A&M LP SP-3735: THE POLICE - Synchronicity - 1983 CANADA
C$
22
$
16
C$ 22
Sold For
Mar 31, 2017
Sold Date
May 24, 2016
Start Date
1
Number Of Bids
Canada
Country Of Seller
eBay
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Description
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Background -
This STEREO LP is a rare vintage item! It features THE POLICE. The LP was made in CANADA by A&M Records and was released in 1983. This item is in remarkable condition given it's age (see below for details).The Police were an English rock band formed in London in 1977. For the majority of their history, the band consisted of Sting (lead vocals, bass guitar, primary songwriter), Andy Summers (guitar) and Stewart Copeland (drums, percussion). The Police became globally popular in the late 1970s and are generally regarded as one of the first new wave groups to achieve mainstream success, playing a style of rock influenced by punk, reggae, and jazz. They are also considered one of the leaders of the Second British Invasion of the U.S. They disbanded in 1986, but reunited in early 2007 for a one-off world tour that ended in August 2008.
Their 1978 debut album, Outlandos d'Amour, reached No. 6 in the UK, and their second album Reggatta de Blanc became the first of five consecutive UK No. 1 albums. Synchronicity from 1983 was No. 1 in both the UK and U.S., selling over 8 million copies in the U.S. alone. The Police have sold over 75 million records, making them one of the world's best-selling artists of all time. They were the world's highest-earning musicians in 2008, thanks to their reunion tour.
The band has won a number of music awards, including six Grammy Awards, two Brit Awards—winning Best British Group once, an MTV Video Music Award, and in 2003 were inducted into the Rock and Roll Hall of Fame. Four of their five studio albums appeared on Rolling Stone's list of the 500 Greatest Albums of All Time. The Police were included among both Rolling Stone's and VH1's lists of the 100 Greatest Artists of All Time.
Synchronicity is the fifth and final studio album by English rock band The Police, released in the United Kingdom on 17 June 1983. The band's most popular release, the album includes the hit singles "Every Breath You Take," "King of Pain,", "Wrapped Around Your Finger," and "Synchronicity II." Much of the album's material was inspired by Arthur Koestler's The Roots of Coincidence, which inspired the title and concept of the album. At the 1984 Grammy Awards the album was nominated for a total of five awards including Album of the Year and won three. At the time of its release and following its immensely popular tour The Police were hailed as the "Biggest Band in the World".
The album was number one on both the UK Albums Chart and the U.S. Billboard 200, and sold over 8 million copies in the U.S. Synchronicity was widely acclaimed by critics. Praise centered on its cohesive merging of disparate genres and sonic experimentation. The record has featured in numerous publications' lists of the best albums of the 1980s and the best albums of all time. Many consider Synchronicity to be the band's finest album. Rolling Stone described "each cut on Synchronicity [as] not simply a song but a miniature, discrete soundtrack." It has since been included on their lists of the "100 Best Albums of the Eighties" and the "500 Greatest Albums of All Time".
In 2009, Synchronicity was inducted into the Grammy Hall of Fame. In the 1983 Rolling Stone readers poll, Synchronicity was voted "Album of the Year". In the U.S., the chart-topping hit "Every Breath You Take" was the best-selling single of 1983 and fourth best-selling single of the decade.
Simultaneously more pop-oriented and experimental than either Ghost in the Machine or Zenyatta Mondatta, Synchronicity made the Police superstars, generating no less than five hit singles. With the exception of "Synchronicity II," which sounds disarmingly like a crappy Billy Idol song, every one of those singles is a classic. "Every Breath You Take" has a seductive, rolling beat masking its maliciousness, "King of Pain" and "Wrapped Around Your Finger" are devilishly infectious new wave singles, and "Tea in the Sahara" is hypnotic in its measured, melancholy choruses. But, like so many other Police albums, these songs are surrounded by utterly inconsequential filler. This time, the group relies heavily on jazzy textures for Sting's songs, which only work on the jumping, marimba-driven "Synchronicity I." Then, as if to prove that the Police were still a band, there's one song a piece from Stewart Copeland and Andy Summers, both of which are awful, as if they're trying to sabotage the album. Since they arrive on the first side, which is devoid of singles, they do, making the album sound like two EPs: one filled with first-rate pop, and one an exercise in self-indulgence. While the hits are among Sting's best, they also illustrate that he was ready to leave the Police behind for a solo career, which is exactly what he did. - Stephen Thomas Erlewine
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LP made by A&M Records, in CANADA
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LP released / recorded in 1983
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LP is recorded in STEREO
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Record Catalog Number: SP 3735
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Record Labels are primarily BLACK on one side, WHITE on the other side with 3 colored stripes, with inverse WHITE and BLACK lettering, with the A&M records logo.
The Police
LP title and music on this rare item -
Synchronicity
All songs written and composed by Sting, except where noted.
1. "Synchronicity I" - 3:23
2. "Walking in Your Footsteps" - 3:36
3. "O My God" - 4:02
4. "Mother" (Andy Summers) - 3:05
5. "Miss Gradenko" (Stewart Copeland) - 2:00
6. "Synchronicity II" - 5:00
7. "Every Breath You Take" - 4:13
8. "King of Pain" - 4:59
9. "Wrapped Around Your Finger" - 5:13
10. "Tea in the Sahara" - 4:11
Performers -
Sting – bass guitar, keyboards, lead and backing vocals, oboe, drum machine on "Synchronicity I", saxophone on "O My God"Andy Summers – electric guitar, backing vocals, keyboards, lead vocals on "Mother"
Stewart Copeland – drums, xylophone, miscellaneous percussion, co-lead vocals on "Miss Gradenko"
CONDITION Details:
The LP jacket is in near mint minus condition! The jacket has NO seam splits. The corners and seams are solid, with very light shelf wear. The colors on the jacket are sharp - (see pictures with this listing as they are of the actual item).
The LP is in near mint minus condition! We found that the vinyl looked superb on this vintage LP, especially since it's from the early 1980s. There are no significant marks and the LP retains much of the original gloss and sheen! There may be some dust and the odd finger print on the vinyl with no serious marks evident, and perhaps just a few light spider marks (caused by sliding the LP in and out of the inner sleeve - usually these types of marks are not audible, but it really depends on the sensitivity of your audio gear). There are NO serious spindle marks on the record labels either. That said, acquiring a vintage LP like this is for the performance and rarity of the LP, not necessarily for the sound quality. A Short Note About LP GRADING -- Mint = Only used for sealed items.
- Near Mint = Virtually flawless in every way.
- Near Mint Minus = Item has some minor imperfections, some audible.
- Excellent = Item obviously played and enjoyed with some noise.
- Very Good Plus = Many more imperfections which are noticeable and obtrusive.
For best results, always properly clean your LPs before playing them.
The LP is an audiophile quality pressing (any collector of fine MFSL, half speeds, direct to discs, Japanese/UK pressings etc., can attest to the difference a quality pressing can make to an audio system).
Don't let this rarity slip by!!!
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