Army Of Lovers ?– Massive Luxury Overdose vinyl LP 1991 near mint condition

	£		23
	$		30

  Army Of Lovers ?– Massive Luxury Overdose vinyl LP 1991 near mint condition

Condition

Media: Near Mint (NM or M-) 

Sleeve:Near Mint (NM or M-)

Label:
Ton Son Ton ?– ARMYLP-2
Format:
Vinyl, LP, Album
Country:
Sweden
Released:
1991
Genre:
Electronic
Style:
House, Synth-pop
Tracklist
A1     We Stand United

    Backing Vocals – Erika Essen-Möller, Jean-Paul Wall, Katarina Wilczewski, Malin Bäckström, Rickard Evenlind*Co-producer, Engineer, Cymbal [Cymbals Performed By] – Per AdebrattGuitar – Anders WollbeckLead Vocals – Army Of LoversPercussion – André FerrariProducer – Alexander Bard, Anders WollbeckSaxophone – Anders GustavsonWritten-By – Bard*, Wollbeck*, Henemark*, Barda*

    3:44
A2     Crucified

    Backing Vocals – Erika Essen-Möller, Jean-Paul Wall, Katarina Wilczewski, Malin Bäckström, Rickard Evenlind*Co-producer, Engineer – Per AdebrattLead Vocals – Jean-Pierre BardaProducer – Alexander Bard, Anders WollbeckWritten-By – Bard*, Wollbeck*, Barda*

    3:32
A3     Candyman Messiah

    Co-producer, Engineer – Per AdebrattLead Vocals – La CamillaProducer – Alexander Bard, Anders WollbeckWritten-By – Bard*, Wollbeck*, Henemark*, Barda*

    3:24
A4     Obsession

    Co-producer, Engineer – Per AdebrattLead Vocals – Alexander BardPercussion – André FerrariProducer – Alexander Bard, Anders WollbeckWritten-By – Bard*, Wollbeck*

    3:39
A5     I Cross The Rubicon

    Backing Vocals – Jean-Pierre Barda, Rickard Evenlind*Co-producer, Engineer – Per AdebrattGuitar – Anders WollbeckLead Vocals – Army Of LoversPercussion – André FerrariProducer – Alexander Bard, Anders WollbeckSaxophone – Anders GustavsonVocals [Guest Vocals] – Annette (2)Written-By – Bard*, Wollbeck*, Barda*

    4:01
A6     Supernatural (The 1991 Remix)

    Backing Vocals – The Army Tabernacle ChoirChoir [The Army Tabernacle Choir Featuring] – The 69 Caruso, Vickie Benckert*, Victoria VictorCo-producer, Engineer – Per AdebrattLead Vocals – Army Of LoversProducer – Alexander Bard, Anders WollbeckSitar – Alexander BardWritten-By – Bard*, Hellman*, Jacobsson*, Frykberg*

    3:54
B1     Ride The Bullet (The 1991 Remix)

    Engineer – JM Fax, Per AdebrattGuitar – Anders WollbeckLead Vocals – La CamillaProducer – Alexander Bard, Anders Wollbeck, Emil HellmanProducer [Additional], Remix – NuzakVocals [Guest Vocals] – Katarina WilczewskiWritten-By – Bard*, Wollbeck*, Henemark*, Hellman*, Barda*

    3:42
B2     Say Goodbye To Babylon

    Backing Vocals – Erika Essen-Möller, Jean-Paul Wall, Katarina Wilczewski, Malin Bäckström, Rickard Evenlind*Co-producer, Engineer – Per AdebrattLead Vocals – Alexander BardProducer – Alexander Bard, Anders WollbeckSaxophone – Anders GustavsonWritten-By – Bard*, Wollbeck*, Barda*

    4:26
B3     Flying High

    Co-producer, Engineer – Per AdebrattLead Vocals – La CamillaProducer – Alexander Bard, Anders WollbeckVocals [Guest Vocals] – Katarina WilczewskiVocals [Syntovox Vocals] – Anders WollbeckWritten-By – Bard*, Wollbeck*, Henemark*, Barda*

    3:39
B4     Walking With A Zombie

    Backing Vocals – Gonaives Trinite Ensemble Du VoodooCo-producer, Engineer – Per AdebrattGuitar – Anders WollbeckLead Vocals – Army Of LoversPercussion – André FerrariProducer – Alexander Bard, Anders WollbeckSaxophone – Anders GustavsonVocals [Guest Vocals] – Annette (2)Written-By – Bard*, Wollbeck*, Barda*

    4:09
B5     My Army Of Lovers

    Backing Vocals – Ixi QaxiDrum Programming [Additional] – Emil HellmanEngineer [Assistant] – Per AdebrattEngineer, Programmed By – Anders HanssonKeyboards – Tim NorellLead Vocals – La CamillaMixed By, Producer – Anders Hansson, Ola Håkansson, Tim NorellRecorded By [Additional Vocals] – JM FaxWritten-By – Hansson*, Norell/Oson/Bard*, Tyrén*

    3:27
Companies, etc.

    Phonographic Copyright (p) – Ton Son Ton
    Copyright (c) – Ton Son Ton
    Printed By – SIB-Tryck AB, Norsborg
    Pressed By – DCM (3)
    Published By – Son Ton Son Music
    Published By – Sundance Music (2)
    Published By – Cloudberry Songs
    Recorded At – Sonet Studios, Stockholm
    Recorded At – SweMix Studios
    Mixed At – Sonet Studios, Stockholm

Credits

    Design [Sleeve] – Marie S-Wollbeck*
    Executive-Producer – Ola Håkansson
    Keyboards, Programmed By – Anders Wollbeck (tracks: A1 to B4)
    Management – La La La Enterprises
    Mastered By [Cut] – B.E C.R*
    Mixed By – Per Adebratt (tracks: A1 to B4)
    Other [Hair And Make-up By] – Jean-Pierre Barda
    Other [Stylist] – Camilla Thulin
    Photography By – Carl-Johan Paulin
    Supervised By [Promotion] – Jonas Holst
    Vocals, Bass – La Camilla
    Vocals, Computer – Alexander Bard
    Vocals, Drums – Jean-Pierre Barda

Notes
Recorded and mixed at Sonet Studios, Stockholm except track B1 recorded at SweMix Studios, Stockholm. Additional vocals on track B5 recorded at SweMix Studios, Stockholm.

? 1991 Ton Son Ton except track A6,B1,B5 ? 1990 Ton Son Ton.
© 1991 Ton Son Ton
Barcode and Other Identifiers

    Barcode (Text): 7 391710 011213
    Barcode: 7391710011213
    Rights Society: BIEM/n©b
    Matrix / Runout (A-side runout): ARMYLP-2-A B.E C.R DCM 910617
    Matrix / Runout (B-side runout): ARMYLP-2-A B.E C.R DCM 910617

                                                                                      how to grade records

Mint (M)
Vinyl

Absolutely perfect in every way. Certainly never been played, possibly even still sealed. Should be used sparingly as a grade, If at all.
CD

Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.
Near Mint (NM or M-)
Vinyl

A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP cover should have no creases, folds, seam splits or other noticeable similar defects. No cut-out holes, either. And of course, the same should be true of any other inserts, such as posters, lyric sleeves and the like. Basically, an LP in near mint condition looks as if you just got it home from a new record store and removed the shrink wrap. Near Mint is the highest price listed in all Goldmine price guides. Anything that exceeds this grade, in the opinion of both buyer and seller, is worth significantly more than the highest Goldmine book value.
CD

Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully.
Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.
Very Good Plus (VG+)
Vinyl

Generally worth 50% of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
CD

A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).
Very Good (VG)
Vinyl

Generally worth 25% of Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them. Goldmine price guides with more than one price will list Very Good as the lowest price. This, not the Near Mint price, should be your guide when determining how much a record is worth, as that is the price a dealer will normally pay you for a Near Mint record.
CD

Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.
Good (G), Good Plus (G+)
Vinyl

Generally worth 10-15% of the Near Mint value. Good does not mean Bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear (on a styrene record, the groove will be starting to turn white). A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But, if it's something you have been seeking for years, and the price is right, get it...but keep looking to upgrade.
CD

There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.
Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.
Poor (P), Fair (F)
Vinyl

Generally worth 0-5% of the Near Mint price. The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully seam split, crinkled, and written upon. Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.
CD

The CD (if it is included) may or may not play some or all of the tracks. See the seller's comments for details.
Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Standard Jewel Cases: Standard Jewel Cases are not graded as they are replaceable.
Generic
we use the Goldmine Standard for grading the condition of items listed in the Marketplace.

Mint (M)
Vinyl

Absolutely perfect in every way. Certainly never been played, possibly even still sealed. Should be used sparingly as a grade, If at all.
CD

Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.
Near Mint (NM or M-)
Vinyl

A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP cover should have no creases, folds, seam splits or other noticeable similar defects. No cut-out holes, either. And of course, the same should be true of any other inserts, such as posters, lyric sleeves and the like. Basically, an LP in near mint condition looks as if you just got it home from a new record store and removed the shrink wrap. Near Mint is the highest price listed in all Goldmine price guides. Anything that exceeds this grade, in the opinion of both buyer and seller, is worth significantly more than the highest Goldmine book value.
CD

Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully.
Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.
Very Good Plus (VG+)
Vinyl

Generally worth 50% of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
CD

A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).
Very Good (VG)
Vinyl

Generally worth 25% of Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them. Goldmine price guides with more than one price will list Very Good as the lowest price. This, not the Near Mint price, should be your guide when determining how much a record is worth, as that is the price a dealer will normally pay you for a Near Mint record.
CD

Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.
Good (G), Good Plus (G+)
Vinyl

Generally worth 10-15% of the Near Mint value. Good does not mean Bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear (on a styrene record, the groove will be starting to turn white). A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But, if it's something you have been seeking for years, and the price is right, get it...but keep looking to upgrade.
CD

There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.
Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.
Poor (P), Fair (F)
Vinyl

Generally worth 0-5% of the Near Mint price. The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully seam split, crinkled, and written upon. Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.
CD

The CD (if it is included) may or may not play some or all of the tracks. See the seller's comments for details.
Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.

Standard Jewel Cases: Standard Jewel Cases are not graded as they are replaceable.