumpet, slightly out of sync. The title cut reached No. 6 on the Billboard Pop Singles chart. This was A&M's first album with the original release number being #101, although it was recorded at Conway Records. For this album and subsequent releases, Alpert recorded with the group of L.A. session musicians known as The Wrecking Crew, whom he holds in high regard.

Released in 1970, a bit too late to capitalize on the Tijuana Brass at the peak of their appeal, this early hits collection compounded the error of its tardy timing by only including selections from the TJB's first five albums. Still, since the CDs of three of the five albums are currently out of print, this can serve as a decent, if brief, overview  of the development of Herb Alpert's vehicle from its clever ethnic novelty beginnings into a cosmopolitan septet that could actually bridge the yawning generation gap of the 1960s. But for a more sweeping look at the TJB, there are better, more economical packages around. - Richard S. Ginell

                
With its cinematic mix of dramatic brass fanfares, crowd noise, chorus, twangy guitar, and mandolins, "The Lonely Bull" was as much a novelty as an instrumental hit, but it served as an ideal launching pad for Herb Alpert's Tijuana Brass. During the 1960s, they created some of the most popular instrumental music of all time, blending catchy tunes, Mexican dance rhythms, and a lively brassiness. "Spanish Flea" and "Tijuana Taxi" may best define the style, but Alpert possessed keen insight into the tradition of lighthearted danceable music, touching on swing in "Getting Sentimental over You," and doo-wop in Leiber and Stoller's "Love Potion No. 9." The movie themes "Never on Sunday" and "Zorba the Greek" tie the music even more strongly to the '60s, while expanding the group's inclusion of ethnic themes and sunny climes. It's the lightheartedness that ties this material together as much as the trumpets and trombones. Even "A Taste of Honey," a tune given moody treatment by everyone else who recorded it--from the Beatles to jazz saxophonist Eddie Harris--becomes irresistibly cheerful. The playing time of the CD is brief--little more than a half-hour--but it contains all hits, no filler. — Adam Rains

Release date: 1981

    • A&M AUDIOPHILE Recordings LP Item - LIGHT GRAY / BEIGE record labels with primarily BLACK lettering.

    • Made in JAPAN.

    • Pressing is in STEREO

    • Half-Speed Mastered Recordings (1/2 speed)

    • Record Catalog Number: SPJ-4245

    • This is a Half-Speed Mastered Limited Edition Audiophile.

Out of print and extremely rare, this is a much sought after audiophile LP featuring the music of and performed by -

Herb Alpert & The Tijuana Brass

LP Title -

Greatest Hits

Performing -

A1. Lonely Bull - Written-By – Sol Lake - 2:29         
A2. Spanish Flea - Written-By – Wechter - 2:07         
A3. Getting Sentimental Over You - Written-By – Bassman - 1:59         
A4. Love Potion #9 - Written-By – Leiber - Stoller - 3:02         
A5. Never On Sunday - Written-By – Towne, Hadjidakis - 2:38         
A6. Mexican Shuffle - Written-By – Sol Lake - 2:38         
B1. Taste Of Honey - Written-By – Scott, Marlow - 2:43         
B2. Tijuana Taxi - Written-By – Ervan Coleman - 2:13         
B3. South Of The Border - Written-By – Kennedy, Carr - 2:06         
B4. America - Written-By – Bernstein, Sondheim - 2:45         
B5. Whipped Cream - Written-By – Naomi Neville - 2:33         
B6. Zorba The Greek - Written-By – Theodorakis - 4:25


Performed by -

• Manufactured By – A&M Records Of Canada Limited
• Distributed By – A&M Records Of Canada Limited
• Lacquer Cut At – JVC Cutting Center
• Lacquer Cut By – Joe Gastwirt
• Producer – Herb Alpert, Jerry Moss

CONDITION Details:

The LP jacket is assumed to be in mint condition! The LP is SEALED (see pictures with this listing as they are of the actual item)!

The LP is assumed to be in mint condition! The LP is SEALED!

A Short Note About LP GRADING -

  • Mint = Only used for sealed items.
  • Near Mint = Virtually flawless in every way.
  • Near Mint Minus = Item has some minor imperfections, some audible.
  • Excellent = Item obviously played and enjoyed with some noise.
  • Very Good Plus = Many more imperfections which are noticeable and obtrusive.

For best results, always thoroughly clean your LPs before playing them.

LPs can be audiophile quality pressings (any collector of fine MFSL, half speeds, direct to discs, Japanese/UK pressings etc., can attest to the difference a quality pressing can make to an audio system).

Don't let this rarity slip by!!!


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