ART PEPPER & MARTY PAICH *[Chile Pepper]* CP [mono] :
$
34
![ART PEPPER & MARTY PAICH *[Chile Pepper]* CP [mono] :](https://www.popsike.pics/pix/20090316/360139478224.jpg)
![Pic 2 ART PEPPER & MARTY PAICH *[Chile Pepper]* CP [mono] :](https://www.popsike.pics/pix/20090316/360139478224_2.jpg)
![Pic 3 ART PEPPER & MARTY PAICH *[Chile Pepper]* CP [mono] :](https://www.popsike.pics/pix/20090316/360139478224_3.jpg)
![Pic 4 ART PEPPER & MARTY PAICH *[Chile Pepper]* CP [mono] :](https://www.popsike.pics/pix/20090316/360139478224_4.jpg)
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
195? CHARLIE PARKER Records PLP-829
MONO ORIGINAL
Art Pepper * Marty Paich * Frank Capp * Buddy Clark
******************
*** we've just purchased another incredible jazz collection ***
*** please look at our other offerings! ***
******************
*
VINYL is EX++ to NM-
top copy!
COVER is EX-
light edge/surface wear
--------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
ART PEPPER
Despite a remarkably colorful and difficult life, Art Pepper was quite consistent in the recording studios; virtually every recording he made is well worth getting. In the 1950s he was one of the few altoists (along with Lee Konitz and Paul Desmond) that was able to develop his own sound despite the dominant influence of Charlie Parker. During his last years, Pepper seemed to put all of his life's experiences into his music and he played with startling emotional intensity.
MARTY PAICH
One of the best-known arrangers of the post-World War II era, Marty Paich had much stronger jazz credentials than many of his peers, thanks to his active presence on the West Coast scene during the '50s. Paich soon graduated to higher-profile gigs, playing and arranging for Shelly Manne and Shorty Rogers (the latter on the big-band album Cool and Crazy) over 1953-1954, and also serving a stint as Peggy Lee's accompanist and musical director. He led his own groups as well, and in 1955 he began recording for a succession of labels that included Mode, Tampa, Candid (The Picasso of Big Band Jazz), Warner (I Get a Boot Out of You), and RCA Victor. He also toured with Dorothy Dandridge, and arranged (and performed on) the soundtrack to the Disney film Lady and the Tramp (1955). During the mid- to late '50s, Paich wrote arrangements for a who's who of West Coast jazz, including Chet Baker, Buddy Rich, Ray Brown, Dave Pell, and Stan Kenton, among others. Perhaps his most notable work came with Mel Tormé, whom he often backed with a ten-piece group dubbed the Dek-tette; the pairing resulted in the classic album Mel Tormé and the Marty Paich Dek-tette (aka Lulu's Back in Town), plus numerous other high-quality sessions through 1960. Additionally, Paich contributed the arrangements to altoist Art Pepper's 1959 masterpiece Art Pepper + Eleven: Modern Jazz Classics. Paich's work for both Tormé and Pepper reflected one of his greatest strengths as an arranger: making relatively small groups sound like full-size orchestras.
All Music Guide
_________________________________________________________________________________________________________________________________
WE COMBINE SHIPPING!
[the more you buy, the more you save]
International bids with PAYPAL payment only--1st Class International (airmail) shipping ONLY
All records carefully packed in LP shipping boxes with cardboard packing.
Record and inner sleeve removed from cover and put in poly-sleeve. (UNLESS SEALED)
INDUSTRY STANDARD PACKING METHOD
We've been buying and selling quality vinyl for over 15 years!
Purchases fully guaranteed! Return shipping not refunded, records must be in same condition.
Check out my other items!
price rating
