Agatha Christie EVIL UNDER THE SUN Film Soundtrack LP Cole Porter Peter Ustinov
£
40
$
53
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Description
Hard-to-find sealed US import 1st release soundtrack of selections featured in the Agatha Christie murder-mystery film 'Evil Under The Sun’ (1982, dir. Guy Hamilton).
The movie starred Peter Ustinov, Jane Birkin, Maggie Smith and Diana Rigg.
Various - Evil Under The Sun (The Music Of Cole Porter) (Selections Featured in the Film) (1982)
Condition (refer also to notes at bottom):
MINT – Brand New and Sealed. Cut out tab on spine.
Label: RCA ?- AYL1-4309 Format: Vinyl, LP, Album, Import
Country: US
Released: 1982
Genre: Jazz, Stage & Screen, Pop, Score, Easy Listening, Vocal
Style: Big Band, Soundtrack, Theme, Instrumental, Contemporary
Tracklist
A1. New Glenn Miller Orchestra – Anything Goes – 2:47
A2. Tommy Dorsey And His Orchestra – I Get A Kick Out Of You – 2:49
A3. David Rose And His Orchestra – Night And Day – 3:21
A4. Tommy Dorsey And His Orchestra – Just One Of Those Things – 2:56
A5. David Rose And His Orchestra – I've Got You Under My Skin – 3:23
A6. Tommy Dorsey And His Orchestra – In The Still Of The Night – 3:20
A7. Cole Porter – You're The Top – 3:25
B1. Artie Shaw And His Orchestra – Begin The Beguine – 3:14
B2. Vaughn Monroe And His Orchestra – I Concentrate On You – 3:01
B3. Glenn Miller And His Orchestra – My Heart Belongs To Daddy – 2:35
B4. Tommy Dorsey And His Orchestra – You Do Something To Me – 2:10
B5. Glenn Miller And His Orchestra – Get Out Of Town – 2:24
B6. Tommy Dorsey And His Orchestra – It's Delovely – 2:33
Producer – Ethel Gabriel
Written-By – Cole Porter
US release.
The album liner notes read:
Elegance and glamour Porter songs are aglow with them… a Christie mystery is aflow with them… and the movies embellish Poirot with them.
Cole Porter strung the pearls of his songs over four decades. The interpretative genius of such as Artie Shaw, David Rose and Tommy Dorsey are among those who have provided settings that ensure Porter’s delicious creations will be treasured for as long as music sings.
And the sumptuous array of Porter melodies that grace this album are among all the magnificent collection adorning the soundtrack of ‘Evil Under The Sun’, a movie with the combined talents of Porter, Christie and Ustinov in dazzling array. Agatha Christie, who wrote the original (one of her many all-time best-sellers), spun mysteries as deftly as Porter wove melodies.
Now, the film-producing team of Brabourne and Goodwin have proved (with ‘Murder on the Orient Express’, ‘Death on the Nile’, ‘The Mirror Crack’d’ and the current production) that they can mint Christie anew as elegant and glamorous movies, particularly when in tandem with such stylish acting as that of a Peter Ustinov, the directorial expertise of a Guy Hamilton and the screenwriting facility of an Anthony Schaffer.
Sir Hugh Casson, elected president of the Royal Academy in 1976, has been a vital influence on the whole world of art in Britain since the 1940s. ‘Evil Under The Sun’ is asparkle from the opening credit titles, which unfold against a delightful series of his watercolour beachscapes, two of which enhance this album, displaying a skill with colour to match the wit and chic of the musical delights within.
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ITEM CONDITION - items are graded according to Record Collector definitions - see below:
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.
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