BADALAMENTI, Angelo/VARIOUS - Lost Highway (Soundtrack) - Vinyl (2xLP)
£
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$
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Angelo BADALAMENTI/VARIOUS
Lost Highway (Soundtrack)(gatefold 180 gram audiophile vinyl LP + insert)
Music On Vinyl
Cat: MOVATM 101. Rel: 21 Nov 16
Soundtracks
Side 1 - Track 1. David Bowie - I'm Deranged (edit) Side 1 - Track 2. Trent Reznor - Videodrones; Questions Side 1 - Track 3. Nine Inch Nails - The Perfect Drug Side 1 - Track 4. Angelo Badalamenti - Red Bats With Teeth Side 1 - Track 5. Angelo Badalamenti - Hunting & Heartbreaking Side 1 - Track 6. The Smashing Pumpkins - Eye Side 2 - Track 1. Angelo Badalamenti - Dub Driving Side 2 - Track 2. Barry Adamson - Mr Eddy's Theme 1 Side 2 - Track 3. Lou Reed - This Magic Moment Side 2 - Track 4. Barry Adamson - Mr Eddy's Theme 2 Side 2 - Track 5. Angelo Badalamenti - Fred & Renee Make Love Side 2 - Track 6. Marilyn Manson - Apple Of Sodom Side 3 - Track 1. Antonio Carlos Jobim - Insensatez Side 3 - Track 2. Barry Adamson - Something Wicked This Way Comes (edit) Side 3 - Track 3. Marilyn Manson - I Put A Spell On You Side 3 - Track 4. Angelo Badalamenti - Fats Revisited Side 3 - Track 5. Angelo Badalamenti - Fred's World Side 3 - Track 6. Rammstein - Rammstein (edit) Side 4 - Track 1. Barry Adamson - Hollywood Sunset Side 4 - Track 2. Rammstein - Heirate Mich (edit) Side 4 - Track 3. Angelo Badalamenti - Police Side 4 - Track 4. Trent Reznor - Driver Down Side 4 - Track 5. David Bowie - I'm Deranged (reprise)
Since its release in 1997, David Lynch's neo-noir-horror, Lost Highway, has become something of a cult classic. The accompanying soundtrack album, here reissued on weighty double vinyl, is similarly revered in some circles. Put together by Nine Inch Nails' frontman Trent Reznor, composer Angelo Badalamenti, and punk-turned-producer Barry Adamson, it's a mish-mash of darkly intense songs (Bowie, Smashing Pumpkins, Lou Reed and Rammstein all contribute), and the kind of creepy, other-worldly soundscapes that have always been a feature of Lynch's work. It's arguably the latter tracks, composed by Badalementi and Adamson, which remain creepily potent all these years on.
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