BADEN POWELL SWINGS W/JIMMY PRATT LP ORIG BRASIL BOSSA NOVA GUITAR 1967 ELENCO

$

40

BADEN POWELL SWINGS W/JIMMY PRATT LP ORIG BRASIL BOSSA NOVA GUITAR 1967 ELENCO

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RARE 1967 BADEN POWELL SWINGS W/JIMMY PRATT LP ORIG BRASIL BOSSA NOVA GUITAR BY ELENCO

33 1/3 RPM VYNAL LP

 ME-4 

MONO RECORDING

EXCELLENT CONDITION FROM A SMOKE FREE HOME

                          RECORD WAS PRODUCED BY  ELENCO

I HAVE PLAYED BOTH SIDES, AND THEY SOUND GREAT...SIDE B HAS SOME LIGHT SCRATCHES, BUT CANNOT HERE ON THE RECORDING

NO RESERVE

i JUST FOUND 150 OF THESE OLD SOUTH AMERICA RECORDS IN THE ESTATE OF A NEIGHBOR THAT SPENT  YEARS IN THE 1960'S IN BRAZIL AND ARGENTINA...WHILE THERE HE COLLECTED SOME OF EACH COUNTRIES RECORDS AND TREATED THEM AS COLLECTABLE RECORDINGS     WITH CARE

I WILL START LISTING MORE SOON

Baden Powell de Aquino was born in Varre-Sai in the state of Rio de Janeiro, Brazil. His father, a scouting enthusiast, named him after Robert Baden-Powell. When he was three months old, his family relocated to the Rio suburb of São Cristóvão. The new surroundings proved profoundly influential. His house was a stop for popular musicians during his formative years. He started guitar lessons with Jayme Florence, a famous choro guitarist in the 1940s. He soon proved a young virtuoso, having won many talent competitions before he was a teenager. At age fifteen, he was already playing professionally, accompanying singers and bands in various styles. As a youngster, he was fascinated by swing and jazz, but his main influences were firmly rooted in the Brazilian guitar canon.

In 1955, Powell was playing with the Steve Bernard Orquestra at the Boite Plaza, a nightclub within the Plaza Hotel in Rio, where his skill got the attention of the jazz trio playing across the lobby at the Plaza Bar. When Ed Lincolnneeded to form a new trio, he asked Powell to join on guitar to become the Hotel Plaza Trio. Powell brought in Luiz Marinho for bass duties as well as a fourth member of the "trio": Claudette Soares on vocals. Powell, Lincoln and their young musician friends took part in after-hours jam sessions, gaining notice in the growing Brazilian jazz scene.[2]

Powell achieved much wider fame in 1959 by convincing Billy Blanco, an established singer and songwriter, to put lyrics to one of Powell's compositions. The result was called "Samba Triste" and quickly became very successful. It has been covered by many artists, including Stan Getz and Charlie Byrd in their seminal LP Jazz Samba.

In 1962, Powell met the poet-diplomat Vinicius de Moraes and began a collaboration that yielded some true classics of 1960s Brazilian music. Although bossa nova was the prevailing sound of the times, the partnership Baden-Vinicius wanted to transcend the then-fashionable sound by syncretizing Afro-Brazilian forms such as Candomblé, Umbanda and Capoeira with Rio de Janeiro's Samba forms. The most enduring result is a series released as an LPin 1966 under the name "Os Afro-Sambas de Baden e Vinicius". During those years, he studied advanced harmony with Moacir Santos, released recordings in the Brazilian labels Elenco and Forma, as well as in the French label Barclay and the German label MPS/Saba (notably, his 1966 Tristeza on Guitar, considered by many to be a high point in his career). In addition, he was the house guitarist for Elenco, and of the celebrated singer Elis Regina's TV show "O Fino da Bossa".

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