BAKERLOO -1st UK Press Harvest 1969 Original EX+ Vertigo swirl Pink Floyd NO EMI
  £   400
  $   530

 


£ 400 Sold For
Mar 29, 2021 Sold Date
Mar 21, 2021 Start Date
39   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description


BAKERLOO 

HARVEST

1st UK Press 1969

SHVL 762

Machined matrices:  SHVL 762 A-3U / SHVL 762 B-3U


NO EMI on the label.




One of the very rarest psych/blues/prog albums from the UK, on par as far as quality and rarity is concerned with Spirogyra's "Boots, bells, ..."and also Comus's "First utterance" , although the style, of course, is very different, any time this album comes up for sale there is a sense of excitement. This one is nice, very nice, an archive copy to treasure, please read on .




 Very Rare and this classic early Harvest album will rarely be seen or offered in such amazing condition again. The cover goes beyond beautiful, just look at the artwork and the stunning condition, it will prove near impossible to find better these days. The record, apart from a couple of odd paper scuffs (as light as they ever get) and storage traces (yes this is rather old, but totally defies it), is wonderful and plays the same.  I doubt if this has seen daylight for many years, it looks like it was stored under perfect conditions. Truly a remarkable copy and just one of several from this amazing collection. This collection has always been stored in a proper archive cabinet and inside a protective sleeve. These progressive gems and classics are to be treasured, they rarely ever show up these days or made available for sale especially like this.



Earliest psych/prog/folk gem and one of the most prized and wonderful albums from the vintage Harvest catalogue, a label noted for its progressive music and one of the most difficult to find.  This is from the same collection as the Forest albums I auctioned a few weeks ago. This indeed has the earliest matrices.  From 1967 the psych wave was drifting into all forms of music from pop to folk and was no exception. Groups like the Incredible String Band (ISB) started the revolution and others like Dr Strangely Strange, Spirogyra. Forest and Bakerloo followed their lead. Their career was pushed forward by John Peel and eventually they got their chance with the progressive Harvest label, this debut was recorded at the Abbey Road studio, all the songs were original and brilliantly captivating. 


Founded in Tamworth, UK in 1968 (Initially as 'Bakerloo Blues Line') - Disbanded in 1969
The line-up then was Dave 'Clem' Clempson on guitar and vocals, Terry Poole on bass and John Hinch on drums. Initially they stuck to a largely blues based set, yet like so many of the innovative acts of the era grew tired of the formula and began to experiment. They attracted Black Sabbath's future manager Jim Simpson, and attracted a considerable following- enough to win them a slot on John Peel's BBC Radio 1 show 'Top Gear'. However, there was a touch of Spinal Tap syndrome with drummers as Hinch was replaced with a multitude of players until they finally settled on Keith Baker. They also decided to drop the 'Blues Line' and became the shortened Bakerloo, and were put on a package tour called 'Big Bear Ffolly' (which inspired Bakerloo's song of the same name) with other local bands Tea and Symphony, Locomotive (another highly innovative proto prog combo) and Earth, who would of course later evolve into the massively successful Black Sabbath.
They recorded their album prior to getting a record deal under the aegis of legendary, recently deceased producer Gus Dudgeon yet eventually, Simpson secured a deal with the new 'progressive/underground' imprint Harvest Records, which housed the likes of Pink Floyd, Edgar Broughton Band and aforementioned fellow Brummies, Tea and Symphony. Though the album received very enthusiastic reviews and the band had a sizeable cult following, it sold little. This was a shame, because it remains a genuinely 'progressive' album with blues, jazz, classical and heavy rock meeting head-on, yet seamlessly. However, internal ructions ripped the band apart anyway and despite some line-up reshuffles, with noted rock drummer Cozy Powell joining the band. That line-up lasted a small amount of time before Jon Hiseman, who had been impressed with Clempson's guitar prowess, invited him to join the legendary jazz rock combo Colosseum. Keith Baker joined Uriah Heep for their classic 'Salisbury' album and Terry Poole turned up on blues/jazz rock innovator Graham Bond's albums of the era. Clempson, after Colosseum split, went on to work with heavy rockers Humble Pie who were a massive success, and Rough Diamond with ex-Uriah Heep singer David Byron, who were not. Clempson continued to work with a variety of artists. However, the other members seemingly fell off the radar after the 1970s. Still, Bakerloo's one and only album (a real collector's item in original vinyl format) is a definite underrated classic and has a lot to offer fans of the genre.


Why this artist must be listed in www.progarchives.com : Bakerloo were a genuinely progressive act- they took the experiments of bands like Cream and Ten Years After one step further by adding stronger elements of jazz and classical into their blues rock based music. Considering the album came out in 1969, it's way ahead of the pack. (from: progarchives.com)


Gatefold Sleeve: NM. Fantastic looked after outside laminated E.J. Day sleeve without any issues. Beautiful deep unfaded colours. A superb iconic gatefold sleeve with the fantastic artwork. NO creases at all, just over the counter condition!! A  superb thick spine without any wear. The opening is super crisp. NO tears and NO splits The album has been kept in a protective sleeve!!  No writing no marks no stains etc!! The opening is still crisp and the top and bottom edges are totallyunworn. This is an upgrade copy. Probably  the best you will ever find for this insanely rare album. A phenomenally scarce album and rumoured to only have been pressed in a quantity of 400 to 500. How many would have survived over the last 52 years??


Vinyl: EX+. This seems only very lightly played. There are no marks and I could only find one wispy totally inaudible hairline on side 1. On replay, on my Linn Sondek/Rotel/B&W setup,  the album sounded out of this world. NO background noise and NO jumps or sticks etc. The stereo sound is incredible and a testament to the quality of the very heavy pre-oil crisis vinyl of 1969.


International postage will incur an extra fee for tracking if over £30.00. Please wait for me to send you an adjusted invoice before paying. The tracked fee will be at actual Royal Mail grade. I do not profit from postage and actually undercharge.


 

Though there are rarely ever any problems with my items, I always try my very best to describe everything exactly!  PLEASE REMEMBER to contact me FIRST,  if you have any problems at all, before you leave feedback and star ratings, so I get a chance to turn any negative experience into a positive one!  I can always happily sort anything out for you, if you let me know you have a problem!  This way no one has to leave Negative/Neutral feedback - and we both walk away happy! Similarly with the amount of stars, anything less than a full 5 * rating is effectively detrimental to a seller's rating as lower ratings will incur higher Final Value Fees  and lower priority in the bidlists eventually making it unattractive to list items on Ebay at all. I know of at least one major previous Ebay seller who has decided not to list via Ebay again. Please do NOT bid if you cannot give me at least 1 chance to sort everything out to your FULL satisfaction in the unlikely event of a problem.  Thanks again!!

 

 

This an excellent investment opportunity!!! Any questions please ask me and I will try to answer soon.

 

 

 

 

 

 

 


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