ART BLAKEY W/ART TAYLOR ORGY IN RHYTHM VOL. 1 RARE ORIG '58 BLUE NOTE MONO LP

$

103

    
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·       ART BLAKEY with PHILLY JOE JONES, SPECS WRIGHT SABU, "POTATO" VALDEZ, JOSE VALIENTE, UBALDO NIETO, EVILIO QUINTERO, HERBIE MANN, RAY BRYANT AND WENDELL MARSHALL - ORGY IN RHYTHM, VOL.1 – ORIGINAL   1957 BLUE NOTE  MONO LP BLP-1554

·       ORIGINAL U.S. PRESSING

·       ULTRA-RARE TRUE FIRST PRESSING:  ORIGINAL BLUE NOTE LABEL WITH 'BLOCK' FONT AND ZIP CODE ('23') AFTER 'NEW YORK' IN THE ADDRESS

·       DEEP GROOVE PRESSING

·       FLAT-EDGE PRESSING

·       The record has an "EAR" symbol (a pretzel-like engravure about 1/4-inch/6mm long) in the trail-off vinyl, which on SOME jazz labels is associated with very early or first pressings)

·       The record has a ►Rudy Van Gelder’s name or  his initials (RVG) clearly stamped or hand-etched in the trail-off vinyl (dead wax)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       ORIGINAL LAMINATED COVER

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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This is one of the first percussion-oriented jazz records, although it was preceded two weeks earlier by Art Blakey's obscure Columbia set Drum Suite. For the Blue Note date, which was originally released as two LPs (and is now available as a single CD), Blakey enlisted quite a lineup -- the leader, Art Taylor, Jo Jones, and Specs Wright on drums (with the latter two doubling on timpani); five percussionists; flutist Herbie Mann; pianist Ray Bryant; and bassist Wendell Marshall. Mann plays a variety of African wood flutes, except on the final number, a conventional blues featuring his regular flute. With percussionist Sabu leading the chanting and taking three vocals (Blakey himself sings a little on "Toffi"), the music is quite African-oriented and generally holds one's interest, preceding Max Roach's M'Boom by over 20 years. Mostly for specialized tastes, this is a set that drummers should consider essential.

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Fifteen seconds into this album and you'll know you are not in Kansas (or, for that matter, in America) anymore. Swirling, Dervish-like, tornado-like rhythms blow away everything around you. Orgy in Rhythm it is!

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VERY GOOD++ . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings)

(d)          The record has a ►Rudy Van Gelder name, or  his initials (RVG) stamped or hand-etched in the trail-off vinyl (dead wax). On SOME  Jazz labels (Blue Note, Savoy, Regent, Prestige, Impulse, Verve…) this stamp signifies highly professional masterings either done by - or  personally authorized by - the legendary engineer himself.

(e)           The record has an "ear" symbol (a pretzel-like engravure about 1/4-inch/6mm long) in the trail-off vinyl, which on SOME  jazz and blues labels (such as Blue Note; Folkways; Period, etc…) is associated with very early or first pressings). The 'ear' symbol is actually a letter 'P' in italic script, denoting a pressing made by Plastilite Corporation’s pressing plant.

(f)            This is the original flat-edge pressing

(g)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

THE COVER IS ABOUT VERY GOOD+(+)

The following flaws or imperfections are noted on the cover:

-        Cover (probably) has a partially split bottom seam; This split seam was indelicately taped by the previous owner with an unseemly  piece of red electrical isolation tape. which may be possible to remove (but we did not attempt to)

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2 (front side) and 4 (back side)'

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows some light yellowing on back side, apparently from aging  (nothing significant).

-         Cover has a small, rectangular, sticker residue (small yellowish discoloration from the removed price sticker)

-         The laminated cover has a slight loss (flaking) of lamination along the opening edge (this is a common problem with most laminated 50’s and 60’s covers; lamination is just beginning to peel-off along the opening edge; however, since the underlying layer of the cover is ALSO laminated, the peeled-off spots are only a minor visual distraction  (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No ring wear

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No wrinkles or creases

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

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