ANN PEEBLES THIS IS ANN PEEBLES 1st ALBUM INSANELY RARE ORIG '70 HI LP VERY NICE
$
149
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Description
WE CURRENTLY HAVE NEARLY 500 LISTED ITEMS
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· ANN PEEBLES - THIS IS ANN PEEBLES (ANN PEEBLES' MONSTROUSLY RARE FIRST ALBUM) - ORIGINAL 1969 "HI"/LONDON STEREO LP SHL-32053
· ORIGINAL U.S. PRESSING
· ONE OF THE RAREST R&B / SOUL ALBUMS IN EXISTENCE
· ORIGINAL GRAY "HI" LABEL WITH RED LOGO AND BLACK PRINT
· ORIGINAL FIRST COVER (ON WHICH ANN PEEBLES LOOKS EXTREMELY YOUNG, EXTREMELY BLACK, WITH KINKY BLACK HAIR AND DARK COMPLEXION AND WITH HER PHOTO ON WHITE BACKGROUND WITH FANCY FONT IN THE ALBUM TITLE), NOT THE LATE-'70s REISSUE WITH A COVER WHERE SHE LOOKS ALMOST CAUCASUAN, WITH BLONDE WIG AND WITH HER PHOTO ON RED BACKGROUND)
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· THICK CARDBOARD COVER, AMERICAN STYLE.
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
· THE RECORD HAS A 'BELL SOUND' STAMP IN THE TRAIL-OFF VINYL (DEAD WAX) AREA, WHICH IS GENERALLY CONSIDERED A PROOF OF AUTHENTICITY OF THE FIRST PRESSING.
· MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1A/-1A'. ON SOME LABELS, SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)
· THE RECORD HAS A 'BELL SOUND' (AND 'BESTWAY') STAMP IN THE TRAIL-OFF VINYL (DEAD WAX) AREA, WHICH IS GENERALLY CONSIDERED A PROOF OF AUTHENTICITY OF THE FIRST PRESSING.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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Ann Peebles was all of 22 years old when she cut her debut album for the great Memphis R&B label Hi Records, but she sure didn't sound like a novice once she stepped into the studio. This Is Ann Peebles is the work of a strong and confident artist who sounds thoroughly assured even when she's covering Aretha Franklin, and though Peebles doesn't quite take "Chain of Fools" away from the Queen of Soul, she gives it a taut but weary reading that lends that tale of romantic betrayal a flavor unique to Peebles' rendition. That's not the only instantly recognizable cover Peebles was saddled with on her first LP, but she sounds even more assured on "It's Your Thing" and "Rescue Me," and on fresh material like "Crazy About You Baby," "Make Me Yours," and "Give Me Some Credit," her clear but resonant voice and emphatic readings establish her as a seasoned professional right out of the box. It doesn't hurt that Peebles was working with some of the best talent in Memphis on these sessions; the Hi Records rhythm section lays down a lean and indelible groove on every selection, the Memphis Horns punctuate the melodies with gale-force soul, and producer Willie Mitchell brings it all home with subtle but fiery results. It would be 1974 before Ann Peebles finally got the breakthrough hit she deserved with "I Can't Stand the Rain," but This Is Ann Peebles should convince anyone with a taste for classic rhythm & blues that she had the goods long before the rest of the world caught up with her.
(EXCERPT FROM AN ONLINE REVIEW BY MARK DEMING, ALL MUSIC GUIDE /ALLMUSIC.COM/)
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VG++. A few light abrasions ARE VISIBLE, but they appear fairly insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Back cover has a few yellowish dust speckles scattered here and there.
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3
- The cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover shows some light yellowing on both sides, apparently from aging (nothing significant).
- Visible shelf wear noted on the seams
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No wrinkles or creases
- No writing
- No stamps
- No peel-off marks
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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