BACH Sonate Nr. 1- 6 Für Violine Und Cembalo, 3 10 inch LP's NM/EX SCHNEEBERGER

$

100

Bach* ?– Bach. Sonate Nr. 1 H-Moll, Nr. 2 A-Dur

Label:

Bärenreiter-Musicaphon ?– BM 25.R 901

Format:

Vinyl, 10", Mono 

Country:

Germany

Released:

1960

Genre:

Classical

Style:

Baroque

Tracklist

Sonate Nr. 1 H-Moll Für Violine Und Cembalo BWV 1014

A1 Adagio

A2 Allegro

A3 Andante

A4 Allegro

Sonate Nr. 2 A-Dur Für Violine Und Cembalo BWV 1015

B1 Andante

B2 Allegro

B3 Andante Un Poco

B4 Presto

Credits

Composed By – Bach*

Johann Sebastian Bach, Hansheinz Schneeberger, Eduard Müller ?– Sonate Fur Violine Und Cembalo: Nr. 3 E-dur BWV 1016 / Nr. 4 C-moll BWV 1017

Label:

Bärenreiter-Musicaphon ?– BM 25 R 902

Format:

Vinyl, 10", Album 

Country:

Germany

Released:

Genre:

Classical

Style:

Tracklist

Sonate Nr. 3 E-dur BWV 1016

A1a Adagio

A1b Allegro

A1c Adagio Ma Non Tanto

A1d Allegro

Sonate Nr. 4 C-moll BWV 1017

B1a Largo

B1b Allegro

B1c Adagio

B1d Allegro

Companies, etc.

Recorded At – Studio Dr. Thienhaus, Hamburg-Blankenese

Credits

Design Concept – Annelise Keller

Harpsichord – Eduard Müller

Liner Notes – Alfred Dürr

Violin – Hansheinz Schneeberger

Johann Sebastian Bach, Hansheinz Schneeberger, Eduard Müller ?– Sonate Fur Violine Und Cembalo: Nr. 5 F-moll BWV 1018 / Nr. 6 G-dur BWV 1019

Label:

Bärenreiter-Musicaphon ?– BM 25 R 903

Format:

Vinyl, 10", Album 

Country:

Germany

Released:

Genre:

Classical

Style:

Baroque

Tracklist

Sonate Nr. 5 F-moll BWV 1018

A1a (Largo)

A1b Allegro

A1c Adagio

A1d Vivace

Sonate Nr. 6 G-dur BWV 1019

B1a Allegro

B1b Largo

B1c Allegro (cembalo solo)

B1d Adagio

B1e Allegro

Companies, etc.

Recorded At – Studio Dr. Thienhaus, Hamburg-Blankenese

Credits

Design Concept – Annelise Keller

Harpsichord – Eduard Müller

Liner Notes – Alfred Dürr

Violin – Hansheinz Schneeberger

Notes

Recorded July 1960

GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.