ARTHUR ALEXANDER YOU BETTER MOVE ON 1st ALBUM RARE ORIG'62 DOT MONO LP BEAUTIFUL
$
73
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Description
WE CURRENTLY HAVE NEARLY 500 LISTED ITEMS
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· ARTHUR ALEXANDER - YOU BETTER MOVE ON (ARTHUR ALEXANDER’S FIRST ALBUM – OF ONLY THREE HE’D MADE IN HIS LIFETIME) – ULTRA-RARE ORIGINAL 1962 DOT MONO LP DLP-3434
· ORIGINAL U.S. PRESSING
· ORIGINAL BLACK DOT LABEL WITH RED LOGO
· DEEP GROOVE PRESSING
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· CLEAN, WEAR-FREE LABELS
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1/-1'. ON SOME LABELS, SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD IS A COMBINATION OF HAND-ETCHED AND MACHINE-STAMPED CHARACTERS
· THICK, HEAVY VINYL PRESSING
· MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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Arthur Alexander was a wonderful deep soul and country-influenced singer. He could express the urgency and longing of a soul artist and tell a story with the sensitivity and innocence of a great country artist. The title track as well as the other cuts on this greatest-hits work were his finest from the '60s. "Anna" and "You Better Move On" were turned into bigger hits by the Beatles and the Rolling Stones.
(EXCERPT FROM AN ONLINE REVIEW BY RON WYNN, ALL MUSIC GUIDE /ALLMUSIC.COM/)
A little bit of trivia: Who was the 60’s soul artist whose intelligently crafted songs were covered by The Beatles (two songs), Rolling Stones (one song) , Ry Cooder (one song) and many, many other? If you answered James Brown or Otis Redding --- you were wrong. The answer, of course, is Arthur Alexander. Arthur passed away only 24 hours before I had a chance to see him perform live in Central Park, in the summer of 1992 (or was it 1993?). This, his first of only three albums he recorded in his lifetime (in 1964, 1971 and 1991), has him covering some of the most beautiful soul ballads and standards ever written - mostly his own. This is, literally and figuratively, everything that you ever wanted to hear by Arthur Alexander, but were afraid to ask.
For additional historical or discography information on this album, including track listing ►click here
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE SIDE 1 OF THE VINYL AS EXCELLENT. This is one of those sides that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) WE GRADE SIDE 2 OF THE VINYL AS STRONG VG++, just a notch below NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(c) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(d) The record comes in the original stock inner sleeve.
(e) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(f) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS ABOUT VERY GOOD+(+)
The following flaws or imperfections are noted on the cover:
- Cover has all three seams (top, bottom and spine) partially split, as follows:
- Top seam: between 2 and 4 inches / 5 to 10 centimeters.
- Bottom seam: less than 1 inch / 2.5 centimeters.
- Spine: less than 1 inch / 2.5 centimeters.
- Cover has some visible fraying/tattering on all three seams
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 4 (front side) and 3 (back side)
- Cover has a light "wrinkle" (crease) in one of the corners.
- Cover shows JUST A HINT of yellowing on back side, apparently from aging.
- Cover has three corners slightly worn / dinged / bent (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No writing
- No stamps
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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