ARIEL KALMA RICHARD TINTI ? OSMOSE ? NM unplayed '78 SFP France 2LP prog ambient
$
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Original first press of the unique collaboration between Ariel Kalma and the nature recordist Richard Tinti. Kalma was recommended to Tinti, who had just come back from Borneo with hours of high-quality rainforest recordings. To their amazement, birds and keyboards, flutes and crickets, saxophones and frogs, war drums and (vintage) drum machines had much in common in terms of pitch, melodies, rhythms, effects. Kalma decided to blend his compositions with the rainforest atmosphere, and thus Osmose was created Ariel Kalma was recommended to Richard Tinti who had just come back from Borneo with hours of music of the rainforest: ambiences in high quality recordings. To their amazement, birds and keyboards, flutes and crickets, saxophones and frogs, war drums and (vintage) drum machines had much in common in terms of pitch, melodies, rhythms, effects. Ariel decided to blend his compositions with the rainforest atmosphere, and thus Osmose was created - See more at: http://www.ariel-kalma.com/osmose.htm#sthash.RF476PNp.dpuf . The first LP features these stellar collaborations, while the second LP contains the rainforest recordings unaltered (which have never been issued on CD). Rather than simply relying on the rainforest sounds to provide a pleasant backdrop to the drones, the drones interplay with the pitches of the natural sounds to create melancholic, Popol Vuh like grandeurs. The natural chirps and creaks blend with the music to become similar to ambient loops themselves; such that their very tonal nature shifts from being recognizable jungle sounds, frequently phasing into blurred rhythmic elements under the electronic parts. Klama's musical minimalism avoids being serialist or academic, despite being part of the INA GRM studios for many years. So, neither is it concrete, nor is it classical, but deeply cosmic, sometimes even a bit psych, evoking the Krautrock aesthetic of Tangerine Dream, Sand, Cluster etc. His cathedral like tones and running counterpoints actually give the rainforest noise a sinister edge. The music absolutely subverts the traditional idea of the rainforest as that of a happy hunting ground for cause riddled yuppies, and implies that not only is the rainforest a place of awe inspiring beauty, but it is also something very dense and alien. It is a place of removal; it is a place of isolation; it is a kind of inner space; it is an extraordinary and surreal church of sorts; and it is deadly. The album has a progression that's almost story-like, where the next rise is finally crossed revealing the huge, seemingly impenetrable expanse of lush greens. The expanse is then explored with wide eyed wonder until the guide dies and the companions start succumbing to fever, ague, snakes and unseen primitives at home in the shadows. This copy looks unplayed, which is particularly important for this title as the second LP has the longest side-lengths we've ever seen (39'50 and 36'00), making it extremely succeptible to damage (in fact the cover advises one to not lift the arm during playback).
Artist: ARIEL KALMA / RICHARD TINTI
Title: OSMOSE
Year: 1978
Label: SFP
Catalog Number: 3.5021-5022
Mono/Stereo/Quadro: stereo
Country: France
Dead Wax Numbers: 5021 A
/5021 B / 5022 A / 5022 B (hand-etched)Weight: 143 grams / 149 grams
Cover Format: gatefold, glossy
Cover Condition: NM (top archive-grade vault piece, final collection copy that is still like new in every way)
Vinyl Condition: EX/NM/NM/NM (looks unplayed, s1 has a few minor sleeve marks from the flimsy rounded-bottom plastic inner which do not produce sound, otherwise the entire set is still like new in every way as well)
We clean every record on a VPI HW-17F using Audio Intelligent Vinyl Solutions multi-step process (every disc goes into a brand-new poly-lined inner sleeve).
Everything is strictly graded using the classic Goldmine Standards that we have been applying since 1983:
M (rarely ever used unless still sealed)/ NM / EX / VG+ / VG / VG- / G+ / G (please see bottom of auction for specific grading information).
UNITED STATES MEDIA MAIL : $4 for the first LP, 50 cents for each thereafter. PRIORITY MAIL : $8 for the first LP, $2 for each thereafter.
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For all locations, double LPs count as 2 records, triple sets count as 3 and so on. We are always happy to combine shipping, but regardless of how many LPs you hope to acquire, please complete your payment no later than 7 days after your last winning auction ends (of course exceptions can always be made, please contact us anytime). If you are combining items please wait for us to send our personal invoice with the combined shipping amount.
Each (non-sealed) record is removed from its cover before shipping, and both are inserted into a new 3 mm sleeve before they are secured, with bubble wrap if necessary, in the highest-quality cruciform LP mailer. No time or effort is spared to insure that your disc, cover and inner sleeve / inserts all arrive in exactly the same condition as they were listed.
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We visually grade all records using the classic Goldmine Standard, to which we have added EX (as have many others), but we do not use any other variant from the classic scale. No NM- or EX+ (which are both EX), EX- VG+++ or Near Excellent (which are all VG+), or any such other nebulous grades here! We feel that nearly every collector will be more than pleased with anything listed EX or above in our auctions; they will all be top-shelf, archive quality items which will play M- throughout. A VG+ record will truly satisfy all but the most critical curator. On the very rare occasion we actually grade an opened LP as straight MINT, we can guarantee you’ll never find a nicer copy anywhere!
We will play-grade any LP if there is any reason to do so; any questionable mark, scuff or noteworthy artifact of any kind will be sampled to determine its true significance (which may obviously impact the grade ). We will also gladly play-grade anything upon request; if you are curious about the actual pressing characteristics or any have other questions about its actual performance please feel free to ask.
MINT : Absolutely perfect.
This record looks like it has just left the plant, with no flaws whatsoever. It appears unhandled and unplayed, with no marks of any sort. Usually only sealed or (sometimes) unplayed LPs will warrant this grade.
The cover does not appear to have had a record inside it; there is no wear or distraction of any kind.
NM : Virtually flawless, top copy.
The record is virtually identical to the moment it was opened, but may have a few faint paper, packaging or pressing scuffs which will produce no sound whatsoever and are very hard to see without critical inspection. It was very carefully handled and played, likely only once or twice.
The cover is as close to perfect as can be expected given its age. There may be minor impressions due to the outer edge of the vinyl (no ring wear), the lightest possible corner bumps, or a few tiny laminate creases (mainly on imports), but no wear or whitening of any kind whatsoever.
EX : A beautiful specimen, which will please most critical collectors and not need to be upgraded.
The record has no scratches or significant blemishes, and will play M- throughout. It retains 100% of the gloss, sheen and luster, but may have a handful of faint superficial scuffs, hairlines or light spindle marks which will not produce any sound whatsoever.
The cover is nearly perfect. There may be the absolute faintest suggestion of ring wear or possibly a light touch of dulling on the corners (nothing wrinkled or obtrusive in any way), but no notable seam or spine wear, writing or sign of tape anywhere.
VG+ : Plays perfectly nearly all of the time, with only a few minor distractions.
The record still retains nearly all of the gloss, sheen and luster, but there may be a handful of inaudible superficial marks or scuffs, a mild scattering of light hairlines (which would only be faintly audible between tracks or in some very quiet passages), or a few stray marks which may mildly sound for a few revolutions. Each flaw is very minor, barely noticeable to the naked eye, and will not detract from the enjoyment in any way.
The cover is still very clean and crisp, but may look slightly more aged and have a few minor flaws such as small unobtrusive writing, minor wear to the seams and spine (no splits), slightly worn corners, very light ring wear or minor creasing. No flaw is at all distracting in and of itself.
VG : A nice play copy, which will perform without much significant distraction.
The record appears well played, but still has the majority of the luster. It will not have been abused, though there will be some audible sound defects which will not overpower the dynamics of the music, such as mild surface noise in the quietest sections, a handful of stray isolated pops and clicks (which are brief and occasional), or possibly some very mild groove wear; still no skips, repeats, or anything deep or seriously pronounced. It will play through quite nicely most of the time, with very minimal distraction.
The cover looks somewhat used and shows some mild wear. There may be some minor seam splitting, ring wear (which still doesn’t overwhelm the cover), discreet writing (not large magic marker), or mild yellowing due to air contaminants. It is still nice, just a few notable flaws away from VG+.
We will never sell anything less than VG, so the rest of the scale is unnecessary. We absolutely detest groove wear, so we will almost never list anything lacking the overwhelming majority of the luster, sheen and gloss. Anything of significance will always be noted.
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