BACH Messe In H-Moll 3 LP, NM/NM, HELMUTH RILLING Bach - Collegium Stuttgart
$
25
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Description
Condition:
J. S. Bach* / Bach - Collegium Stuttgart*, Gächinger Kantorei Stuttgart,Helmuth Rilling, Auger*, Hamari*, Kraus*, Schöne*, Nimsgern* ?– Messe In H-Moll - Mass In B Minor - Messe En Si Mineur Bwv 232
Label: CBS Masterworks ?– 79307 Format: 3 × Vinyl, LPBox Set
Country: Germany Released: 1977 Genre: Classical Style: Baroque
Tracklist
Messe In H-Moll A1 1. Kyrie Eleison 12:25 A2 2. Christe Eleison 5:50 A3 3. Kyrie Eleison 4:12 B1 4. Gloria In Excelsis - 5. Et In Terra Pax 6:10 B2 6. Laudamus Te 4:51 B3 7. Gratias Agimus Tibi 3:00 C1 8. Domine Deus 6:45 C2 9. Qui Tollis 3:43 C3 10. Qui Sedes 6:32 C4 11. Quoniam Tu Solus 5:47 C5 12. Cum Sancto Spiritu 4:10 D1 13. Credo In Unum Deum - 2:43 D2 14. Patrem Omnipotentem - 2:13 D3 15. Et In Unum Dominum 5:47 D4 16. Et Incarnatus Est 3:57 D5 17. Crucifixus 4:01 D6 18. Et Resurrexit 4:12 E1 19. Et In Spiritum 6:16 E2 20. Confiteor 6:00 E3 21. Et Exspecto 2:17 E4 22. Sanctus 5:35 F1 23. Osanna In Excelsis 2:45 F2 24. Benedictus 5:47 F3 25. Osanna In Excelsis 2:52 F4 26. Agnus Dei 6:45 F5 27. Dona Nobis Pacem 3:43Credits
- Art Direction – Allen Weinberg
- Baritone Vocals – Wolfgang Schöne
- Bass Vocals – Siegmund Nimsgern
- Choir – Gächinger Kantorei Stuttgart
- Composed By – Johann Sebastian Bach
- Conductor – Helmuth Rilling
- Engineer – Henno Quasthoff
- Liner Notes – Georg von Dadelsen
- Orchestra – Bach - Collegium Stuttgart*
- Producer – Hans-Joachim Daub
- Recording Supervisor – Richard Hauck
- Soprano Vocals – Arleen Auger, Julia Hamari
- Tenor Vocals – Adalbert Kraus
Notes
box-set cont. 28 page bookletrecorded Gedächtniskirche, Stuttgart, april/august 1977
Liner notes in English, German and French
Made in Germany
Printed in Holland
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GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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