AYNSLEY DUNBAR Retaliation (To Mum From Aynsley) LP LIBERTY 1969 UK orig MAYALL
£
65
$
86
Favourite Auctions
To save auctions to your favourites, please login
If you don't have an account, please register
Description
U.K. BUYERS PLEASE IGNORE THE SHIPPING COSTS MARKED ON EBAY BECAUSE WE ARE ITALIAN SELLERS
SO PLEASE DO NOT PAY IMMEDIATELY AFTER WINNING
BEFORE I SEND CORRECT INVOICE!
BEFORE BIDDING, PLEASE
CAREFULLY READ BELOW THE CORRECT SHIPPING COST!
THESE RATES ARE FOR BOXES UP TO 3 KG (1 to 5 LPs).
The shipping cost from Italy to UK and Europe from 1 up to 5 albums
is £13 with registered letter, with a sturdy and well conceived box.
The shipping cost also depends by the exchange euro/pounds.
Still, starting from the 1st of December the Italian Post increased the price for the international shipment.
We have done our best to absorb any handling fees in order to keep all international shipping rates as low as we can
PLEASE ASK FOR ANY INFORMATION
THE AYNSLEY DUNBAR RETALIATION
Of the numerous British blues-rock bands to spring up in the late '60s, the Aynsley Dunbar Retaliation
was one of the better known, though solid reception on tours did not translate into heavy record sales.
Musically, the group recalled John Mayall's Bluesbreakers during the 1966-1967 era
that had produced that group's A Hard Road album, though with a somewhat more downbeat tone.
The similarities were hardly coincidental, as the band's founder and leader, drummer Aynsley Dunbar,
had been in the Bluesbreakers lineup that recorded the A Hard Road LP.
Too, bassist Alex Dmochowski would go on to play with Mayall in the 1970s, and guitarist Jon Morshead
was friendly with fellow axeman Peter Green (also in the Bluesbreakers' A Hard Road lineup),
whom he had replaced in Shotgun Express
"RETALIATION"
Worldwide release as "To Mum, From Aynsley and the Boys", it was published in UK as "Retaliation"
Produced by JOohn Mayall
1969 LP LIBERTY RECORDS LBS 83223 STEREO
MADE IN ENGLAND ORIGINAL PRESSING
First copies were issued on the blue Liberty label
FULLY LAMINATED SINGLE SLEEVE
This version: on front cover "To Mum, From Aynsley and the Boys".
On spine and labels "Retaliation".
Barcode and Other Identifiers
Barcode: none
LABEL: LIBERTY - LIGHT/DARK BLUE LABEL - BLACK TEXT
Catalog on cover: (spine & rear) LBS 83223
Catalog on labels: LBL 83223 (Side 1 / Side 2)
Matrix / Runout (Side A, Stamped): LBL 83223 A?1 420
Matrix / Runout (Side B, Stamped): LBL 83223 B?1 420
On labels: STEREO
? 1969
Produced by John Mayall For Bam Bam Productions
rim text reads 'All rights.......Manufactured by Philips Records Ltd.'
Rights Society / Publishing: Lupus Music
On Back Sleeve: Cover/Hypgnosis
All titles by Lupus Music
A Product Of Liberty Records
A Product of Liberty/UA Records Ltd. London, England ®LIBERTY
from my records collection
tracklisting
Side A: DON'T TAKE THE POWER AWAY - RUN YOU OFF THE HILL
LET IT RIDE - JOURNEY'S END
Side B: DOWN DOWN AND DOWN - UNHEARD
SUGAR ON THE LINE - LEAVING RIGHT AWAY
grading
RECORD NEAR EX (please, also read above description)
SLEEVE VG+ but (please, see pictures and read above description)
Dunbar had expressed some interest in moving further afield from the blues-rock format
around the time the record was done, and the addition of keyboardist Tommy Eyre
(from the Grease Band) to the lineup was one step in that direction. The enlistment
of John Mayall as producer was perhaps another step in attempting to refine their sound.
Still, much of To Mum, From Aynsley and the Boys is pretty standard late-'60s
British blues-rock, in line with the previous two albums by the band. Eyre does
inject some of the arrangements with a jazzy, more R&B feel, particularly on
"Leaving Right Away" and the instrumental "Unheard," the latter of which sounds
like a rock band trying to do modern jazz and finding themselves a bit out of their depth.
You also hear the quintet trying to stretch boundaries a little with the eerie, trumpet-overlaid
intro to "Don't Take the Power Away," which has the downcast ambience
typical of quite a bit of the Victor Brox-sung Aynsley Dunbar Retaliation material.
There's also some exceptionally funereal organ in the march-plodding instrumental
"Journey's End." Otherwise, though, much of this is rather-run-of-the-mill,
if always well played, British blues-rock...(AllMusic)
price rating